Bookishrealm's Reviews > Yellowface

Whew child. Some of these reviews are doing exactly what Kuang was pointing out through Yellowface. It’s interesting to watch it happen in real time. While I don’t have extensive knowledge of her work, I think what Kuang is doing in this book is actually quite brilliant.

At the most basic of levels, Yellowface is a mash of various genres that follows the passive aggressive “friendship” of Athena and June, two authors in the publishing industry with very different levels of success. Athena has received her big break while June has remained a struggling author. In an absurd (truly absurd if I’m being quite honest haha) turn of events, Athena chokes while engaging in a pancake eating contest with June. After her death, June makes the decision to steal one of her manuscripts and pass it off as her own. What follows next is chaotic descent into the world of publishing and the book community.

What Worked: SO MUCH OF THIS BOOOK WORKED! I’ve seen the countless criticisms of Kuang inserting herself too much into this book as well as the criticisms that indicate that there isn’t much to be gained from reading this book. I wholeheartedly disagree. Oh, my friends, there is much to be gained. Neither of the characters is likeable and that is INTENTIONAL. This isn’t a way to illustrate that everyone in publishing is selfish, but a means to question how much the reader falls into the trap of engaging with the model minority myth. The expectation that Athena is supposed to be likeable is deeply woven in the sociological phenomena that stereotypes many Asian communities as successful, smart, likeable, diligent, docile, etc and the idea that Athena doesn’t fit into that role has made some readers feel uncomfortable whether it is consciously or subconsciously.

Kuang’s evaluation of the publishing industry is layered and forces both publishing and the bookish community to do some reevaluation. What she singlehandedly captures in this book has been the biggest criticism that many of us have been vocal about since 2020. Publishing used the death of George Floyd and the Black Lives Matter movement to claim to want more diversity and has in some ways published more diverse books; however, have we really paid attention to what those stories have centered? Trauma versus joy. So many of these stories have been centered on generational trauma, books that are used to educate and make the White masses feel better about not knowing much about diverse experiences prior to 2020. Marginalized voices in publishing are “permitted” to be a part of the community as long we play the roles that we are supposed to play. Once we begin to infiltrate the industry too much, those same people with “BLM” in their twitter bios, the same people who claim to be liberal do the same damn mental gymnastics June did to excuse her behavior. The system was designed for June to do what she did and the moment that marginalized communities “steal” the shine, it’s okay to push back because as June believes she’s the true minority and oppressed person in all of this. Don’t believe me, you should check out the TikTok made by an author who claims that white writers now get turned down because all agents want are BIPOC writers. Or better yet, just listen to foolishness that was uttered from James Patterson who had the audacity to state the White men are the truly oppressed writers in the industry.

And let’s take this a step further and look at how Kuang illustrated the danger that publishing has ultimately created with it’s use of terms like #ownvoices. Athena wasn’t ever allowed to write outside of trauma. She’s pigeonholed into only writing one thing. And honestly, I’m sure that happens more than we would like to believe. Authors who want to explore something outside of their “assigned” roles either get turned down or the marketing is trash. It delves deeper into the question of who is allowed to tell what story? Was Athena any better of a fit to tell the story of Chinese laborers of WWI than June? Is research enough to tell something outside of one’s lived experience? These are things to think about and something that we are confronted with every day in this community. Think about books like American Dirt and Memoirs of a Geisha.

This book is both absurd and unhinged because so is publishing and the book community. And I’ve been involved in all of it for so many years. Kuang told ya’ll to kiss her ass with this book. She is behaving in the complete opposite manner that is “expected” of her as young, thin, conventionally beautiful Asian woman. And the fact that she owns that shit makes so many people feel uncomfortable. And quite frankly I applaud her for that. BIPOC writers and creators are tired of the expectation that we are supposed to behave, create, write, and provide educational pieces in way that makes others feel comfortable. We’re supposed to applaud White people for the amazing work they’ve done in “allowing” us to enter the spaces and “give” us the opportunity to tell “our stories.” It’s laughable at this point and while ya’ll give Kuang these 1 and 2 star reviews, she’s going to be laughing her pretty, thin, and educated ass all the way to the damn bank.