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You shouldn’t be dismayed if a sadness rises up in front of you, greater than any you have ever seen before; or if a disquiet plays over your hands and over all your doings like light and cloud-shadow. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why should you want to exclude from your life all unsettling, all pain, all depression of spirit, when you don’t know what work it is these states are performing within you? Why do you want to persecute yourself with the question of where it all comes from and where it is leading? You well know you are in a period of transition and want nothing more than to be transformed. If there is something ailing in the way you go about things, then remember that sickness is the means by which an organism rids itself of something foreign to it. All one has to do is help it to be ill, to have its whole illness and let it break out, for that is how it mends itself…
Do not watch yourself too closely. Do not draw over-rapid conclusions from what is happening to you. Simply let it happen.
RAINER MARIA RILKE, LETTERS TO A YOUNG POET
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“gambling addiction” is kind of like if people regularly opened pits with spikes at the bottom in public areas and made lots of money from people falling into the pit and so they started greasing the edges and putting these pits in every public space and lobbying to be allowed to install them in people’s homes and when someone fell into the greased spike pit in their house they said “oh thats so tragic, they had an addiction to deadly spikes, we obviously support everyone having a safe and healthy responsible relationship with the greased spike pits we’re building”
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great films available on the internet archive part two
first post + the archive collection with all of them
- la haine (1995) dir. mathieu kassovitz
- carnival of souls (1962) dir. herk harvey
- andrei tarkovsky’s filmography
- a nightmare on elm st. (1984) dir wes craven
- possession (1981) dir. andrzej źuławski
- the silence of the lambs (1991) dir. jonathan demme
- safe (1995) dir. todd haynes
- psycho (1960) dir. alfred hitchcock
- cops (1922) dir. buster keaton
- sherlock jr (1924) dir. buster keaton
- when harry met sally… (1989) dir. rob rainer
- the bride of frankenstein (1935) dir. james whale
- man with a movie camera (1927) dir. dziga vertov
- coffee and cigarettes (2003) dir. jim jarmusch
- m (1931) dir. fritz lang
- it happened one night (1934) dir. frank capra
- casablanca (1942) dir. michael curtiz
- purple noon (1960) dir. rene clement
- carrie (1976) dir. brian de palma
- eraserhead (1977) dir. david lynch
- they live (1988) dir. john carpenter
- female trouble (1974) dir. john waters
- do the right thing (1989) dir. spike lee
- wings (1927) dir. william a wellman
- fallen angels (1995) dir. wong kar wai
- velvet goldmine (1998) dir. todd haynes
- black panthers (1968) dir. agnes varda
- american psycho (2000) dir. mary harron
- the manchurian candidate (1962) dir. john frankenheimer
- girlfriends (1978) dir. claudia weill
more to come ♡ glad you all like movies.
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Small Aphrodite altar / pocket shrine inspiration 🐚🤍🪞💒
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baby capybara named Tupi via san antonio zoo
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i hope that in 2025 u get to take more walks, read more books, connect with more people whom u love and who love u, achieve ur goals (even if ur goals are having no goals and just living in the moment), exercise fun hobbies, move from a place of self-direction, and weave together a beguiling assortment of beautiful little moments. remember that no feeling lasts forever. love u
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Insects infected by Ophiocordyceps Unilateralis, otherwise known as cordyceps or zombie-ant fungus, fungus that infect insects such as ants and spiders — like other parasites, cordyceps drains its host completely of nutrients before filling its body with spores that will let the fungus reproduce.
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Lee Krasner
Listen
1957
oil on cotton duck
63 ½ x 58 3/8 in
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A capitalist society requires a culture based on images. It needs to furnish vast amounts of entertainment in order to stimulate buying and anesthetize the injuries of class, race, and sex. And it needs to gather unlimited amounts of information, the better to exploit natural resources, increase productivity, keep order, make war, give jobs to bureaucrats. The camera’s twin capacities, to subjectivize reality and to objectify it, ideally serve these needs and strengthen them. Cameras define reality in the two ways essential to the workings of an advanced industrial society: as a spectacle (for masses) and as an object of surveillance (for rulers). The production of images also furnishes a ruling ideology. Social change is replaced by a change in images. The freedom to consume a plurality of images and goods is equated with freedom itself. The narrowing of free political choice to free economic consumptions requires the unlimited production and consumption of images. - Susan Sontag, On Photography




















