The Hiveworks Artists Guild has released a statement alleging various incompetence and mismanagement in Hiveworks leadership. You should read the whole thing, but the main claims are

• Hiveworks leadership was a forbidden enigma of mystery and no one knew what the fuck was going on at any time.
• Hiveworks spent money inappropriately, most notably Xel using Kickstarter money to make a"large personal purchase".
• Less dramatically but still bad, money was spent on ads for comics that were long-dead instead of active ones [This is the only claim I can say 100% is true; I've seen ads for dead comics on Hiveworks sites a lot and have long been confused by it]
• Hiveworks leadership were just generally huge assholes
• Hiveworks staff has not been getting paid, and Hiveworks has $17,000 in unpaid wages floating, and $340,000 in debt.
• Support Hiveworks Artists in this trying time
• Don't spread speculation and rumors

Pretty much every claim made here has been floating around for years, so I believe every word of this, and know how difficult it is for the Hiveworks Artist Guild to stand up so officially like this. If you know any struggling Hiveworks artists that you like, maybe now's a good time to throw 'em a few bucks on Patreon.

The Hiveworks Artist Guild has released a public statement alleging years of labor abuses, financial mismanagement, and misconduct at Hiveworks at the hands of Xellette “Xel” Velamist and Isabelle “Isa” Melançon. Read their full statement HERE

Attached image is their logo, no credit (artists asked to not be credited).

The Hiveworks Artist Guild Statement on Hiveworks Comics (& my own experiences below)

Hey there friends and readers, I thought it was important to share this open letter from the Hiveworks Artist Guild regarding both the state of Hiveworks and the treatment of creators throughout its history. If you've looked for my comic on the Hiveworks site or my book in the Hivemill store and found it missing, this is a good overview of why I left. (Never fear, it's still at its usual home of gothwestern.com.)

I'm putting more details on my own experience below, covering how the process of getting GOTH WESTERN to print took longer than the entire run of the comic. It's under a readmore because it's fairly long. Even if you skip it, I encourage you to read the open letter linked above. Other former Hiveworks creators are also sharing their experiences on various platforms, so please give them your support. It's been a heck of a ride getting here.

Keep reading

Why I Left Hiveworks

For anyone who ever wanted to know why I and many of my friends left Hiveworks, please read the above open letter that we, the members of the Hiveworks Artist Guild, have penned and shared with the Cartoonist Co-op.

My fellow webcomic creators at Hiveworks were amazing - and their vast reserves of hard work and creativity were used and abused in so many ways. The above Guild Letter is the result of 3 years of trying to save something we thought was worth saving. We failed in one way, but we succeeded in others. Please listen to my peers as they tell their own stories, and support their comic journeys away from Hiveworks. For many, their stable foundation is now gone.

Below the cut is a transcription of my posts from today over on Bluesky, for anyone on Tumblr who wants to see and share. It's long, but it's all here. Please read the open letter before reading my testimony, just for some extra context. My story is one tiny part of a much larger whole.

Thank you for listening to us.

Keep reading

White Noise has updated!

Read it here! | Read WN from the beginning | WN on Patreon

Duh, Vlad.

White Noise is a longform weekly webcomic about a group of queer monsters trying to make a life against a backdrop of social unrest. Arc 1 is complete and available to read online now!

The Trouble with Hiveworks: an Open Letter

It's been a long ten years and I finally get to talk publicly about what happened behind closed doors.

Please take the time to read this letter linked above and please avoid working with these people. You are more valuable than an opportunity for people like them to use you as cash cow for your work.

Three years ago, I was approached by many artists at Hiveworks asking if their mistreatment was normal. That their feelings of horrible self worth within the company was really just a 'them' problem.
Turns out, it was unfortunately normal in that we ALL felt that way.

Stolen funds, reworked projects without permission, favouritism, opportunity sabotage- These were the common occruances over at Hive. Artists felt used, ignored, and walked all over to pay Hives bills and ego. People didn't know what to do.
I helped co-found the guild in response to so many artists feeling this way, and we slowly gathered together to make a better Hive. Yeah, that's right- we thought we could help change and save the company if we all colaborated, hurt set aside and transparency deeply needed.
Unfortunately, that wasn't in the cards. We spent 3 years going back and forth with staff to understand the debt, the mistreatment, the empty promises only to realise that the staff who was left to deal with the mess (because the CEO and COO went hands off or left) couldn't fix what was destroyed.

Hiveworks was supposed to be a beacon for webcomickers. It was supposed to be an indie opportunity to flourish in the small ways we can. But it became yet another example of a greedy publisher who saw an opportunity to take and take and take.
It was also a vanity project for Isa and Xel too. They wanted the prestige of working in 'publishing' but didn't care a lick about the artists who brought readers in. If you were someone she thought was an artistic threat, Isa would go out of her way to humble you and put you in your place.
That happened Many MANY times to me and my fellow creators. Not only was Hive using our work, it also would remind us how worthless we were in the same breath. Everything felt like some sort of competition, and Isa and Xel made sure artists didn't talk to ecahother about it too. So many instances of the two of them going around gossiping in public about 'the real story' when it came to their mismanagment and inability to handle their job. They would use someone else as a scape goat and pretend they did all they could. It was highschool stuff.

As for my particular case, I was the bane of their existance apparently. I was rumoured to be out for Isas job because artists would go to me for support and she hated that. I was apparently trying to ruin things because I saw those cracks.
Squeaky wheel and all that. I took the risks I did, i didn't care about being 'everyone's friend' or missed out on 'the connections' because I didn't want to play that game. Artists were feeling used, stolen from, and neglected. I spoke up, and many others started to feel safe to do so too.
The more we shared stories (and man, there are HORROR stories) the more we realised that the inner workings of Hive were more tangled than we thought. Our years of organising lead us to approach the cartoonist co-op for extra help. We tried our best to do what we could for Hive to survive.

After we were hit with the 'actually we're in a quarter of a million in debt' and they wanted us to help financially (while owing artists and staff money) it was the curtain call for Hive as a company.
Isa left the sinking ship previously to avoid responsibility, and Xel ghosted the rest of us.
All of this is to say that these kinds of people who promise the world with your work and take advantage are such a common and frustrating thing in not only comics, but all creative avenues.
And speaking up and against them is the only way to make these cycles stop.

Please support the artists who were affected by this. Please spread the word and speak up against people who use artists like this. Hiveworks is an example in a sea of greedy people who want our work to inflate their ego.
Don't let them forget we can bite back, and without us, THEY are nothing.

The Trouble with Hiveworks: an Open Letter

It's been a long ten years and I finally get to talk publicly about what happened behind closed doors.

Please take the time to read this letter linked above and please avoid working with these people. You are more valuable than an opportunity for people like them to use you as cash cow for your work.

Three years ago, I was approached by many artists at Hiveworks asking if their mistreatment was normal. That their feelings of horrible self worth within the company was really just a 'them' problem.
Turns out, it was unfortunately normal in that we ALL felt that way.

Stolen funds, reworked projects without permission, favouritism, opportunity sabotage- These were the common occruances over at Hive. Artists felt used, ignored, and walked all over to pay Hives bills and ego. People didn't know what to do.
I helped co-found the guild in response to so many artists feeling this way, and we slowly gathered together to make a better Hive. Yeah, that's right- we thought we could help change and save the company if we all colaborated, hurt set aside and transparency deeply needed.
Unfortunately, that wasn't in the cards. We spent 3 years going back and forth with staff to understand the debt, the mistreatment, the empty promises only to realise that the staff who was left to deal with the mess (because the CEO and COO went hands off or left) couldn't fix what was destroyed.

Hiveworks was supposed to be a beacon for webcomickers. It was supposed to be an indie opportunity to flourish in the small ways we can. But it became yet another example of a greedy publisher who saw an opportunity to take and take and take.
It was also a vanity project for Isa and Xel too. They wanted the prestige of working in 'publishing' but didn't care a lick about the artists who brought readers in. If you were someone she thought was an artistic threat, Isa would go out of her way to humble you and put you in your place.
That happened Many MANY times to me and my fellow creators. Not only was Hive using our work, it also would remind us how worthless we were in the same breath. Everything felt like some sort of competition, and Isa and Xel made sure artists didn't talk to ecahother about it too. So many instances of the two of them going around gossiping in public about 'the real story' when it came to their mismanagment and inability to handle their job. They would use someone else as a scape goat and pretend they did all they could. It was highschool stuff.

As for my particular case, I was the bane of their existance apparently. I was rumoured to be out for Isas job because artists would go to me for support and she hated that. I was apparently trying to ruin things because I saw those cracks.
Squeaky wheel and all that. I took the risks I did, i didn't care about being 'everyone's friend' or missed out on 'the connections' because I didn't want to play that game. Artists were feeling used, stolen from, and neglected. I spoke up, and many others started to feel safe to do so too.
The more we shared stories (and man, there are HORROR stories) the more we realised that the inner workings of Hive were more tangled than we thought. Our years of organising lead us to approach the cartoonist co-op for extra help. We tried our best to do what we could for Hive to survive.

After we were hit with the 'actually we're in a quarter of a million in debt' and they wanted us to help financially (while owing artists and staff money) it was the curtain call for Hive as a company.
Isa left the sinking ship previously to avoid responsibility, and Xel ghosted the rest of us.
All of this is to say that these kinds of people who promise the world with your work and take advantage are such a common and frustrating thing in not only comics, but all creative avenues.
And speaking up and against them is the only way to make these cycles stop.

Please support the artists who were affected by this. Please spread the word and speak up against people who use artists like this. Hiveworks is an example in a sea of greedy people who want our work to inflate their ego.
Don't let them forget we can bite back, and without us, THEY are nothing.

Welcome to The Webcomic Library!

Hiya peeps! My name is Luma (Xe/Xem) and I run the Webcomic Library, a database and general comics project. I've been running the Library for 7 years and overtime have been able to read many comics, meet creators from all around the world, and learn so much in the process. I'm passionate about webcomics as a storytelling medium and I wanna share that with you all!

The biggest part of the Webcomic Library is the Database. Over the years I have been able to document over 2000 series. I tag by a range of categories including more basic info like where a comic is published and its genre to more in depth information like LGBT+ representation and content warnings. I have over 300 tags so far to help you find a series that you'll love!

Of course, I do more outside of the database. I'm active on Tumblr, Twitter, and Bluesky boosting comics, sharing resources, and general comic ideas and news. I also currently have a discord for people in the community to meet (PM for an invite), I've run a virtual convention in the past, and collaborated with many platforms and collectives including Hiveworks, Webtoon, and Screentones. Thanks to the work I do here, my dayjob currently is at Tapas as a Content Moderator . The Webcomic Library is currently actively archived by the Library of Congress, including my Tumblr, as part of their efforts to document the broader comic community. To put simply: I get around!

Being a one person project I do a lot of legwork to maintain and expand my efforts. That being said, I could always use help and support to bring the Webcomic Library to heights I couldn't achieve on my own. You can help this project by:

• Following on social media and Tagpacker
• Submitting new series to the database and helping updating current entries by following this submission sheet
• Buying books in the Webcomic Library's Bookshop and Amazon Storefronts
• Donate directly via Ko-Fi
• Sharing this project with others!

I'm really proud of everything I've done with the Webcomic Library over the years. I love working to bring stories to others and support the creators that make them. The plans I have to continue bringing that passion to yall is exiting and I'm elated to share what I have in store. If you're interested, I'd love to have you join me in this journey!

I know I haven't posted regularly on this blog in years but I'm not seeing a whole lot of posts on this site about what's happening in Minneapolis right now. And the posts I am seeing are not covering the scope of it. I'm genuinely surprised because tumblr is usually where I find out about things organically through my feed. So I'm making a post about it.

A brief summary of events, from someone who pays attention and also lives here, best taken with a grain of salt and some fact checking:

2020: George Floyd is murdered by Minneapolis police. There are weeks of protests about it. It makes national news. Protests happen in DC. The infamous Trump and his bible photo shoot happens.

2024: Gov. Tim Walz is Kamala Harris' running mate in the presidential election. He starts the "they're just weird" thing. Is folksy, Trump personally hates him.

November 2025: ICE starts showing up to "crack down" on "illegal immigrants" in our Somali community. I may remember the numbers wrong, but something like 90% of our Somali neighbors are either naturalized or were born here. People distribute ICE whistles and are on high alert. Localized to the twin cities.

December 2025: Nick Shirley is paid by a bunch of MN Republicans to do an exposé on daycare fraud. I didn't hear much about this. All I really know is this was an ongoing investigation that MN officials were already taking care of and some of the guilty parties have already gone to court from a COVID era food assistance program. Mostly, if not all, legal US citizens. He did a really bad job at doing journalism and just showed up to day cares with a camera crew and went "YUP nobody's here" as if they weren't in lock-down procedure because some fuck ass white men showed up with camera equipment that could easily be mistaken for guns. I believe. I will fact check all of this and will correct myself in a reblog if necessary. (source but not all the details that I remember hearing about but they said there was no recorded evidence of fraud)

Conservative internet explodes. Kristi Noem sends a mess of agents. I know it's more than a thousand more. They call it Operation Metro Surge. They are going everywhere. There are protests. People try to interrupt the arrests. It's a lot.

1/7/2026: Renee Nicole Good is shot by an ICE agent in the middle of a protest. A few blocks away from where George Floyd was killed. Broad daylight. In front of a crowd. While she was following instructions to turn her vehicle around. Jonathan Ross, the piece of shit Nazi who did it, was recording on his phone the whole time, switched his phone to his non dominant hand so he could more effectively shoot her in the face from 2 feet away. Claims self defense, several angles immediately disprove him. He releases his video, he calls her a "fucking bitch" as her corpse drives away. Does not help him at all. (source) He has not been seen since. Some photos/reports exist of a bunch of agents showing up to his house and taking some tubs and art away. His wife is an immigrant. (source but it's the daily mail so grain of salt.)

Not hours later they go raid a school and tear gas a bunch of kids. (source). Minneapolis has switched to distance learning. I'm not sure about St. Paul.

The last week: There are up to 3,000 ICE agents here. Keep in mind Minneapolis and St. Paul only have 600 or fewer police officers each. So these dudes are roaming in packs. It's 2-4 dudes to a car and 2-5 cars per pack. People are "commuting with" ICE agents to honk and alert people that they're there. People are going on patrols with their neighbors.

ICE is no longer asking "are you a citizen." They are simply walking up to you and taking you into custody. They are going door to door. They have started just breaking the door down if you don't comply. They are driving recklessly to just grab pedestrians and drivers alike (source). People are afraid to go get groceries. It's all over the state. I am learning names of cities in places I thought were just factory farm land and I've lived here my whole life because they're doing raids there. I had to text my family in the suburbs because I saw reports of my small little hometown an hour away getting door knocks today.

It's insane and I am not doing it justice. There are thousands of masked federal agents roaming around all of Minnesota with no warrant or specific goal. They are just trolling around looking for people. They are detaining anyone and everyone. They are beating people. They are pepper spraying people. They are kidnapping people. They are acting unconstitutionally, aggressively, and unpredictably. They are creating situations that are dangerous so that they can try to justify beating or shooting their way out. I will run an errand and then get fed a tiktok that was shot from the Cub Foods that I just left and there's 20+ ICE vehicles parked there now. They're taking people from work, from day care, from schools, from shopping centers.

Iceout.org tracks ice sightings. This is a screen shot with the date set to 12/1/2025.

And from today.

They have cut off SNAP and WIC benefits. Just for us. Not any other state, just Minnesota. They're saying it's because of fraud but I think it's because they hate that we use federal funds to give free breakfast and lunch to every public school student.

And this is breaking just now, 1/13/2026: the DOJ is trying to investigate Renee Good's widow. 4 people have resigned about it. (source). I don't even want to read the article to see what they're saying.

So that's a brief history.

Unicorn Riot is doing a lot of good reporting and they don't seem to have the spin that a lot of local news stations will have where they downplay everything. This article specifically goes into a lot of the specific instances of brutality.

It's also a rumor on TikTok that all of the videos of ICE and protests and the such and the like are being geo locked. So my feed is all footage of people being detained and talking about the "commuting" they're doing and what they're seeing but people outside of the state are not seeing it. So if you're also on that infernal app, try searching for Minneapolis or Minnesota and see what you see. I'm kind of curious if this is true. Because I've been living and breathing ICE and doomsday prepping content for a week. I'm sure those two topics aren't connected.

I don't really know what my goal with this post is. I'm tired. I'm in the first ring of suburbs, so it's been pretty quiet. But I have friends in south Minneapolis. And I'm worried for them. And I know it's a matter of time before my quiet pocket is affected. Because they're coming door to door.

Pay attention to Minnesota, I think an example is being made of us.

An Interview with Hanif Abdurraqib