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Drifted Vol. 4

by Wahn

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olivier_lehoux
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olivier_lehoux Avec Drifted Vol. 4, WAHN pousse sa série au bord de la nuit blanche : basses profondes qui aplatissent le temps, nappes qui rampent comme des nuages trop bas, pianos furtifs qui fissurent l’obscurité et laissent passer un espoir fragile. On ne flotte plus seulement entre rêve et réalité : on habite enfin ce paysage intérieur, entre lacs laiteux, machines somnambules et souvenirs qui refusent de s’effacer - Chronique sur solenopole.com/wahn-drifted-vol-4/ Favorite track: Somewhere in myself.
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Substak Drifted Story continues ...

Well done Favorite track: The Quiet Stalker.
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1.
Echoes of the Long Night 04:56
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2.
Silent Guardian 04:42
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3.
Sorry 05:38
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4.
Somewhere in myself 04:40
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5.
Where we were 04:48
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6.
Pale Lake 04:22
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7.
Broken Machinery Dreams 04:00
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8.
Whispers of Light 04:12
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9.
All That Lingers 04:32
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10.
The Quiet Stalker 05:56
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about

[Album]
Drifted Vol. 4 continues Wahn’s journey into immersive, bass-driven ambient. Each volume of the series is released on a different label in a different country, tracing fragile lines of connection across borders. After France, Bulgaria, and Germany, the path now extends to Japan, with his first release on FORM@ RECORDS.

This new chapter softens the darkness without abandoning it. Heavy sub-bass grounds the listener, felt as much in the body as in the mind, while slow-motion textures unfold like tides of memory. The atmosphere is still intimate and melancholic, yet more open, letting light pierce the surface. Piano notes, scattered like brief illuminations, bring moments of breath and reflection amidst the weight of sound.

Drifted Vol. 4 is both continuation and transformation—anchored in the rhythmless, cinematic essence of the series, but reaching toward new emotional depths, new geographies, and a more fragile hope.

[Bio]
In the enigmatic alleys of Rennes, amidst the mist-laden whispers of the Breton coast, Wahn emerges as a character of note. For a quarter-century, he has navigated the electronic soundscapes, fiercely advocating for his beloved genres: IDM, ambient, and bass.

Unyielding against the currents of musical trend, Wahn stands as a bulwark of authenticity. Not merely a solitary figure, Wahn finds solace and strength within the Labtop Session collective, a bastion of electronic expression in the heart of Rennes. Together, they stand as guardians, defending the very essence of electronic music against the encroaching tides of commodification and homogenization.

His studio productions bear the mark of a craftsman unafraid to defy convention. In the literary tapestry of Bretagne's cultural landscape, Wahn stands as a protagonist in the ongoing narrative of artistic expression and individuality.
--- Wahn (linktr.ee/only_wahn)

[Discography]
Drifted Vol. 1 [AFTER AFFECTS REC/France]
afteraffectsrec.bandcamp.com/album/drifted-vol-1

Drifted Vol. 2 [Mahorka/Bulgaria]
mahorka.bandcamp.com/album/drifted-vol-2

Drifted Vol. 3 [Adventurous Music/Germany]
adventurousmusic.bandcamp.com/album/drifted-vol-3

credits

released November 25, 2025

Composed, produced and mastered by Wahn
Artwork by Erwan Charier

FRMT033/SA
(C) 2025 Wahn
(P) 2025 FORM@ RECORDS/SLIT ART

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all rights reserved

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about

FORM@ RECORDS image

FORM@ RECORDS Tokyo, Japan

Pronounced "Format" is Japanese label releasing techno, house, ambient, IDM, and abstract sounds on CD and File download since 1996.
In addition, the predecessor was the non-genre μ-NEX Label, which produced demo tapes on cassette tapes from 1994 to 1996. ... more

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