Costume worn by Rudolf Nureyev as the Prince in The Nutcracker
Designed by Nicholas Georgiadis for Opéra national de Paris
1985
Centre national du costume et de la scène (Accession Number: D-ONP-85CN001)

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Costume worn by Rudolf Nureyev as the Prince in The Nutcracker
Designed by Nicholas Georgiadis for Opéra national de Paris
1985
Centre national du costume et de la scène (Accession Number: D-ONP-85CN001)
Fairy Costume from The Nutcracker
Designed by Pierre Clayette for Opéra national de Paris
1965
Centre national du costume et de la scène (Accession Number: D-ONP-65CN003)
There's a really cool retrospective from Graham Fletcher, the dancer in the pig costume, about filming this & his career in general at this link!
Costume for Prince Charming in The Sleeping Princess
Leon Bakst
1921
Victoria & Albert Museum
Costume for Giselle in Act II worn by Alicia Markova
James Bailey
1953
Victoria & Albert Museum
Costume
c.1919
Le Boutique fantasque was a light-hearted a ballet in one act was choreographed by Léonide Massine to an arrangement of music by Giacomo Rossini arranged and orchestrated by Ottorino Respighi. The production was designed by André Derain with the sets painted by Vladimir and Elizabeth Polunin and the costumes made by Alias Ltd. It was created for Serge Diaghilev’s Ballets Russes and first performed at the Alhambra, Leicester Square, London, on 5 June 1919, where it was a terrific hit. As one critic wrote after the premiere, in La Boutique Fantasque ‘the old and the reactionary and the new music and “choreography” and décor all run together into a piece of merry nonsense, so single and so compelling that it carries you away.’ The action of the ballet is set in a toy-shop c.1865. Clients visit to see the novelties and the can-can dancers are purchased by different families. At night, after the shop had closed, the toys come to life and enable the can-can dancers to elope. In the morning they are found to be missing by the disgruntled purchases.
Victoria & Albert Museum
Happy birthday to Dorothea Tanning, who created these surreal costume designs for the ballet, “The Night Shadow."
”Lanova,“ 1945, by Dorothea Tanning © Artists Rights Society (ARS), New York
”Weaver,“ 1945, by Dorothea Tanning © Artists Rights Society (ARS), New York
”Tompkins,“ 1945, by Dorothea Tanning © Artists Rights Society (ARS), New York
”Design for Balanchine Ballet ‘The Night Shadow,’“ 1945, by Dorothea Tanning © Artists Rights Society (ARS), New York
Renderings & Costumes from Festa no Jardim
Paulo Ferreria
c.1947
Founded by António Ferro, the Companhia Portuguesa de Bailado Verde-Gaio was inspired by the Ballets Russes. The company aimed to bring Portuguese music, folklore, and culture to the stage while collaborating with well known artists, composers, and choreographers. The Verde-Gaio active from 1940 to 1977.
Renderings from Festa no Jardim
Paulo Ferreria
c.1947
Founded by António Ferro, the Companhia Portuguesa de Bailado Verde-Gaio was inspired by the Ballets Russes. The company aimed to bring Portuguese music, folklore, and culture to the stage while collaborating with well known artists, composers, and choreographers. The Verde-Gaio active from 1940 to 1977.
Costumes from the Companhia Portuguesa de Verde-Gaio Ballet
1940s
Founded by António Ferro, the Companhia Portuguesa de Bailado Verde-Gaio was inspired by the Ballets Russes. The company aimed to bring Portuguese music, folklore, and culture to the stage while collaborating with well known artists, composers, and choreographers. The Verde-Gaio active from 1940 to 1977.