painted this sober:
painted this on acid, and cried while doing it:

@polwigle / polwigle.tumblr.com
painted this sober:
painted this on acid, and cried while doing it:
oh, humans. humans being human. i love you.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.
The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.
Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.
Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
thank you so much adblockers. thank you. I love you. thank you so much
I hate that thing some people do where it's like. "I left my wallet on the table to see if you'd say anything" or "I wanted to see if you'd wash the car if I stopped doing it"
Cause like
I dont know about anyone else
But I am perpetually hovering three inches above the strong subconscious belief that everyone knows what they're doing at all times except me, so if you change your normal patterns and I notice, then I will assume it is an intentional choice with a thought-out plan behind it and I will avoid interfering
And if I don't notice, because I won't, because why would I, because not much bothers me and if you don't say anything to indicate you are bothered then how would I KNOW
Alternatives to experimenting on me like a lab rat when you suspect me of being inconsiderate:
A close friend of mine and I had a fight where she said she felt I only talked about myself and never asked about her, and I countered that when done speaking about myself I expected her to chime in with how SHE was feeling and doing and that I couldn’t know if she didn’t tell me. And we were both right (and now she will talk first and I’ll ask about her more).
Crushing news: shrinkflation so bad the funny number has decreased from 69 to 67
sorry to be aromantic but i need more stories w characters who get absolutely no romantic interests, plots, or romantic ending ‼️ gimme ppl w complex interpersonal relationships put into emotional life situations ‼️ but they all get zero bitches ‼️
when ur friends show u their ocs
shoutout this comment on the silksong trailer by the way
pros of having a large vocabulary: many words i know
cons of having a large vocabulary: many words i only know the vibe for
