1. |
Swim in the ocean
04:20
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LETS SWIM IN THE OCEAN RIDE THE ROCK DIG WITH FEATHERS
SWIM IN THE OCEAN RIDE THE ROCK FLY WITH FEATHERS
SING WITH YOU, WITH YOU, WITH YOU WITH YOU.
LETS SWIM IN THE OCEAN WE’LL RIDE THE ROCKS
LETS SWIM IN THE OCEAN
LETS SWIM IN THE OCEAN WE’LL RIDE THE ROCKS
LETS SWIM IN THE OCEAN WE’LL DO THE THING WE DO.
AND ALL I THOUGHT WAS HOW BETWEEN THE THOUGHT THE LADY IN THE CLOUD. I WAS ALONE AND I FOUND A PHONE ME AND THERE YOU AND I LAY AWAKE JUST LIKE THERE AND THEN.
LETS SWIM IN THE OCEAN WE’LL RIDE THE ROCKS
LETS SWIM IN THE OCEAN
LETS SWIM IN THE OCEAN WE’LL RIDE THE ROCKS
LETS SWIM IN THE OCEAN
LETS SWIM IN THE OCEAN WE’LL RIDE THE ROCKS
LETS SWIM IN THE OCEAN
WE’LL DO THE THING WE DO.
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2. |
Spell breaker
05:58
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The old ways are leaning in
They hear my song
Leaf and wind are on my back
Shooing me along.
The old ways are leaning in
The old ways are leaning in
They hear my song
Leaf and wind are on my back
Shooing me along
Spellbreaker you
Spellbreaker you
Meet the shadows calling forth
Living on a wing and a prayer
Hallelujia
Hallelujia
Hallelujia
Meet the shadows calling forth
Living on a wing and a prayer
Living’s a long time coming
Enjoy it while I’m here
It might break me
It might fall on me
The might of it is great oh mighty stone
It might break me
It might fall on me
The might of it is great oh mighty stone
The old ways are leaning in
They hear my song
Leaf and wind are on my back
Shooing me along
Shoo shoo. Shoo shoo. Shoo shoo. Shoo shoo
Shoo shoo. Shoo shoo. Shoo shoo shoo shoo
Hallelulia Hallelulia Hallelulia
Spellbreaker you
The old ways are leaning in
They hear my song
You spellbreaker you
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3. |
Voices
04:30
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I hear me voices calling
The world is a sound
The world
Who will wind blow
Who will wind blow
Ooh, come home.
Come home come home
Bring me home
Bring me home
Bring me
Bring me
Hey a ro ho ya hey o
Hey a ra ho la ho ra
Hey a ro ho ya hey o
Bring me home
I hear me voices calling
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4. |
Cold light
03:25
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A geologist told me the stone is metamorphic
It’s more than four hundred million years old and has been through many ice ages, extreme heat and pressure
This extra hard metamorphic rock made good mill stones and that is what this stone seems to have been. A mill stone used for centuries for grinding oats and barley. The oats were grown for food and rent and the barley was eaten and drunk.
May thy will be done on our earthly shrine
Shimmer and shine, shimmer
Shimmer and shine, shimmer
Holy stone how shimmer and shine
What have you seen oh holy stone how you shimmer and shine
May thy will be done on our earthly shrine
What have you seen oh holy stone
Holy stone how you shimmer and shine
What have you seen oh holy stone how you shimmer and shine
May thy will be done on our earthly shrine
What have you seen
What have you seen
So many layers
So many layers
So many layers
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5. |
Whole
04:39
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I’ve been feeling this stone for seven long years. It meets me in my deepest place. I love the feel of it, cold and hard yet so alive and light. But I’m also scared it might become a millstone around my neck.
I feel it says sing me, sing the whole of me. The whole of me? The whole of me or the whole in me? I am to find the hole in me and sing from there, the whole of sorrow, the whole of dread, the hole through which we need to pass, the hole through which we are living, see the whole story. Holy moly.
This felt like a huge task, that’s why I circled back live on Lismore to be quiet enough to hear the stone and just stop. Stop wanting, stop making, do nothing, get bored, listen to the hole in me.
It was time to be alone, to make stone tables for the birds to feed from, to watch the fire, to sleep, to swim in Killecheran loch.
I needed to recalibrate. Tune in and tune up. Because I had tuned out.
I’d returned to a habit from back in the day, of having a toke, a smoke as a way of relaxing my body, releasing my mind from the crazy world and the daily grind. Maybe I’d have been fine if I’d held it at bay, but no, that didn’t happen, that wasn’t the way. It got under my skin and I just couldn’t stop and from morning I’d smoke until night when I dropped. I knew I was hiding, avoiding the glare of the news and, well, I was scared.
But I’d also been ‘digging where I stand’, with ancestral energies from this land and so up come these feelings and meet me head on, the shame is unbearable, its tail is so long and it’s roots are so deep I just wanted to sleep.
.
And the fear of going mad, devotion to stone, I can’t even look after a pot plant at home. I’m not equipped with the knowledge I need, I know nothing of flowers or trees or seeds. What is this pull towards land and stone and what is this journey I must do alone? If I am to drop into this deep hole. Lord, carry me through and protect my soul.
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6. |
Let me down gently
03:52
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LET ME DOWN GENTLY, LET ME DOWN SLOW
YOU LANDED ME HERE A LONG TIME AGO
STONE IS MY BELLY
TREES ARE MY LUNG
ROOTS ARE MY FEET
LEAVES ARE MY TONGUE
LET ME DOWN GENTLY, LET ME DOWN SLOW
YOU LANDED ME HERE A LONG TIME AGO
WATER MY BELLY
AIR IN MY LUNG
TREES MY LEGS
FRUIT MY TONGUE
WATER MY BELLY
AIR IN MY LUNG
TREES ARE MY LEGS
FRUIT MY TONGUE
PEOPLE COME AND GO, RETURNING TO THE EARTH
LET THE DYING DIE, LET THE MOTHERS BIRTH
OH DARK LIGHT, DARK LIGHT WHEN WILL THIS BE DONE
OH DARK LIGHT, DARK LIGHT WHEN WILL THIS BE DONE
LET ME DOWN GENTLY, LET ME DOWN SLOW
YOU LANDED ME HERE A LONG TIME AGO
YOU LANDED ME HERE A LONG TIME AGO
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7. |
Come to my senses
02:24
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THROUGH THIS FOG OF SMOKE AND MIRRORS
THROUGH THIS MURKY, DUSTY DEN
MOTHER NATURE COME TO MY SENSES AGAIN
HEAR THE PEEWIT’S SONG ON HIGH
TURN MY EYES TOWARD THE SKY
TOUCH THE EARTH, BREATHE THE AIR
COME TO MY SENSES AGAIN
FEEL THE BITE AS I STEP OUT THE DOOR
WATCH THE BIRDS HOVER AND SOAR
AND THE BREEZE AS IT BENDS THE SAPLINGS AND TREES
COME TO MY SENSES AGAIN
COME TO MY SENSES, SENSES, SENSES AGAIN )
It may look like I’ve left but I’ve not gone away
That’s what I do, that’s how I sway
‘cause I know that I’ve fallen into a trap
but it was for the journey to return and come back
TO MY SENSES, SENSES, SENSES AGAIN
BACK TO MY SENSES, SENSES, SENSES AGAIN
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8. |
Bird on the wing
03:58
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Look in deep. What do you see.
I see snake, I see bear, I see bird on the wing
I see snake I see bird on the wing, bird on the wing
I see snake I see bear I see bird on the wing, bird on the wing
I bear, bare it all can you bare it bare it all,
I see snake I bear, I see bird on the wing, bird on the wing
What have you come to teach me Spirit bear, Spirit bird, Spirit snake?
Lie, rest and hibernate
Fly, turn your wings to the wind. Learn to see in the dark
Shed a skin. When you’re ready shed a skin.
Oh Spirit snake what’s to be shed, what’s to be let go what’s to the be let in?
Come to your senses.
I see snake I see bear I bird on the wing bird on the wing
I see snake I bird on the wing bird on the wing
I see snake I bird on the wing bird on the wing
I see snake I bird on the wing I bird on the wing
I see snake I see bear I bird on the wing bird on the wing
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9. |
One String
02:09
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SEE THE ROPE TIED AND TAUT
ASKING US TO TIE A KNOT
RISE, RISE UP AND SING
WE ARE THE SOUND OF ONE STRING
SEE THE STONE HANGING LOW
ASKING US TO TAKE IT SLOW
ROOTED TO THE EARTH WE SING
WE ARE THE SOUND OF ONE STRING
SEE THE HAZEL STANDING STRONG
PROTECT US AS WE SING ALONG
THREE CHANNELS RISE WITHIN
WE ARE THE SOUND OF ONE STRING
EVERYONE ONE A LIVING STONE
BUILDING NOW A HOLY HOME
STAND STRONG WE RISE AND SING
WE ARE THE SOUND OF ONE STRING
WE ARE THE SOUND
WE ARE THE SOUND
WE ARE THE SOUND OF ONE
WE ARE THE SOUND
WE ARE THE SOUND
WE ARE THE SOUND OF ONE
WE ARE THE SOUND
WE ARE THE SOUND
WE ARE THE SOUND OF ONE STRING
WE ARE THE SOUND
WE ARE THE SOUND
WE ARE THE SOUND OF ONE
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10. |
Returning story
04:39
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MINE IS A RETURNING STORY, ONE THAT’S BEEN BEFORE
MINE IS A RETURNING STORY.
MINE IS A RETURNING STORY, CIRCLING BACK TO THIS LAND, THE ISLAND OF LISMORE
TO THE NORTH THE HILLS OF MORVERN
TO THE EAST THE LINN OF LORN
TO THE SOUTH OF PAPS OF JURA
TO THE WEST THE SOUND OF MULL
PLAY A MELODY THAT MARKS THE CONTOURS OF BEN NEVIS
AND OUTLINES THE PAPS OF GLENCOE
DESCRIBED AS A JEWEL IN THE THROAT OF LOCH LINNHE THIS LOW LYING SLIVER OF LIMESTONE IS FERTILE, TRANQUIL AND GREEN.
LISMORE HAS LAYERS OF CIVILISATION ENCRUSTED INTO THE LAND. BROCHS, VIKING CASTLES, AND HERE WAS THE SEAT OF THE PICTISH KINGDOM OF THE WEST.
IN 533 MOLUOG ARRIVED TO ESTABLISH A CHRISTIAN SETTLEMENT
MOLUOG MEANS MY LIGHT
THE LAND IS HUMMING WITH LIFE. A BLACKSMITHS ANVIL CUTS THE AIR. CHURCH BELLS ARE RINGING, MILLSTONES GRIND THE BARLEY AND OATS. WOMEN AND GIRLS ARE SINGING.
Air an leabhaidh ‘s mi m’ onar
hi horann o ro ho
hi horann hi ui a
hi horann o ro ho
’S mi ‘g ionnrainn mo leannan
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11. |
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I WANT TO BUILD A BAND THAT SOUNDS LIKE JIMMY SHAND
BUT WHY YOU SAY, BECAUSE HE WAS THE BEST IN THE LAND
HIS BEAT IT GOT YOU SWINGING, DANCING HAND IN HAND
AND FOR THOSE WHO LIKE TO REPRIMAND WE’LL HAVE TO SOUND LIKE JIMMY SHAND
KATY’S ON THE KEYBOARD SHE LOVES A GAELIC SONG
KNOCKING OUT THE CHORDS AS THE DANCERS HUM ALONG
SHE KNOWS ALL THE LYRICS FOR THE OLD FASHIONED WALTZ
SO WE ALL FALL IN LINE AS KATY EXHULTS
SHONA CALMS HER DOWN WITH HER LEMON AND GINGER PIE
SHE PLAYS GUITAR WITH A MIGHTY SWING AND A TWINKLE IN HER EYE
BUT NOW I’M HEARING MUTINY, MUTINY IN THE RANKS.
THEY'VE SLIPPED INTO REGGAE FOR THE CANADIAN BARN DANCE
I WANT TO BUILD A BAND THAT SOUNDS LIKE JIMMY SHAND
BUT WHY YOU SAY, BECAUSE HE WAS THE BEST IN THE LAND
HIS BEAT IT GOT YOU SWINGING, DANCING HAND IN HAND
AND FOR THOSE WHO LIKE TO REPRIMAND WE’LL HAVE TO SOUND LIKE JIMMY SHAND
ARTHUR PLAYS THE WHISTLE, THE MUSIC’S GONE IN DEEP
PROBABLY HELPED BY SHEPHERDING AND ROUNDING UP THE SHEEP
HE’D LIKE TO SEE US LIFT OUR EYES FROM THE BUSY SCORE
AND WATCH THE SMILING FACES AND THE DANCERS ON THE FLOOR
NOELLE TENDS TO ASK IF WE HAVE TO PLAY SO FAST
CAN’T WE DROP THE TEMPO, I RESPOND, FLABBERGHASTED
JIMMY PLAYS A REEL AT A HUNDRED AND TWELVE BPM
JUST PLAY HALF THE NOTES UNTIL WE REACH THE END
I WANT TO BUILD A BAND THAT SOUNDS LIKE JIMMY SHAND
BUT WHY YOU SAY, BECAUSE HE WAS THE BEST IN THE LAND
HIS BEAT IT GOT YOU SWINGING, DANCING HAND IN HAND
AND FOR THOSE WHO LIKE TO REPRIMAND WE’LL HAVE TO SOUND LIKE JIMMY SHAND
A BOX IS A REQUIREMENT TO SOUND LIKE JIMMY SHAND
AND I’M HAPPY TO SAY WE HAVE A CREW TO COMPLIMENT THE BAND
TO FILL THE SHOES OF JIMMY WE TRULY ARE BLESSED
ANNE PLAYS THE RIGHT HAND, WHEELY DUNCAN PLAYS THE LEFT
YORICK IS OUR DRUMMER, THE ONE WHO FOUND THE STONE
HE GREW UP IN DEVON BUT NOW CALLS LISMORE HOME
BUT WAIT, SOMETHING’S SHIFTED, YORICK’S INTO SAMBA
SEE THOSE HIPS A SWAYING IT’S A DASHING WHITE LA BAMBA!
I WANT TO BUILD A BAND THAT SOUNDS LIKE JIMMY SHAND
BUT WHY YOU SAY, BECAUSE HE WAS THE BEST IN THE LAND
HIS BEAT IT GOT YOU SWINGING, DANCING HAND IN HAND
AND FOR THOSE WHO LIKE TO REPRIMAND WE’LL HAVE TO SOUND LIKE JIMMY SHAND
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12. |
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THE OLD WAYS ARE LEANING IN, THEY HEAR OUR SONG
AS WE CLEAR THE HOLY WELL I HEAR THEM SING ALONG
THE OLD WAYS ARE LEANING IN, THEY HEAR OUR SONG
LEAF AND WIND ARE ON OUR BACK
SHOOING US ALONG
HALLELUJAH HALLELUJAH
THE OLD WAYS ARE LEANING IN, THEY HEAR OUR SONG
LEAF AND WIND ARE ON OUR BACK
SHOOING US ALONG
THE OLD WAYS ARE LEANING IN, THEY HEAR OUR SONG
LEAF AND WIND ARE ON OUR BACK
SHOOING US ALONG
HALLELUJAH HALLELUJAH
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Mairi Campbell Edinburgh, UK
Experimental and grounded folkish. I love to sing and pluck the viola. I hope you have as much enjoyment listening as I
have in making this music.
Biogy news: 8 national awards; My version of Auld Lang Syne placed in the movie 'Sex and the City'2008! Founded the Lismore Fiddle Retreats and the Lismore dance band. Make my own toothpaste. .
The dot artwork is my own. Inspired by stone.
... more
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