Some people start living at 30. Before that, they were only surviving - doing what was expected, breathing without meaning, moving through years like borrowed clothes that never fit. Some people die at 20. Not in body, but in spirit. Their laughter becomes routine, their dreams shrink, and life turns into a series of obligations they never chose. Some restart at 40. After loss. After heartbreak. After realising that staying alive isn’t the same as living. They gather themselves slowly, like broken glass learning how to reflect light again. Time is a concept humans created - a calendar to make sense of chaos, a clock to convince ourselves there is order. But life doesn’t follow numbers. In the end, it’s never about age. It’s about when a person finally chooses to be alive. ~ farah

the average rap battle has nothing on people who are still deeply in love after twenty years
From The Witches are Coming, by Lindy West.
And I worked with a man called Squidward. And he was a Protestant man, but we were the best of friends. But by God, he was crabid as a bag of cats. He was an auld grump. And he’d be big into the flutes and the Oboes and things like that. He lived in a big stone head.
you really do have to watch the video, it’s everything
A PULSE. A BEAT. A SONG. LISTEN TO THE UNIVERSE SING.
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
the author’s poorly disguised unchallenged ideas about how the world works, what is natural, what should go without saying
rb with your most common recurring theme in your nightmares. mine is pregnancy
BJ has a very clear understanding of Objectives unfortunately he lacks that level of comprehension when it comes to tactics methods procedures etc. Thus: his Behaviors.
this is the single best description i have ever heard for a cat
he is Calculating
Sometimes I mourn the great content we would have had on this site if The Old Guard 2 had been any good.
fic writing becomes so much more fun when you realise u can just write whatever the fuck you want. and no one can stop u
You start fighting wolves, and before you know it, everyone you don’t understand is a wolf.
WAKE UP DEAD MAN: A KNIVES OUT MYSTERY
Dir. Rian Johnson