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Dragon's Return

by Oren Ambarchi & Fredrik Rasten

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  • Record/Vinyl + Digital Album

    Edition of 200 copies on black vinyl including booklet.

    Includes unlimited streaming of Dragon's Return via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.
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    edition of 200  5 remaining
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      €25 EUR or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 24-bit/48kHz.

      €7 EUR  or more

     

  • Limited Edition Vinyl
    Record/Vinyl + Digital Album

    Edition of 300 copies on black vinyl including booklet.

    Includes unlimited streaming of Dragon's Return via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.

    Sold Out

1.
Part I 22:39
2.
Part II 22:38

about

'mystical, expansive and serene' - The Wire

'Taking the dreamlike parable to heart' - Bleep

A meditative, folk-inflected score rooted in improvisation, Dragon’s Return echoes the soul of a long-lost existentialist cult film long buried behind the Iron Curtain.

With Dragon’s Return, Australian composer and multi-instrumentalist Oren Ambarchi and Norwegian guitarist Fredrik Rasten present a new, meditative score to Eduard Grečner’s eponymous 1967 Slovak cult film — a stark, black-and-white parable that unfolds like a myth carved in stone. The album captures a unique live performance recorded at the Videodroom Festival during Film Fest Ghent in October 2024, where this new score was premiered alongside the film on screen in collaboration with the Slovak Film Institute. What began as a fleeting, improvisational encounter between sound & image then has since taken on a life of its own as an evocative, hypnotic soundworld that retains its power even in the absence of visuals.

The album will be available on vinyl and all digital platforms from September 12 via VIERNULVIER Records. The vinyl edition includes an obi strip, a booklet with film stills, and extensive liner notes on the film. The label is known for shedding new light on forgotten films through reimagined soundtracks — claire rousay’s acclaimed The Bloody Lady being the most recent example.

Ambarchi and Rasten do not accompany the images so much as speak through them. Their interplay — on guitars, flutes, percussion, and voice — unfolds slowly, without a fixed destination, culminating in a subtle, entrancing soundworld. With few breaks or ruptures, this trippy, folk-inflected continuous composition invites surrender.

Rasten’s 12-string guitar and delicate use of voice create layered textures that shimmer and shift. Ambarchi, known for his electro-acoustic work, here explores a radically softer mode — strumming, bowing and coaxing tones from his instrument as though it were a string section unto itself. He blows into shells, adding breath and texture to the sonic palette, touching on something elemental.

Together, they evoke a sound world that feels both ritualistic and strangely familiar — as if echoing from a forgotten ceremony or dreamed into being after hearing an old folk tale. The music speaks in tones both intimate and expansive, shaped live in dialogue with the film and with each other, with only minimal overdubs added afterward.

credits

released September 12, 2025

Music: Oren Ambarchi & Fredrik Rasten

Live sound and engineering: Dries De Wulf
Additional recording: Fredrik Rasten
Mixing and mastering: Joe Talia at Good Mixture, Melbourne April 2025

Liner notes: Rastislav Steranka (Slovak Film Institute) & Wouter Vanhaelemeesch (Curator Videodroom)

In collaboration with: Slovak Film Institute & Film Festival Gent
Filmstills: Anton Podstraský, Milan Švehlík © Slovak Film Institute
Concert pictures: Kat Madeleine
Design: Jeroen Wille

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Oren Ambarchi Australia

Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it’s no longer easily identifiable as itself. Instead, it’s a laboratory for extended sonic investigation". (The Wire, UK). ... more

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