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Famous Lunch

by Chris Acker

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  • Record/Vinyl + Digital Album

    140g color vinyl with printed innersleeve

    Includes unlimited streaming of Famous Lunch via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 3 days
    Purchasable with gift card

      $25 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Famous Lunch via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 2 days
    Purchasable with gift card

      $15 USD or more 

     

  • Cassette + Digital Album

    Includes unlimited streaming of Famous Lunch via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 4 days
    Purchasable with gift card

      $10 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 24-bit/96kHz.

      $9.99 USD  or more

     

1.
oh! to be held in stillness and warmth my ears below the bath water i start to hum cuz i feel her like a pulse in a cut on my thumb and i hear you brushing i hear you brushing your tongue she stayed around for hours- my dishonesty and still i wanna keep you- my hypocrisy how we'd match our breath in the upstairs room and we'd hold together 'til i smelled like you but now it smells like i stepped in it smells like i stepped in it shit surprise Laurie wraps her lips around a boiled egg i can hear her jaw pop while I'm 10 inching the bread the record came out but it didn't come through i went back to getting parsley and cilantro confused if you're gonna do it you have to know how and i thought i'd grow up to love you by now sometimes it smells like i stepped in it smells like i stepped in it shit surprise
2.
As rare as the tears that his dad cried so was his and his dad's time so he would act far out of line just to feel the weight of those stubborn eyes moved too much to keep a friend save for Will Philian him and Will haven't talked much since Will became an Amway man stole the motor off a mower at a country club built a mini bike and made it run no one would catch him in Evanston except the hands of his dad that fell on him cuz those stubborn eyes looked for him in his his and they wound up disappointed so he didn't look for him in me just the man that his wouldn't let him be now he eats saltines watching tv peanut butter on his wedding ring she's his reason she's his wish she's quiet but with a quicker wit getting in a word most times leaves us inpatient as a buffet line he speaks loud and i speak quick we're left with our feet between our lips i follow whims like birds carry seeds keep my closest close to me he envies all he gives what wasn't done for him and i'd run on a stretch of sand in a child's mind it never ends those stubborn eyes grew soft to see him when he saw me saw his son again
3.
Here I go just swimming in my calvins because I like the way they fit me when i go swimming in my calvins because they are very complimentary here i go just swimming in my calvins because i like the way they fit me when i go the water is warm and brown when i come home and I lay down and you turn your body into me i hold you below your belly button and you make the softest sound quiet as putting in a bookmark softer than thinking about new socks quiet as - oh you make a wonderful sound mosquitoes always go for the ankles i ate milk duds with my braces my mom would pack me tuna sandwich everybody knew me for that everybody everybody everybody everybody everybody they knew me for this Here I go just swimming in my calvins because I like the way they fit me when i go swimming in my calvins because they are very complimentary here i go just swimming in my calvins because i like the way they fit me when i go the water is warm and brown
4.
Bunn Machine 02:29
he said i could still stay even if i didn't partake he didn't touch he just paid to watch them do it themselves once in a while he'd ask me to leave come back to someone showering they'd dry off and they would leave with 20 more dollars than they'd had it was cream of mushroom on bunny bread all his dogs limped like him parrot in a cage said like he'd say we won't amount to much today we'd start out each morning picking out a DVD go next door for coffee and drink drip from the Bunn Machine I'd stay out most nights come home late and he'd turn on his light said you can't do this more many times and when i did he showed me out it was cream of mushroom on bunny bread all his dogs limped like him parrot in a cage said like he'd say we won't amount to much today he got sick and the neighborhood changed went out to his brothers place in slidell he passed away drinking drip from the bunn machine it was cream of mushroom on bunny bread all his dogs limped like him parrot in a cage said like he'd say we won't amount to much today
5.
wrinkles like your unmade bed around your eyes closed in a fit laughing at what you said about the way one another is and you get up from where you sleep say that you're hungry but all that's left is tangerines and all the while you talk with me these parentheses around our smiles hold that secret vague and tired and i don't ever speak of it cuz nothing ever came of this those pomegranates i keep for you lay them on the linen and they bleed right through when i ask whats to be down you say that its up to one and its true you say don't do nothing for me buddy you wouldn't do for you before i join the day i hear my street smell the tar in the heat i'm mpoving forward on my heels i fear we've begun to feel that all that you can ask of me is a conversation meandering how you of all feels the consequence of my unskillfullness still i see yours when i close mine i'm drawing my finger along your spine crossing the room in your underwear turning the light off by the stairs your face beside a candle like a corner house under turning headlights what you'd like to see from me doesn't mean a thing if we don't agree its true you say don't do nothing for me buddy you wouldn't do for you
6.
Back tat peaking from the left of her strap cursive proverb under the flag she is pumping gas in the august air her bumpers asking me why I'm still here all this time this time i drive injury lawyers on the pine tree line i was pissing on some bubble gum like a brain spinning cartwheels where its stuck i get so tired that i see tails on words that i know are still until i feel like i can't spell manufactured addiction to a grid full of pictures i can endlessly fantasize all my friends undress online i hold it close up to my face and fall asleep in a crooked shape and i'd like to be on rocheblave with the the back door open by the stove big dumb house in the window doing dishes in the glow all this time this time i drive injury lawyers on the pine tree line i was pumping gas in the august air smells like the underside of a fingernail
7.
Don't you know who i think i am i am everybody's friend tho that depends i will pretend as not to offend you and them and everyone we know my heart overflows and my kindness knows that there is no inconveniencing all i long for from myself i keep i say no like an apology before you i'll make a joke of me so humiliating it will prove to be a display of my vulnerability i keep my company carefully and that takes upkeep just to seem like you are there to see everybody all i long for to myself to keep and i say no like an apology don't you know who i think i am i am everybody's friends tho that depends i will pretend as not to offend
8.
One was on two were out Game 6 of '86 with a 3-2 count Mookie Wilson hit a dribbler up the first base line bottom of 10 and the game was tied Little roller went through Billy Buckner's legs the winning run scored from second just minutes ago there was no one Bob Stanley's wild pitch and it all went wrong In Vallejo California public housing lawns Bill and his brothers played wiffle ball the boys and their sister and their mother Marie lived with the temper of their fathers drink Marie worked for the highway patrol Leonard was their Little League Coach when his habit drove him off the road Marie was left to raise 4 alone so Bill gave himself to school and baseball big bushy eyebrows, 6 feet tall drafted the Dodgers in '68 he was in the lineup by the new decade aggressive and competitive a self critical perfectionist known not for his great success only for that ball he missed One was on two were out Game 6 of '86 with a 3-2 count Mookie Wilson hit a dribbler up the first base line bottom of 10 and the game was tied let a life defined by one mistake be remembered as an unfair blame they'd already thrown the win away and there was still one more game to play
9.
Eyelash 05:01
there's an eyelash on her left cheek big long dog laying across her legs thin stretched clouds and the jasmine asleep with a book open in her hand me with my sense of self so fragile took so much just to let her in teeth touched on smiles between the kisses she knew you then you lose your love just tryna keep it you hurt her worse being afraid to don't let yourself get sentimental if you won't love her everyday still I'd claim confusion but that's so lame to justify the casualty to your indifference deserves a real answer this time you didn't ask the world of me but baby weren't we fun? then i gave up before you after asking to try again you lose your love just tryna keep it you hurt her worse being afraid to don't let yourself get sentimental if you can't love her everyday there's an eyelash on her left cheek big long dog laying across her legs don't let yourself get sentimental if you won't love her everyday if you can't love her everyday if you won't love her everyday if you can't love her everyday
10.
11/8/23 02:50
over there on the cutting board chunks of garlic are stuck where they dried and on the windowsill a neglected yam has roots from its pores starting to climb but the aromatics- the carrots, the shallots- are de-glazing in white wine the smell of good fat grease, rice and peas, citrus and blackened spice a car bench seat sits beside the sink wedding invitations on the fridge and that broom that hasn't been used..since the last time I used it stove clock reads 13 to 2 o'clock where upon time will continue to build on time memories like beads on a string how they used to hang in a line memories like beads on a string how they used to hang in a line i imagine altercations and fantasize some situation where a good friend does me wrong but tonight I'll see him at the bar where I meet him and forget I think so crazy at all your glasses shine when your face laughs with mine I wanna do just as you do and in the inevitable ever when we're no longer together I'll still find all my strength in you i take plessy around the train where I used to do it all for the fun its november 8th and like every other day its unlike any other one its november 8th and like every other day its unlike any other one

about

Chris Acker’s latest collection of songs, Famous Lunch is, in his words, a “growing pains album.” When writing the record, Acker found himself hunting for a voice that wasn’t just an imitation of the one he’d been using on the last 30 songs he’d made. “At the same time, I worked hard to find a certain voice for myself over the previous 3 records and I didn’t want to abandon that.”

While the album finds him continuing to transcribe life’s fleeting and provocative banalities with refreshing grace, the songs on Famous Lunch are intentionally more absurd, stylizing his lyricism as both poetic and disarming simultaneously— commencing with “Shit Surprise”—an earworm with a vernacular that stays true to its title. Inspired by George Saunders and Sasha Pearl (and wanting to make a song that sounds like Eagles saying the word “shit” over and over), “Shit Surprise” is the most Chris Acker song possible, in that its earnestness arrives in spades and comes varnished with a one-of-a-kind, spectacular gnarliness. “We’d match our breath in the upstairs room and we’d hold together ‘til I smelled like you,” Acker sings, before nose-diving into that unforgettable chorus about stepping in a smelly, disgusting pile of shit.

“It was definitely the first record I had to make while working and trying to be a real musician,” he says. Across the record’s 10 songs, Acker is joined by his Growing Boys bandmates Zach Thomas (bass), Nikolai Shveitser (pedal steel), Dave Hammer (guitar, vocals), Sam Gelband (drums, vocals), and Howe Pearson (piano). They made the album in December 2023 in the same place where their debut Re-Runs was recorded on a reel-to-reel more than seven years ago. “It’s a fun full-circle moment,” Acker says. “We really wanted to do another fully live record in that room, but, we’re a way different band now, so it was especially cool.”

Many of these 10 songs are about an appreciation for closeness, no doubt a product of Acker having written many of them in pieces while on the road and during a two-week residency in Butte, Montana in the spring of 2023. On a track like “Swimming in My Calvin’s,” Acker takes a pause from musing about making swimtrunks out of underwear to meditate on the intimate warmth shared between lovers (“When I come home and lay down and you turn your body into me, I hold you below your belly button and you make the softest sound”). Album centerpiece “Wouldn’t Do For You (Buddy)” Acker sings about “drawing my finger along your spine, crossing the room in your underwear” and a face next to a candle that looks like “a corner house under turning headlights.”

Though none of the songs on Famous Lunch came to Acker in a dream like “If I Needed You” did to Townes Van Zandt, the music sounds like the environment it was composed in: in-between self-booked gigs and late-night crashes on cross-continent couches, with different routines in different cities for years. When Acker sings about “doing dishes in the glow” or “follow[ing] whims like birds carry seeds” or “the inevitable ever when we’re no longer together,” you can hear the pages and pages of Moleskin journals being ripped through. He calls it “frankensteining” songs, the act of cobbling together memories—both drunken ramblings and clear-eyed yearnings—into poems with new lifespans, tape-hiss fadeouts, and plucky introductions.

Famous Lunch contains some of his best work yet (“Stubborn Eyes,” “Wouldn’t Do For You (Buddy),” “Eyelash”) and some raucous, bar-ready new joints (“Don’t You Know (Who I Think I Am),” “Cursive Proverbs”). Caught someplace in-between the cowboy laments of Jerry Reed and the tender-hearted annals of Gram Parsons, Acker puts his world on a clothesline and lets it dry out in the sun. Famous Lunch is full of confusion and fragility, but it’s also full of love not taken for granted and a profoundly familiar ache for domesticity and a clock turned backwards.

But, more than anything else, Famous Lunch finds Chris Acker at his most sentimental and grateful, as he sings about Bunn coffee machines, gas pumps smelling like “the underside of a fingernail” in August, “10-inching” bread, stealing country club lawn-mower motors, father-son fables, impatient buffet lines, and a broom that “hasn’t been used since the last time I used it.” Acker’s eye for detail remains, and his lexicon includes phrasings that spin out like a hypnotic wash cycle (“quiet as putting in a bookmark,” “these parentheses around our smiles,” “fall asleep in a crooked shape”). Seeing the world through his eyes, language remains something worth falling into—growing pains and all.

credits

released October 11, 2024

all songs written by chris acker, arranged with the growing boys

the growing boys are
Chris Acker- vocals, guitar
Zach Thomas- bass
Nikolai Shveitser- pedal steel, acoustic guitar and dobro
Dave Hammer- electric and acoustic guitars, vocals
Sam Gelband- drums, vocals, acoustic guitar
Howe Pearson- piano

Engineered by Anders Christophersen
Mixed by Ajai
Mastered by Timothy Stollenwerk at Stereophonic Mastering
Produced by Chris Acker and Sam Gelband

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about

Chris Acker New Orleans, Louisiana

Chris Acker is originally from Washington state but spends most his time writing songs in New Orleans and performing with the Growing Boys

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