Special Feature: Legendary Rock Artists Who Came to Japan - David Bowie [CROSSBEAT (August 2007)]
Pic: In December 1978, superstar Kenji Sawada also attended Bowie's after-party in Roppongi.
DAVID BOWIE
Bowie gained prominence in Japan through a shōchū commercial and his appearance in the film “Merry Christmas, Mr. Lawrence”.
David Bowie embarked on his first tour in Japan with the Aladdin Sane tour in April 1973, followed by the Stage Tour in December 1978, the Serious Moonlight Tour in October 1983, the Sound+Vision Tour in May 1990, the It's My Life Tour with Tin Machine in January-February 1992, the Outside Tour in June 1996, and the Reality Tour in March 2004.
Whilst overseas artists arriving in Japan until the 1970s typically landed at Haneda Airport, and those from the 1980s onwards mostly arrived at Narita Airport, Bowie's first arrival in Japan was via Yokohama Port. He had sailed across the Pacific from the United States, his previous tour destination. At this time, Bowie suffered from a fear of flying and always travelled overseas by ship.
Staying at the Imperial Hotel, Bowie received even more radical costumes from designer Kansai Yamamoto than before, which he began using for his Japanese performances. Starting at Tokyo's Kosei Nenkin Kaikan, he toured Nagoya, Hiroshima, Kobe, and Osaka. The final concert at Shibuya Public Hall was recorded showing the audience surging forward onto the stage. His exposure to Kabuki, Noh theatre, and Japanese gardens deepened his fascination with Japan. On his return journey, he sailed to the Soviet Union and travelled by Trans-Siberian Railway for a week to reach Moscow.
By the time he made a surprise visit to Japan with Iggy Pop in 1977, his fear of flying seemed to have subsided. Overcoming his phobia apparently stemmed from being forced into a situation where flying was the only way to make it to North America for the Idiot Tour with Iggy. This visit wasn't for a performance. Bowie frequently visited Japan outside of tours, often stopping in Kyoto.
During his 1978 Stage Tour, he appeared on the 15-minute interview programme “Star Sen'ichiya (スター千一夜)”, broadcast at the time on the Fuji TV network. The final tour date, the December 12th concert at NHK Hall, was recorded by NHK and broadcast in March 1979 as “Young Music Show”.
Although Bowie had established his status in the rock world from the early 1970s, his recognition broadened significantly in the 1980s. A symbolic example was his appearance in a shochu manufacturer's television commercial in 1980. He visited Japan in March 1980 for the filming of Takara Shuzo's “Jun” commercial. He provided an instrumental track recorded during the “Scary Monsters” sessions, titled “Crystal Japan”. In Japan, this track was also released as a single, paired with “Alabama Song”.
This superficial wave of Bowie popularity peaked in 1983. The release of “Let's Dance”, the premiere of Nagisa Oshima's film “Merry Christmas, Mr. Lawrence”, and his subsequent visit for the Serious Moonlight Tour created a continuous stream of buzz. It was also from this year that a sense of dissonance began to spread among his existing listeners.
—Hirose Toru
Translator's Note: It's really rare to even hear of an artist travelling to their performing destination by ship. The only one that I knew of that had done so recently was Yann Tiersen.
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