With each month passes, I get the joy of knowing you. With each day passes, I get the joy of being closer to you. You make my work days go by and I'm always excited for the next day, just to see you.
I always know when you come or when you are busy. I always look forward to the end of the shift, when you come in, and wait for me. You probably don't know, but you make my heart beat fast and skip a beat. You sneak up on me.... a lot. To the point were I say "Fuck you!"
I can't wait for Wednesday, for when I get to see your dork ass face. ❤️
She’s got a real life, real love, and zero interest in your nostalgia. Meanwhile, your obsession is giving off tragic energy.
Friendly reminder that people move on, lives continue, and not everything revolves around whatever fantasy you’re still clinging to.
She’s thriving. She’s gorgeous. She’s booked, busy, and unbothered.
And she does not owe you access or explanations.
The constant nitpicking? Weird.
The harassment? Embarrassing.
The obsession with tearing her down because your narrative didn’t pan out? Deeply telling.
So maybe just maybe log off, touch some grass, and let this amazing woman live her life in peace.
Growth is free.
Jealousy is loud.
And she’s still winning because she has a real man not a fictional character!
With each month passes, I get the joy of knowing you. With each day passes, I get the joy of being closer to you. You make my work days go by and I'm always excited for the next day, just to see you.
I always know when you come or when you are busy. I always look forward to the end of the shift, when you come in, and wait for me. You probably don't know, but you make my heart beat fast and skip a beat. You sneak up on me.... a lot. To the point were I say "Fuck you!"
I can't wait for Wednesday, for when I get to see your dork ass face. ❤️
Infant anons who think PUBLICIST and CAA are the same as management NO ...
Here's your 5 year old explanation of WHAT is what . Stop coming here acting like you know fucking anything. SIMPLE google and AI at your fingertips to explain :
Publicist PR team (Narrative PR) : What they handle: PUBLIC IMAGE and MEDIA.
In plain language:
- They manage what the audience sees and hears
- They control press releases, magazine stories, interview angles, rumors, damage control
- They decide how to respond to scandals, rumors, relationships, or silence
Publicists run the “narrative.” (including fake ones)
They DO NOT handle: ❌ contracts for films ❌ salary negotiations ❌ long-term life planning
AGENCY (CAA) : What they handle: WORK. Literally the actor’s jobs.
In plain language:
- They get the actor movies, series, voice roles and other booked work.
- They negotiate the contract money, perks, billing, trailers, travel, backend, points, etc.
- They protect the actor’s interests during hiring.
Think of them as the actor’s “dealmakers.”
They DO NOT handle: ❌ personal life ❌ image issues ❌ scandals ❌ charity ❌ long-term career strategy ❌ social media ❌ press statements
Management (Now is Untitled Entertainment) : What they handle: THE WHOLE CAREER + LONG-TERM STRATEGY.
In plain language:
- They oversee the big picture
- They decide what kind of roles, what kind of image, what goals
- They coordinate between agency, publicity, studios, brand deals, charities, etc.
Their job is to make sure the actor’s entire career makes sense over time.
They DO NOT handle: ❌ daily press management ❌ contract negotiations (agency does that) ❌ gossip or media questions
🧱 THE HIERARCHY (in simple terms)
✔ Agency = gets the jobs
✔ Publicist = handles the publicity & narrative
✔ Manager = decides the long-term path
They often communicate like this:
Studio ↔ Agent ↔ Manager ↔ Publicist ↔ Public
Each does a different job. If one is missing, things get weird — especially management.
WHAT got weird? MANAGEMENT LEFT in JULY (3rts management and now he finally signed a new management in JANUARY) he was without management July to now, and what did we see? A supposed "baby" announced like no celeb announces and a blind arc of a fucking MESS.
- He always had agency (CAA) so jobs and contracts continued.
- He always had publicists (that’s the team that handled marriage/baby narrative and media).
- He was WITHOUT management for months, meaning:
- no one steering long-term image
- no one coordinating narrative with work
- no one aligning PR with career moves
- no one moderating the chaos
And that is exactly how we ended up with:
- narrative levers (marriage/baby)
- blinds
- destabilization
- franchise insulation
- no clean closure
Because publicists alone = reactive + tactical But management = strategic + coordinated
Stop coming here trying to act like you know anything and making drama of how shit works. We're all tired.
When you find someone, that somehow other people will think is not attractive, but for you...he's perfect.
I used to think that it was all about the looks (my dumb ass fell for a dumb Boston idiot, and one very verbal abuser) But it's not anymore. He listens, we talk about so many random shit. The best part? He remembers the little things, that most people I know, doesn't remember. He compliments my hair, because, he knew that I had a hair appointment the day before.
To me? All of that is perfect and that's what makes me attracted to him.
I wasn't meant for casual love. Your heartbeat will be my favorite song, your eyes my favorite color, your words my favorite poem, and even your imperfections will be my favorite piece of art.
So apparently the theme of Doomsday is centered around Fatherhood. Due to the fact that when Steve went to return stones causing an incursion because he stayed with Peggy and causing destruction to Victor Von Dooms world him losing his child and wife. He then goes after the children of Sue Storm and Reed Richards, Thor and Steve's children. Well.. This will be an interesting one for sure.🤔 And why are all the other heroes being dragged into this?? To set it up for Secret Wars due to all the incursions because of Steve fucking up the timeline.
There's always that ONE guy that has to fuck up something....