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Anonymous Gambito

@anonymous-gambito

23 | Gambito/Ambi/Bee | (He/They) (O-Ele/Êlu-e/o) | Brazilian | Zuko is my favorite atla character but I'm really bad at showing it

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Word of God/movie backstory aside, it suddenly came to me that there is one other gap of knowledge that has probably contributed to a significant part of the alienation between Touga and Nanami, and it's something that existed throughout all of Nanami's life, so it's given that she wouldn't truly notice it: Touga knows they're adopted, Nanami does not. I think that makes a big difference.

A correction: When I first wrote this, I wasn't sure of how much of Touga's movie backstory to assign to his series counterpart, but now, although I still believe there are differences between the two, I do subscribe to the idea that Touga in the show (along with Nanami in this case) was also sold by his parents to the Kiryuu family.

Things people in the the kpdh fandom have said that live rent free in my head:

– "Bisexual Calcifer"

– Person who said Rujinu were "narratively switches"

– "Honglock"

– Person who called Jinu "reverse little mermaid" because he sold his soul for a voice

– Person who called Mira a "reformed and domesticated fuckboi"

Disclaimer that this is not me telling people what to write. I just want to analyse the canon a bit.

So, there are a few tropes and portrayals of characters in the kpdh fandom I've noticed that don't really align with my view of the canon, and I want to talk about that

1) The first is how they make Rumi too sad, soft and miserable. Not that Rumi can't be sad, soft and miserable; and not that she hasn't been in the duration of the movie. But like, I think there must be a balance. If there's one scene I'd use to illustrate Rumi's overall mental state is the one where she says "I'm a mistake" a few minutes after saying "I'm everyone's type". Like, that's how she is. She can be a soft sad girl agonizing about her patterns but also an incredible badass who will fuck you up and is adored by her fans and she knows it. She hates herself for being a demon but she also thinks she is nothing like a demon and she's much better than them anyway. One conversation she's telling Jinu she's nothing like him because she didn't do anything to "deserve" her patterns and actually she's a hunter, not a demon; and in the other she's saying she's nothing like Jinu because he was just a human who made a mistake meanwhile she was already born a demon. And I mean, this is all very realistic, a lot of times that's just how people think.

embracing the patterned ambiguity of gender and sex as more or less social constructs can grant you so much more precision in thinking about so many concepts in science.

like, if there was a study (and I'm just making this up as an example) showing women suffer from mosquito bites more than men do

you could do the ~"Gender Critical"~ thing and go "see!? mosquitoes get it!!"

OR

you could go "that's interesting" and start asking more questions, like:

  • is this data self-reported? controlled?
  • were they studying the women or the mosquitoes?
  • did the study use methods that would let you tell the difference between "being bitten more often" and "noticing bites more often"?
  • did the study include any trans people and were their results any different? if yes were they on HRT or not?
  • how similar were the men and women in aspects other than gender? do we know their social class, jobs, diets, blood types?

because in fact the study i made up just then could lead to a huge variety of conclusions. from my description above you can't tell the difference between studies that show:

  • mosquitoes are attracted to people with higher estrogen levels
  • mosquitoes are opportunistic and women spend more time near mosquito habitats for sociocultural reasons
  • every gender gets bitten about the same amount but men are socialised to pay less attention to physical discomfort so more of them don't notice minor bites compared to women (and by more we mean like 60-40, this is a bell curve thing)
  • we accidentally got heaps of women in the study that have the mosquito's favourite blood type and not so for the men, oops
  • mosquitoes are attracted to people with more x and y in their diets, which is currently mostly women for, again, largely sociocultural reasons

etc etc etc

you're just not going to understand actual Gender Science, and therefore reality, if you can't put "hmm, but what do they mean by woman this time" in your mental toolkit in a relatively neutral way.

Unfortunately you will talk like a tumblr user for your entire life. Sorry.

Unfortunately your kids might also talk like Tumblr users. My daughter said "Get cherished, idiot" to her cat yesterday.

[ID: a comment on this post, by @sillyspinda, that says, “what do you Mean by that,,,” The m at the beginning of mean is capitalized.

@asliceoftea replies, “capital letter in the middle of sentence, three commas instead of ellipsis.”

@sneebl replies to @asliceoftea, “holy shit you fucking shot them.”

End ID.]

There is something to be said for like... the reason why in the end that the demons' plan of going after the fans didn't work is because the hunters' strength didn't just originate from the fans--even though huntrix themselves didn't realize that at first! In What It Sounds Like, they pull out their weapons while the honmoon is gone, which implies that they're drawing not from a net of souls, but from their own souls. And then, halfway through the song, the first vestiges of the new honmoon are built not on the fans, but on Rumi, Mira, and Zoey embracing each other... and then Jinu sacrificing himself for Rumi... and then, finally, the crowd.

So like. At the beginning, it seemed that the hunters were totally reliant on the fans for their strength, but by the end, we learn it's a more nuanced thing than that: their strength comes from themselves, then their loved ones, then their wider community. All of these sources build on each other, like layers. Rumi embracing her inner self (thereby transforming it into a source of strength for herself) helped her to connect to the support of her loved ones again; to inspire them to reach out to her. And the strength of Rumi's loved ones supporting each other helped to inspire the crowd to help and support as well. It's a snowball effect. The inspiration starts on an individual level and flows outward, and then the responding support flows inward, creating a loop that becomes wider and stronger.

Which I think is a really lovely nuance... kpdh never says that relying on your wider community is bad, in fact it says that it's incredibly important. But it also makes the caveat, by the end, that a healthy relationship with your community is built off of the individual members of the community recognizing their worth as individuals. If there's no stability and sense of self on an individual level, the entire community is weakened by it and in danger of falling apart. Which I think is a really nice and wise balance.

mob psycho is the greatest show ever made because reigen being cancelled on twitter is one of the most important moments for his character as well as one of the most emotionally heavy episodes of the show but him being trapped in alone in a purgatory dimension slowly starving to death is treated as a gag and never mentioned again

Some additions to this post

– I talked about Zoey being sick of Jinu's shit, but forgot to mention the fact of Jinu walking out of the average conversation with Zoey in english having no idea whether he's just been complimented or insulted.

– Someday the combination of AuADHD masking and "I'm a centuries old demon" masking will have these two walking themselves into a hole they have no idea how to get out of because they just assumed the other person knew what they were doing.

– Jinu's ideas of social conventions are a messy af patchwork at this point and it becomes clear the moment you interact a bit with him. A good example is the message he sent rumi. It's a mess of being both too formal and too casual, which makes him look like a total awkward dork. Lmao.

– There is something uniquely funny about Jinu knowing of things one wouldn't have expected him to know, in the "Omg where did you learn that?!" fashion. Once in this fic Jinu threw an "Are you tone policing me??" to Rumi during an argument and it made me ctfu

Starting off my challenge to make 1 zine every week until march, it’s some of my favourite baby birds!

I’m doing this challenge to try to kick my habit of overthinking and never starting stuff, though I will admit I’m posting this now on my self-appointed deadline day because I spent the whole week overthinking, gotta start somewhere I guess. Once I forced myself to just sit down and just start drawing it only took me an hour which makes me feel a bit silly

First I wanted to say that I love you and your beautiful brain, you keep my fixation alive and made me appreciate the movie so much more with all it's details 💜

You mentioned a few times that Jinu performs even with no audience and I was curious about that, and what you mean by him playing boy-next-door?

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Sure!

So this is kind of two questions. Let me answer them backwards.

The boy-next-door (because I don't know if you know, bear with me if you do) is basically this character archetype in romance stories, or more broadly, a certain archetype of masculinity. A "boy next door" is a boy who you could meet in your neighborhood and fall in love with--he's handsome, but he's also sweet, and gentle, and helpful, and your parents love him, and he's innocent, and he's attainable. The boy next door is kind of the opposite of the "bad boy" archetype (and the gender-bent version of the "girl next door" archetype).

So Jinu plays boy-next-door in public as his "archetype" in the Saja Boys, in the same way that Abby plays the archetype of someone very sexual, or Mystery plays the archetype of an alluring mysterious man, and so on.

It's in the way he dresses, for one. Like I've said, he wears his hair very neat, but beyond that, I'd say that he's really the most toned-down dresser of the Saja Boys. His outfits, compared to the others, aren't done with flashy vivid colors, and they don't really have any flamboyant touches like the others have. His nails aren't even painted. His hair isn't dyed.

You can kind of imagine, like, if you were a teenager with strict parents, and you were a fan of the Saja Boys, they would approve of Jinu the most. Probably point him out and say "See, that one looks normal. He looks like a nice sweet boy. Why don't the others look like that?"

...That's the role that he's filling, for people like that who want something more traditional and familiar and not edgy in the slightest. For people who want a "nice young man."

You see this in his behavior as well, though there isn't much to point out given that A) we don't see Jinu talk that much as an idol, all things considered, and B) the Saja Boys all kind of move like a unit, so there's not much contrast of him against the other boys. They're all polite, publicly. But he's always polite as an idol, always staying very professional and poised.

It's like the girls in the Play Games With Us! audience say: he's "So hot! And respectful." ...And that's the role he's playing. Boy next door.

As to your other question. I think (correct me if I'm wrong) you're referring to a thing I've talked about a few times, which is Jinu's tendency to keep up his human disguise even when everybody present knows he's a demon. For instance, in most of his meetings with Gwi-Ma, he keeps up his human glamour. He does this in his meetings with Rumi as well, and he even does this when he's entirely by himself, like in this screenshot I posted again the other day.

^This is him standing in an empty hallway. Human disguise still intact.

...or when he's walking by himself on a completely dead street.

Still keeping up a human glamour.

Why? I think he likes being able to pretend he's human for a little while. He likes not having "a constant reminder of his shame" (his words that he used to describe his patterns) on his skin constantly.

...He likes the persona he's playing, essentially.

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big fan of a character seeking comfort in the arms of the thing that’s going to kill them. and i am psycologicalily normal too.

i hate viruses so fucking much. literally getting attacked by a fucking shape. a concept. consumes no energy. responds to no stimuli. its only existence is to fuck with you. like fuck offf

prev's tags are too good not to save

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oxyconundrum
““When I was about 20 years old, I met an old pastor’s wife who told me that when she was young and had her first child, she didn’t believe in striking children, although spanking kids with a switch pulled from a tree was standard punishment at the time. But one day, when her son was four or five, he did something that she felt warranted a spanking–the first in his life. She told him that he would have to go outside himself and find a switch for her to hit him with. The boy was gone a long time. And when he came back in, he was crying. He said to her, “Mama, I couldn’t find a switch, but here’s a rock that you can throw at me.” All of a sudden the mother understood how the situation felt from the child’s point of view: that if my mother wants to hurt me, then it makes no difference what she does it with; she might as well do it with a stone. And the mother took the boy into her lap and they both cried. Then she laid the rock on a shelf in the kitchen to remind herself forever: never violence. And that is something I think everyone should keep in mind. Because if violence begins in the nursery one can raise children into violence.””

— Astrid Lindgren, author of Pippi Longstocking, 1978 Peace Prize Acceptance Speech (via jillymomcraftypants)

In 1978, when she received the Peace Prize of the German Book Trade, Lindgren spoke against corporal punishment of children in a speech entitled Never Violence! After that, she teamed up with scientists, journalists and politicians to promote non-violent upbringing. In 1979, a law was introduced in Sweden prohibiting violence against children in response to her demands. Until then there was no such law anywhere in the world.

What a legacy. We’re so lucky to have had her.

The jokes about Jinu being old are funny, but I feel like they get a little... heh, old. Because people will ignore the truth of how much of the modern world he does know (and he does know).

So I propose something different ☝️😲

You know, the thing about people who learn studying by themselves, without formal schooling, and without that knowledge being tethered to the natural progression of learning it by living within a certain time, social and cultural context —that is, having to learn as an outsider—, is that this person will just end up learning whatever the hell they want, or whatever it is they need to learn in a specific occasion or context. They might very well not learn by some predictable, expected progression.

So what happens is that they'll end up with just the wildest knowledge gaps, where they'll surprisingly know about things no one ever expected them to, all the while being completely bamboozled by things that are considered "common knowledge". Now take that and add it to the fact that his acquired knowledge stretches through a span of time of around 400 years, and that there'll be things he learned, like, 20, 70, 110, 250, 350 etc years ago, and just never revisited. Like imagine the possibilities, just the whole comedic potential of that.

I'm imagining a Jinu (in a Jinu Lives!AU, of course) who knows a lot of obscure fandom terms but also once Zoey had to spend weeks trying to convince him that dinosaurs were real, with him convinced for most of that time that it was all some kind of elaborate prank, and then that it was just one more of her weird conspiracy theories. She almost cried. Once in a conversation in english Zoey said the word "laptop" and he thought it was something scandalous. Somehow this keeps happening to Zoey. She's so sick of his ass.

Also now just a heads up for anyone looking to learn a second language

This will be you.

That's it, bye!

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