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what a good tape. put a spell on me. worth it.
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Makes me feel like im running backwards in the most fluid form possible. Highly suggest blasting this on a good sound system with an incense lit.
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Whether dealing in atmospheric breakbeats or left-field footwork, this reliable Danish production duo never misses a beat.
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Inspired by music, trap, g-funk, and hitmakers like the Neptunes, the Indigenous Australian rapper brings the heat on his debut solo EP.
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ワワソンコ // hua hua sonqo
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A finely woven, featherlight tapestry of Japanese and Andean folk styles, boosted by immersive production and indie-pop flair.
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supported by 14 fans who also own “Hypercorrect”
Lewis Carroll and Alice wake up inside a pitch-black, silent machine. As they explore their way out, their footfalls ping an Aladdin's cave of JS Bach, Debussy, Pink Floyd Set the Controls for the Heart of the Sun, Hendrix 1983... (A Merman I Should Turn to Be), Percussive Indian Ragas, Brian Eno, King Crimson In the Wake of Poseidon, Edgar Froese Epsilon In Malaysian Pale ... until LC & Alice escape (past a dripping pool of oil) at the metal threshold of their vast, seized machine. :)
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supported by 12 fans who also own “Hypercorrect”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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