Posts tagged weapons

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look. look at this beautiful sword meme. i’m going to cry

@petermorwood

I saw and reblogged this one a while back, but it’s always worth repeating, and this time I’m adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)

Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.

Here are Celtic bronze swords…

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…Ancient Greek Xiphoi…

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… and a Roman “Mainz-pattern” gladius…

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Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.

Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. They’re weapons if necessary…

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…but since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.

This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside it…

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…but may also have had the secondary function of being a saw.

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A couple of internet captions say it’s for “cutting ropes” which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Hero’s rapier (!!) wouldn’t be anything like enough to sever them. However swords like this are extremely rare, which suggests they didn’t work as well as intended for any purpose.

I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).

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A lot of “flamberge” (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.

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The giveaway is the centreline: if it’s straight, the entire blade probably started out straight.

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Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.

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Again, the clue is the centre-line.

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Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.

Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.

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There’s no doubt about this one either.

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The reason - though that was a part of it - wasn’t just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.

However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasn’t that much of an advantage after all.

Here’s a Circassian kindjal, forged wiggly…

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…and an Italian parrying dagger forged straight then ground wiggly…

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There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.

These more practical historical versions are usually called “sword-breakers” but I prefer “sword-catcher”, since a steel blade isn’t that easy to break. Taking the opponent’s blade out of play for just long enough to nail him works fine.

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NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.

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The missing tooth on that second dagger, and the crack halfway down this next one’s blade, shows what happens when design features cause weak spots.

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So there you go: a quick overview of fantasy sword features in real life.

Here’s a real-life weapon that looks like it belongs in a fantasy story or film - and this doesn’t even have an odd-shaped blade…

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Just a very flexible one…

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If you want more odd blades, Moghul India is a good place to start…

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i could not ask for a better addition to my meme post than blade education thank you so much

art-of-swords:

Handmade Daggers - Blue Crescent

  • Designer: Yuri Sarkisyan 
  • Medium: Damascus with nickel, gold, silver, diamonds, tourmaline, rhodolite
  • Techniques: forging, tapping, soldering, jewel fastener, hot enamel

In assembled view the dagger has the form of crescent. The dagger is decorated with gold stars and diamonds in the center. The “Crescent” has a secret lock, the scabbard will unlock only by pushing the exact stone.

Source: Copyright © 2015 Mezhov

art-of-swords:

Flyssa Sword

Straight blade, slightly enlarged in the second third, with a restricted tip, the back and the sides are richly engraved, chiselled and inlaid in brass with geometrical motifs.

The weapon has an octagonal grip partly in iron (the base) and partly in brass, engraved on the whole surface and with the typical grip shaped as a stylized animal’s head.

More on the Flyssa Sword - HERE

Source & Copyright: Live Auctioneers

art-of-swords:

Katar Dagger

  • Dated: 18th century
  • Culture: Indian
  • Medium: steel, silver, velvet
  • Measurements: overall leght 15 inches (38.1cm), 16 inches (40.6cm) with scabbard

The dagger has a steel blade with mirror polished edges and a central panel that displays the high contrast ‘watered’ Wootz pattern. The stout blade terminates with a thickened armour piercing tip. The hilt is decorated with silver Koftgari in foliate and geometric design. The Koftgari decoration is typical of 19th century work so it would be safe to attribute the Koftgari to that time period, while the Katar itself being 18th century. The Katar comes complete with its original scabbard, which has empty slots where various small daggers, tools and instruments would of once been kept.

Source: Copyright © 2015 Shastardhari

art-of-swords:

Yataghan Sword

  • Date: 19th century
  • Culture: Ottoman
  • Overall length: 29 inches (740mm); blade length: 23 inches (580mm)

The sword has horn grips featuring a pair of large ‘ears’. The blade is of traditional shape, deeply struck with a makers’ mark on one side, and a long central panel of squares containing Islamic calligraphy in silver and gold, surrounded by cartouches filled with vegetal patterns. The other side a central long panel of cartouches filled again with vegetal cartouches.

Source: Copyright © 2015 Runjeet Singh

art-of-swords:

Kukri Knife

  • Dated: early to mid 20th century
  • Culture: Nepalese
  • Medium: steel, bone, copper wire, glass beads, coral, leather
  • Measurements: overall length 16 inches (40.6cm); blade length 11 ½ inches (29.2cm); blade thickness at the back edge ¼" (2.5cm)
  • Provenance: from the LaVaute collection, a traveling industrial sales man who traveled extensively around the world in approximately the 1930’s to 50’s

This type of Kukri was used as a gift or possibly an early tourist item, looking rather ‘fancy’, but being not that well made like the fighting knives of the Gurkhas for example. The handle is made of bone, and the scabbard is decorated with thin copper wire and mostly glass beads. The long thin red pieces may be coral. The back of the scabbard has pockets for a variety of tools, but they’re all missing.    

Source: Copyright © 2015 Erik’s Edge

art-of-swords:

Khanjar Dagger

  • Dated: circa 1900
  • Culture: Indian
  • Medium: steel, gold, rock crystal, silver, wood, velvet, emerald, coral, garnet,
  • Measurements: overall length 38cm

The dagger features an ornamental, curved, double-edged, damask blade with slightly strengthened tip. The central part is decorated with gilt, engraved effigy of human figures, tigers, elephants and other animals. The rock crystal grip, the pommel is shaped the form of a horse head and enriched with silver leaves and coloured stones, the eyes covered with yellow gold. The wooden scabbard is covered in velvet and has embossed silver mounts.

Source: Copyright © 2015 Czerny’s International Auction House S.R.L.

art-of-swords:

Sword

  • Dated: 1750 - 1850
  • Medium and techniques: bronze, copper-tin alloys, brass, copper-zinc alloys
  • Measurements: overall length 70.5cm; whole object diameter 11cm; blade length 56cm
  • Provenance: sent to Windsor Castle in 1837

The sword is a combination of sword with a bronze blade of leaf shape form with ridge on both cutting edges and with two rivet holes at top where the grip once was attached. There’s a later addition - the spiralled grip with eagle head pommel and plain quillons.

Source: Copyright © 2015 Royal Collection Trust/Her Majesty Queen Elizabeth II

art-of-swords:

“Heroic Style” Silver Mounted Dagger

  • Dated: 19th century
  • Culture: European
  • Measurements: height 64cm

The dagger has a straight, double-edged blade with three fullers. The massive, silver hilt has its the grip worked as the in-the-round depiction of Heracles, wearing the skin of Nemean lion, while hitting a dragon with his dagger, the wings of the dragon consisting in the quillon. The scabbard is made of silver. The cap is worked as an architectonic structure with arch enclosing circles depicting portrait of a female figure (probably Athena) and a lion.

The central mount is decorated with two bas-relieved scenes, one depicting a sailing ship full of warriors holding their lance, the other a battle between heroes of classical epoch, one of them holding a big shield featuring a snake (the shield with Erichthonius snake was the symbol of Athena), under the two scenes a bas-relieved, grotesque figure, on the chape high-relieved owls between olive wreaths (other symbol of Athena). The surface of the scabbard features floral engravings.

Source: Copyright © 2015 Czerny’s International Auction House S.R.L.

art-of-swords:

Hunting Sword

  • Dated: early 19th century
  • Culture: French
  • Measurements: overall length 65cm

The sword has a wide, slightly curved, single -and false-edged blade with a wide fuller. The first part is finely engraved and gilt on blue ground with a Pandur head, sun, cloud with sword, moon in canopy and Kabbalah symbols. The Pandurs were a skirmisher unit of the Habsburg Monarchy, raised by Baron Franz von der Trenck under a charter issued by Maria Theresa of Austria in 1741.

The silver mounts are engraved with trophies and geometrical motifs. The sword has bone grip scales featuring oval rivets of engraved silver. The wooden scabbard is wrapped in green velvet, it has five silver mounts engraved with trophies and floral motifs, all provided with stamps.

Source: Copyright © 2015 Czerny’s International Auction House S.R.L.

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