Daredevil #252-273 by Ann Nocenti, John Romita Jr. and Al Williamson
One of the first comics I read monthly, and years later, still one of my favorites. Picking up Nocenti’s Daredevil for the first time as a kid was a revelation. Sure, the book had all the action you’d expect from a superhero comic, but it also had rich layers of ongoing story, resonant thematic content, social and political consciousness, thoughtful character development and one of the best rogue’s galleries (Typhoid Mary, Shotgun, Bullet, the Wildboys, Bushwacker) since the Flash met Captain Cold and the gang.
Nocenti’s fresh, contemporary take on the character was more than enhanced by John Romita Jr.’s pencils, which themselves were further enhanced by Al Williamson’s inks. As creative partners, Nocenti and Romita made perfect sense. Both were young, up-and-coming talents with unique, hip styles influenced by new wave 80′s. Williamson was more of a wild card. He was old school, coming up as an artist for EC Comics and spending much of his time prior to Daredevil working on more straightforward sci-fi comics, like Star Wars and Flash Gordon. And yet Williamson and Romita’s art meshes perfectly. As a great inker, Williamson understood what was special about Romita’s art and enhanced it.
The result was a creative team working perfectly in synch, coming to the exact right character at the exact right time. Nocenti’s Daredevil is not just one of the best, probably the best, Daredevil runs of all time, and not just one of the best superhero comics of all time, but, with its perfect blend of style and substance, off the wall action and moving emotional weight and the synchronicity its three creators brought to one anothers work and to the atmosphere of series as a whole, it’s one of the best comics of all time.
Harris Smith is a production coordinator, social media editor and creator outreach specialist at comiXology. He’s watching Daredevil season 2 as he writes this and having a pretty good time.