Everyone stop treating the upper classes as the default historically and start caring more about the lower classes and the workers of the past who kept the romanticised upper class world functional NOWWWWWWWWWW
may it be a light for you in dark places
Brașov
faces for all tastes||Hilary Paynter
Hönen-in ‘法然院’ Pure Land Buddhism Kyoto, Japan, 1687, Edo Period
Architecture of return, escape (The British Museum) 2022 Pigment and acrylic on deer hide, 36 x 55 in. (91.4 x 139.7 cm) Nicholas Galanin Born 1979, Tlingit/Unangax̂
"Galanin’s work engages themes of persistence, power, and survival in the face of settler colonialism and its legacies of institutional racism and collective amnesia. Here, the floor plan of the British Museum is painted over a blue field. Pictograms of baskets, masks, woven hats, weapons, tools, and textiles reference the contested objects held in the museum’s collection, while a red line maps an escape route for these examples of Indigenous cultural production. In many Native cultures, hide paintings relay histories across generations and objects embody lineages; in referencing both, Galanin is proposing a getaway plan for his ancestors."
jordan_decoster on ig



