

I love that Leverage really goes out of it’s way to show us that just because you break the ‘rules’, it doesn’t mean you’re breaking the rules. Rules and laws and society are all made up, at the end of the day, and all you really have is your own moral compass and sense of justice; is this just to you? Is it right? Should it be OK for companies to put people in insurmountable debt for the rest of their lives just because our medical care is so expensive in this modern day and age? No law or rule should change what you know in your heart is right and wrong, and I think that’s the key thing that makes someone a good person in my eyes.
#there was a time when parker wouldn’t have noticed, #not because she lacked the capacity to care, #but because she had narrowed herself, #to stay alive she cut off as many unnecessary things as possible, #watching her get them all back, #is one of the glories of this show (via @seananmcguire)

Leverage hands down has the best character development I’ve ever seen.
This scene hit me like a brick. My parents were hundreds of thousands of dollars in debt when I was 16 bc I’d had cancer the year before (my treatment ended up being free but the initial ER bills and such were not).
But somewhere along the line they just… Disappeared. My mom says they’re not being paid and they’re not in collections. It’s almost as if someone out there did…exactly what Parker did.
Ever since I saw this the first time, I’ve imagined it was Parker doing it. That she and Hardison had a free weekend and decided to take it out on a collections agency. That I was one of the lucky ones who got a little Leverage.
Okay but like yeah, that is actually a thing that happens, albeit not exactly like this. I don’t remember the exact process but basically there’s a booming industry to sell peoples debt - the business you owe money to sells it to someone else for a fraction of the money owed, wipes their hands of the whole affair, and now whoever bought your debt is riding your ass to get you to give the money to the. But it’s also entirely possible for people to just… buy up massive amounts of debt for pennies on the dollar, and then just. Forgive it. Because capitalism is a living nightmare, but the system is broken enough that it’s possible to exploit it for good sometimes.
Like, the main reason I know about this is because John Oliver did a piece on debt buying a few years ago, and ended it by revealing that he’d bought 15 million dollars worth of medical debt just so he could forgive all of it. Both to expose how broken the system was because some random fucker like him could buy millions of dollars in peoples debt with zero regulations, and also just to take the record for biggest TV giveaway in history.
A charity where you can do this, right here.
Be Parker! Be somebody else’s Leverage!
yes! if you want to help with the medical debt crisis in the US and have some extra money please donate to RIP Medical Debt if you can. They’re completely legit and really do what they say - you really CAN relieve an incredible amount of debt for the needy with even a small donation. I’m a monthly donor and receive a quarterly report of the debt they’ve abolished, and it truly is amazing. Based on those reports the average amount of debt abolished per person is actually I would say about $600 - which means, if you’re doing the math, that with a $6 donation to RIP Medical Debt, you can potentially pull one person out of a poverty spiral - maybe even one family. For six dollars. that’s a pretty good deal, I think.
Leave it to a guy being a grump about the ren faire to almost make me log in to my defunct reddit account.
For someone concerned about "historical accuracy" you would think they would know that rennaisance faires were started by the Rennaisance Pleasure Faire of Southern California in 1962 by blacklisted Hollywood fags and commies. If you didn't want to dance around with fairies in the woods you should have joined your local civil war reenactors
Realizing that I am still mad about this.
I’m writing a book of history. When I did all that research on brutalism, I realized not for the first time but more fully and completely than ever before the extent to which historical fact is often really disruptive to the stories we tell about it. Most “history” doesn’t even survive the barest investigation of the facts because most “history” is political storytelling.
“brutalism is communist” is one of the biggest stories about Brutalism, and it’s why people both love and hate it, but it’s really not true. Communists invented the word Brutalism to mock American tenement housing which by the mid 50s was collapsing and lacked anything resembling modern amenities. They contrasted it to “the new humanism,” the soviet school of architecture’s high ceilinged, centrally heated, public transit accessible public urban housing. Those apartments built under Stalin are still in high demand in Moscow and st. Petersburg because the architects and the builders did a good job. They’re old, but still decent places to live. Brutalism was a slur for designs that centered cost-cutting over safety or liveability. Meanwhile, architects like Miese or Le Corbusier were designing buildings that centered neither the occupant nor the financier, and were pushing this radical view that material science could make architecture the new great center of artistic expression. “Béton Brut” or raw concrete became the medium of the post war reconstruction because it was cheap but you could mold it into anything. architecture could experiment structurally with techniques that had previously been limited to sculpture and you could get buildings that truly seemed to defy gravity.
The Brut of art brut and Béton Brut was confused with the Brutal conditions of cheap american tenements and then reclaimed homophonically by a bunch of edgy British architects to make a style that is permanently misunderstood even by the people who like it because it was born from this condensation of two separate meanings of the word “Brut(e).” Brutalism only gets its socialist associations in the 70s and 80s when tory politicians started mongering conspiracies about the inherent socialism of public housing (cheap, made of concrete) because poor people lived there. the “commie block” of eastern europe was far more common in yugoslavia than russia until the late 60s and 70s when brezhnev built more of them for, again, cost reasons.
All art is political. All of it. And politics has been moving at the speed of sound even since the first proto-human said “you can’t sit with us” at the lunch table. Renaissance faires are a kind of public art that exists because of a political movement that killed or destroyed the careers of thousands of queer people and communists. Those people, working in hollywood, were trying to live lives, be free, and change minds about what society could accept and when they were blacklisted by HUAC and Joe Mccarthy and Ronald Reagan, they went out into the woods and made their own party so they could stay working and living and making art.
“Historical accuracy” was not the goal. Surviving a political purge was the goal. Now, not everyone who studies history cares about the same things. My roommate in grad school was working on lightbulbs. Just lightbulbs. nothing else. It would have killed me, to be honest. He loved it. But if you are going to complain about historical inaccuracies in the folk tradition that was created to survive a political purge you better damn well be right about what you’re fucking talking about.
Historical reenactment is always about the present. This is true of cotillion and morris and HEMA. This is true of SCA. It’s true of those horrifying plantation weddings and Colonial Williamsburg and the lexington and concord people. But what these things say about the present is very different. And choosing to criticize the ren fair because it has people dressed as “guy fairy” instead of the monty python syndicalist dirt peasants like you expected isn’t standing up for historical accuracy. it’s wishing you were at a plantation wedding where all the things you don’t like can be scrubbed from “the aesthetic”
I feel like a lot of Heated Rivalry fans are either too young or too straight or too unaware of world news to understand the political context of episode 2.
The Sochi Olympics were in 2014.
This happened in 2013:
It’s not just that it’s more dangerous to be gay in Russia than it is in the US/Canada.
It’s also that it very suddenly became exponentially more dangerous to be gay in Russia in 2014 than it had been even just 2 years prior.
The KGB would have had all the Russian athletes under surveillance. Ilya in the story has very good reason to be terrified, both for himself and for Shane, if they’re seen together.
i have brought peace [citation needed], freedom [citation needed], justice [citation needed], and security [citation needed] to my [citation needed] new empire
[ID: a social media post by Bernie Sanders that reads:
"Mamdani won. The establishment is in panic.
Billionaires are raising money against him; Trump is ranting; Islamophobes are on the loose... (ellipses)"
A reply by Cameron Bradford reads: "Star Wars opening crawl"
/ end ID]
This is the supernatural equivalent of going to the doctor and they keep pulling specialists in the room to go, “wow, I’ve never seen THAT before”
ok guys maybe your firefighters will be gay. anything can happen
I love characters with tunnel vision. False dichotomies. The sunk cost fallacy. Characters who are convinced of their utmost rationality and can even lay out their entire philosophy in logical, impersonal terms and convince others even though the whole of their actions, rationalised to hell and back though they may be, are spurred on by something entirely emotional (and this doesn't stop them from being right on the money about some things). Characters who are at once the most and least self-aware people ever. Characters who know the ins and outs of their psyche like a map they've memorised but can barely tell when they're experiencing a feeling.