is it a hot take to say that i think you need to understand why something is bad, not just that it simply is?
ALT
this is a part of the problem
you need to be able to explain why you shouldnt use ai rather than “oh well its obviously bad and you shouldnt use it or else youre a bad person” because that isn’t logic. “ai generates child porn based off of real children and whether or not it does is entirely up to how it is built and if pedophiles are able to find ways around those safeguards, because ai cannot in itself discern right from wrong” is a genuine criticism. “amazon tried to build a data center the size of tuson outside of tuson just to power their ai that would’ve increased the inability to stay alive outside in parts of arizona” is a genuine criticism. even “using generative ai teaches you not to learn how to do things yourself even when they’re difficult, devaluing necessary skills out of practice” is a genuine criticism when you look at the amount of people who think they are able of doing a difficult major when they couldnt write their own papers in high school.
but “ai is just bad because it’s bad” will convince no one and is a morally lazy position to take. about anything!
you need to know why reading someone’s diary is wrong if you want to learn about privacy and respect. you need to know why child sexual assault is wrong if you want to be able to help children form healthy age appropriate relationships. you need to know why capitalism is bad if you want to replace it with something else. you need actual concrete ideas and ideologies rather than “you should agree with me because i have the right vibe”
i fucking hate being an adult with a slowly increasing number of responsibilities its like one day you wake up and youre like aw fuck when was the last time i descaled the coffee machine
“theres gonna be a power outage tomorrow welp i better boil some water in advance!” “oh gee looks like its time to vacuum the carpet!” GET REAL?????? YOU SOUND INSANE
someday youre gonna be out of baking soda when it matters most and its gonna destroy you
There are two schools of thought on the locked tomb series; there are the people who took tazmuir at her word when she said gideon had a longsword and drew it as such; then there are the people who know what a longsword is and know that the thing gideon swings is at the bare minimum a fucking claymore.
gentle reminder for those that belong to the former school of thought
It’s standard practice on the Ninth for luggage trunks to be capable of fitting one adult skeleton
All the other houses at the spaceport: “Surely the Ninth can’t be as morbid and terrifying as they all say…”
Gid just casually walking down the ramp with an actual casket as her luggage: “‘Sup nerds.”
so ummm welcome to my jar:) lemme show you around! theres some holes poked in the top so i can breathe, theres some leaves to munch on, and ive even got a twig! #mytwig
happy one year of this post. and from the bottom of my heart. i did not know what i wrought
art history will be like “this is the most revolutionary painting of its time!” and you will look at it and is just a normal painting of a lady sitting under a tree and then an art historian will explain “this is the first time a painting ever used this specific shade of blue which challenged all understood conventions of how to depict light and launched a movement known as auzureism, and also the lady is looking at a sparrow which in its time it was a sign of fierce sexual liberation and it was considered scandalous” and then you find out the painter was expelled from the academy of art of stockholm because of the painting and that the king of sweeden paid three thousand marcs (equivallent to ten million dollars now a days) to have the painting in his room and the painting still looks like a generic painting of a lady under a tree
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
The last time I played Puck, the director was a huge freak about not letting us wear shoes on stage because it would “ruin the look”, but we all kept eating shit, and instead of just letting us wear skintone dance shoes or something with grip, motherfucker poured Pepsi on the floor so it’d be sticky and we had to schlorp around. I fucking hate you, David.
Why couldn’t this have been a one time I dreamt
Coking the stage (mopping it with diluted soda so it’s a little sticky) is a legitimate low-budget tactic for slick floors, but he just poured so much Pepsi on the floors that for about a whole week, it was audible.
Maybe the course of true love would run a little fucking smoother if we didn’t have to ford your Pepsi river, DAVID.
I would just quit. Fuck people like that. It’s easy to walk away
No it’s not. Didn’t you read the post? There was dried Pepsi everywhere.
ALT
ALT
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