Rebecca's Reviews > The Golden Compass
The Golden Compass (His Dark Materials, #1)
by
by
** spoiler alert **
This book started off strong, but by the end of the story, I felt that Pullman had sacrificed logic and direction for drama and suspense. He did a good job of gradually making Lyra less of an ignorant brat and more of a noble little savage girl. Overall, I liked this book well enough to want to read the second one in the trilogy, but I had several problems with it:
-There was no comic relief or even any funny moments in this book. It took itself extremely seriously and was rarely light-hearted or playful. It bothers me when epic stories get a little bit too in love with a sense of their own epicness.
-Roger is supposedly the protagonist's best friend and her motivation for doing everything she does in at least half of the book, and his death is supposed to be some significant turning point...yet he's by far the dullest, least developed, and least important character in the book. He says maybe 20 sentences in the entire novel and his longest continuous presence in the book is when he's asleep in a balloon. Time for Lyra to get a better, more interesting, best friend, which I assume happens in book 2.
-The alethiometer is pretty damn hokey. It sounds like something Neville's grandmother would have given him in the HP series. It doesn't tell the truth so much as do the dirty work of plot exposition for Pullman. "What's so-and-so doing?" And then we get several paragraphs of background information and future predictions. Um, isn't that the kind of information that characters are supposed to figure out by being smart or making friends or discovering things on their own? On the other hand, if the alethiometer is indeed something marvelous and great, then why didn't Lyra use it all the time? There were a couple of times when she was wondering about something or needed a crucial bit of information, but she either chose not to consult the alethiometer or forgot about it. I'm sure that was intentional on Pullman's part, because it was a way for him to show Lyra messing up or figuring something out on her own. But if I had an alethiometer at my disposal, I'd be using it all the time, and there was no good reason why Lyra shouldn't have done that, too.
-Lord Asriel's great "betrayal" was completely obvious to anyone paying attention and wouldn't have been very surprising even if you weren't expecting it. The fact is, he never came across as a "good guy" to me from the very beginning, if for no other reason than that he was a bastard to Lyra from the very first chapter. He obviously didn't give a flip about his daughter, so why shouldn't he betray her to get what he needed to satiate his ambition? Lyra was stupid to ever trust him in the first place. I'm hoping she acquires a little bit deeper faculty of character judgment in the next book.
Despite my criticisms, it was an enjoyable book overall, and it's quite refreshing to read a children's fantasy story that still upholds virtues like bravery and sacrifice without resorting to the ideals and symbolism of Christianity. Pullman's writing is what really sold this book to me. The plot itself is nothing special and falls into the cliches/archetypes that most fantasy falls into, but Pullman is obviously more expert at the writer's craft than most children's authors, or even most fantasy authors, for that matter.
-There was no comic relief or even any funny moments in this book. It took itself extremely seriously and was rarely light-hearted or playful. It bothers me when epic stories get a little bit too in love with a sense of their own epicness.
-Roger is supposedly the protagonist's best friend and her motivation for doing everything she does in at least half of the book, and his death is supposed to be some significant turning point...yet he's by far the dullest, least developed, and least important character in the book. He says maybe 20 sentences in the entire novel and his longest continuous presence in the book is when he's asleep in a balloon. Time for Lyra to get a better, more interesting, best friend, which I assume happens in book 2.
-The alethiometer is pretty damn hokey. It sounds like something Neville's grandmother would have given him in the HP series. It doesn't tell the truth so much as do the dirty work of plot exposition for Pullman. "What's so-and-so doing?" And then we get several paragraphs of background information and future predictions. Um, isn't that the kind of information that characters are supposed to figure out by being smart or making friends or discovering things on their own? On the other hand, if the alethiometer is indeed something marvelous and great, then why didn't Lyra use it all the time? There were a couple of times when she was wondering about something or needed a crucial bit of information, but she either chose not to consult the alethiometer or forgot about it. I'm sure that was intentional on Pullman's part, because it was a way for him to show Lyra messing up or figuring something out on her own. But if I had an alethiometer at my disposal, I'd be using it all the time, and there was no good reason why Lyra shouldn't have done that, too.
-Lord Asriel's great "betrayal" was completely obvious to anyone paying attention and wouldn't have been very surprising even if you weren't expecting it. The fact is, he never came across as a "good guy" to me from the very beginning, if for no other reason than that he was a bastard to Lyra from the very first chapter. He obviously didn't give a flip about his daughter, so why shouldn't he betray her to get what he needed to satiate his ambition? Lyra was stupid to ever trust him in the first place. I'm hoping she acquires a little bit deeper faculty of character judgment in the next book.
Despite my criticisms, it was an enjoyable book overall, and it's quite refreshing to read a children's fantasy story that still upholds virtues like bravery and sacrifice without resorting to the ideals and symbolism of Christianity. Pullman's writing is what really sold this book to me. The plot itself is nothing special and falls into the cliches/archetypes that most fantasy falls into, but Pullman is obviously more expert at the writer's craft than most children's authors, or even most fantasy authors, for that matter.
Sign into Goodreads to see if any of your friends have read
The Golden Compass.
Sign In »
Reading Progress
Started Reading
December 1, 2007
–
Finished Reading
December 19, 2007
– Shelved
Comments Showing 1-2 of 2 (2 new)
date
newest »
newest »
message 1:
by
Ariana
(new)
-
rated it 2 stars
Aug 26, 2011 09:13PM
I agree with you on a number of points: there was nowhere to rest your mind. It was just emergency after emergency and I spent most of the book freezing my butt off. Yeah, Roger was WAY underdeveloped. I didn't feel like I had the slightest handle on who he was. And the alethiometer -- it was terribly useful when it was being used -- so why was it left unconsulted chapter after chapter? Thank you - I needed to get that off my chest.
reply
|
flag


