slumparade
grandma lee core
shadowhunterandwizard
how it all feels lately
byjove
my great grandma had two funerals in two different states. one in the state she died in and one in the state she was born in and buried in. they were both full. that’s an interesting fun fact about my family. mammaw kind of went on a post-mortem tour but it was because so many people loved her despite the distance.
bangchanwifey
bahngarang
gemsandparchment
Reblog this if
You read smut right next to your mother, father, brother, sister, grandma, grandpa, cousins, friends, teachers, classmates, schoolmates, bandmate, co workers, boss, the whole goddamn universe.
bahngarang
goddess-of-the-dark
“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.
Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”
I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope.
But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us.
Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it.
We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
I’d just like to briefly say even Rockwell’s seemingly feel good Americana pieces are often more political than people today realize for example
likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.
What you may not know is its actual title
“Freedom From Want” it’s a part of a series of 4, including this now famous meme
“Freedom of Speech” These paintings were illustrations of FDR’s “Four Freedoms” speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.
So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry
Rockwell’s work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.
bahngarang
uwu-cthulhu
#Art (via timurse)
Adding a picture of the building so you can see how high that star is off the ground. How the hell did the artist even do this.
“Is this the People’s Republic?”
“NO, THIS IS PATRICK”
bahngarang
my-soft-sunshine
straight up it should be illegal for a physical storefront not to accept physical currency, or for restaurants not to provide physical menus
I'm assuming the above is a normie opinion (as it should be) so i do wanna go a tiny step further and explicitly state any laundromat that requires digital payment should be burned to the fucking ground
if a business cooerces its customers to download an app, i should legally be allowed to set both the business and its board of directors on fire
The assumption that every single business, or service, is owed your personal data, and should be able to track you and mercilessly spam you and monetise the ability to sell off your contact details and so on it’s absolutely deranged.
I have flashlights that are borderline unusable because, while the hardware is fine, the company that made them (hello OLight!) demands that you install and login to the storefront before you can access the configuration software.
But they don’t actively maintain the software or provide any of the new utilities that they promise. They are mostly using it as a way to turn off functional hardware to try and force you to upgrade.
We are living in a society where you can pay for something and the manufacturer can turn it off because they’ve decided that you’ve owned it too long .
I’ve just had to warn my family not to buy electronic door locks because the chances are, if they are Internet connected they will be disabled once the company that owns them has decided that they’re not making enough money charging you a monthly fee to open your own front door.
This is part of an ongoing trend to turn money into something that is no longer usable by everybody .
The eventual aim is to be able to pay people company scrip: If you lose your job, or badmouth the company, or disagree with the dictator, they severely curtail what you are allowed to buy, and from who.
And at that point, you have to pick sides – do you want to be able to have drinking water from Coca-Cola, or Pepsi, and whose package allows you to buy Doritos, and use your smart oven to cook food? Because it won’t turn on unless you use the app to scan the appropriate barcode from the company who now owns your ability to eat drink, heat your home, and wear clothes from brands that they approve.
And if you think that Bezos wouldn’t do that or run his own ghetto where employees have to use Amazon brands and be paid in Amazon money… You haven’t been paying attention to what he’s been building lately.
Read "Unauthorized Bread" by Cory Doctorow, from his book Radicalized
Found a link to the story: Unauthorized Bread