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Constellation Records

Spine

by Kee Avil

supported by
magoski
magoski thumbnail
magoski The Old Woman tends her pallet garden. Her voice is picked up by the hydrophones and folded into the morning broadcast. She kneels, smoothing the soil.
She sings to herself.
The whispers, once screams,
"Roots remember what walls forget.
Roots remember what walls forget."
She repeats the words ... until they become chant
These planks are not ruins, they are memory.
The fungi in shadow, the flowers in sun—
they speak louder than the soldiers,
louder than the tourists,
louder than the silence.
Brandon Cunningham
Brandon Cunningham thumbnail
Brandon Cunningham This is what it feels like to wake up from hibernation early. Chilly, but warm, with little mushrooms growing on you. In you? Happily you see a hidden sun beam, and go back to sleep.
Craig R. Chojnicki
Craig R. Chojnicki thumbnail
Craig R. Chojnicki Crease and Spine are so freaking good!🩵
Tampertronics
Tampertronics thumbnail
Tampertronics Sinister, vulnerable, sparse and funky deconstructions of rock music Delicate melodies hide in amongst the snapping guitar riffs, drones and occasional sub-bass noise. There's a great sense of tension in these songs. A great, super-serious album, one of the highlights of the year. Favorite track: Felt.
Dan Purcell
Dan Purcell thumbnail
Dan Purcell Spine has equal degrees comforting unfamilarity and intoxicating strangeness in obstuse proportionality. Makes for music that can be inbibed both in an active decompositional attitude and a passive mediatative one. Worth the expediture of a few of your preciously earned electrons.
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    Canada: $2 first item, $0.50 each additional
    International: $8 first item, $1 each additional

    Please be aware that VAT or other taxes/duties *may* be levied by your country on orders outside North America. This is random and out of our control.

    Includes unlimited streaming of Spine via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 3 days
    Purchasable with gift card

      $15 USD or more 

     

1.
Felt 04:14 video
2.
the iris dry 03:56
3.
remember me 03:36
4.
5.
Fading 04:10
6.
Gelatin 03:54 video
7.
showed you 03:30
8.
at his hands 02:58
9.
under 04:24
10.
Croak 05:34

about

Kee Avil’s music is both adventurous and intimate, intellectually challenging and emotionally resonant. The Montréal guitarist and producer’s 2022 debut LP Crease garnered plaudits from outlets like The Wire, The Quietus, Mojo and Foxy Digitalis, picking up a Canadian Juno Award nomination and Bandcamp Album Of The Day and Albums Of The Year along the way. Its intricate construction, unnerving atmospheres, and knife-edge take on avant-pop prompted comparisons to early PJ Harvey, This Heat, and Gazelle Twin. A remix EP with work by claire rousay, Ami Dang, Cecile Believe, and Pelada brought collaborative perspectives to four Crease tracks, offering new pathways within those songs.

On Spine, her sophomore album, Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it folk—and while traditionalists might scoff, this is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions that have become the fabric of our day-to-day experiences.

There’s a hypnotic post-punk somnambulance to it all, using the repetition and fracturing of melodic phrases interwoven with delicate electronics to create curious and persistent hooks. While not a concept album, themes of time’s passage, remembrance, and decay crop up across multiple tracks. Each track intentionally only has four elements—guitar, electronics, and two other instruments, with Kee’s voice and guitar pushed to the front. Within this minimalist framework, the juxtaposition of beauty and discomfort that is key to the Kee Avil sound stands out in skin-prickling relief. “We’re shaped by many versions of ourselves,” says Avil. “I was looking back at these versions of myself and what could have been, what didn’t end up being and what did end up being, and going back like that through time. Seeing the future, the past.”

Spine was written in Kee Avil’s home studio after a lapse in writing while touring Crease and working on other projects. She is a well-known and respected member of the Montréal experimental scene, and formerly ran Concrete Sound Studio with Zach Scholes, who continues to work with her as a producer on Spine. Compared to the three years that went into making her debut, Spine emerged in a matter of months—a process that may also be a factor in its intensity and sharpness: “This record was much harder, like it was really discovering everything from scratch.” In her desire to not simply replicate or extend the sound of Crease, she felt she had to rip up the rule book, write in a different way, and pare back songs against her usual instincts.

Sometimes, when we work against our ingrained habits, we get to the core of who we really are. Spine is an exercise in that process. Without over-intellectualizing or being didactic, it hits immediately and emotionally, especially if you are a person who has spent much time in the process of self-examination. Kee’s voice hisses, whispers, and chants; her guitar bends and rings; electronics skitter and crackle; violin creaks like a door in the wind. There is something so evocative about the atmospheres she creates that it’s easy to overlay one’s own feelings onto her work, but to do that wholly would be to overlook one of the most important things about Spine: Kee Avil’s clear and thoughtful vision. This isn’t just the next step forward in her artistic trajectory; it’s a stunner of a record that stands on its own, a bracing and thrilling listen that has much to reveal about the contradictions inherent in being human.

jj skolnik, February 2024

credits

released May 3, 2024

Songs by Kee Avil.

Strings on tracks 6 & 7 by Mark Molnar.
Double bass on tracks 3 & 6 by Raph Foisy.
Samples on track 6 by Antoine Simard + Matthieu Gilbert-Thévard.

Produced by Kee Avil and Zach Scholes.
Recorded and mixed by Zach Scholes.
Mastered by Guy Hébert at Concrete Mastering.

Mold by Jacqueline Beaumont.
Artwork photography by Fatine-Violette Sabiri.
HMU by Carole Méthot.
Art direction by Kee Avil.

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Kee Avil Montreal, Québec

Kee Avil combines guitar, voice, and electronic production into deconstructed songs merging avant-pop, glitch, and experimental folk.

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