1. |
Somersaults
04:32
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2. |
NYC
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3. |
CMC
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4. |
Triumph
03:21
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5. |
Bella
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6. |
The Thing You Did
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7. |
Wrong To Suffer
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8. |
Stay Forever
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9. |
Love For M
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10. |
Marie's Last Dance
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supported by 6 fans who also own “Somersaults”
The most interesting music, to me, is not bound by genre but partakes of what is necessary to convey the desired vision. Sitting at the crossroads of shoegaze, post-rock, and black metal, with a dash of electronica to boot, this sounds like nothing else and I love every minute of it. Dark and brooding, yet simultaneously hopeful and yearning. Just crazy good.
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supported by 5 fans who also own “Somersaults”
such a dreamy and atmospheric album great to be immersed in and just feel it, hope they release a new album soon
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supported by 4 fans who also own “Somersaults”
This is my first real exposure to Deafheaven. I've always heard their name in the margins and have always been aware of their popularity. But, this just came along at the right time, I guess. I'm really liking this kind of metallic shoegaze-y thing right now. Maybe I'll check out some of their older stuff but I think this is really good. The deep tones, textures and atmosphere are absolutely top-shelf stuff
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From L.A. comes the latest from post-rock outfit bondo, with tendrils of spindly guitar snaking through arid percussion.
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Prathloons' latest combines the melancholy of legacy slowcore acts with the poetic, emotional touch of contemporary acts like Big Thief.
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90s alternative of the Pacific Northwest persuasion is given a lushly lo-fi update on this existential guitar record from Prathloons.
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supported by 4 fans who also own “Somersaults”
I think this is the best Outlander work for me despite being a bit too short comparing to "Valium Machine". The sound here is speechless
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