A few days ago, one of my colleagues saw a one year old kitty for sudden onset seizures. First thought was idiopathic epilepsy, but:

Turned out that someone in the family had brought lilies into the house and put them up high, thinking that the cat wouldn't get to them. Alas, even a lick of pollen from lilies causes fatal kidney damage in cats.

Said cat was not epileptic. Her kidneys were fried, so she lost her life at one year of age.

If you have cats in the house, that means no lilies, no matter how high up they are.

No lilies. Ever. Not even once. If someone gives you a bouquet with lilies, throw the lilies out before you ever bring those flowers into your house. Just breathing the pollen in the air can kill a cat.

If you have cats, please take this seriously. No lilies.

so long as I've been talking gravity, it feels like I'm obviously missing something by not talking about the Green Sun, which formed the gravitational center of Homestuck's cosmos long before black holes became part of the equation. it's emblematic of Lord English, obviously, the villain who keeps our heroes gravitationally bound to their homes, but that felt too simplistic... I think I've hit on something more solid, though.

Cascade, part 6.

in the sense that the Green Sun - being composed of the rendered-down remains of both of Homestuck's universes - is a very literal representation of the comic's incestuous slurry of ideas, Dave and Rose emerging from the Sun's radioactive green sludge very much reads as their being reconstituted from ectoplasm. indeed: Hussie suggested years ago that to "die spectacularly in an explosion of green fire" is actually a requirement for reaching the god tiers without a dream self, and while this doesn't turn out to be exactly true, the central premise remains; the old self must be immolated completely to make way for the new self. in this exact same way, trolls find themselves gravitating toward the cocoons they were born from and are completely destroyed via explosion in the process of ascension - for Dave and Rose, the Green Sun is the figurative birth-cocoon they return to in order to be broken down into slime and built back up again.

(so it's interesting, at the very least, that the very same black hole that usurped the Green Sun's position as the center of reality is now the cocoon Vriska Serket finds herself trapped within - complete with lain-thick imagery of fire and death!)

p. 2728

compare as well the Matriorb and Tumor, obvious visual twins which also serve the same purpose as malignant growths which must kill their previous host so as to give rise to a new brood. for Rose, in particular, the gravity that keeps the suburban family unit together - the Green Sun's gravity - is also the gravity that pulls her toward the familial role Sburb has lined up for her, that of the mother. and the icons of the Green Sun hidden, womb-like, within the guts of Rose's planet tell us everything we need to know about the role the Green Sun is supposed to play in this motherhood destiny.

(from Hussie's commentary in Book 5, p. 271: "This is another one of those things that makes it feel like this quest is narratively what is demanded of her [...] it's supposed to feel that way to her, and has a strange sense of obligatory gravity surrounding it.")

Scratch's deception regarding the Green Sun then takes on a characteristically insidious subtext: he's tricking Rose into giving birth. and not just to the Green Sun, or to Lord English, but - in the characteristically incestuous, cyclical nature of things in Homestuck - to her own ascended self! and as such, in the inverse: when Rose flies out to the Furthest Ring believing that she's about to defy the role Sburb has laid out for her by aborting the Tumor, she's also unknowingly setting out to abort herself - a "suicide mission" in more ways than just one.

the whole gravity thing has kind of been staring me in the face from my very earliest post on the subject - where I fail to even comment on the fact that Dave conflates Dragon Ball Z's "Gravity Machine" and "Hyperbolic Time Chamber" by referring to a "hyper gravity chamber". (of course, the real-life relationship between gravity and time as a plot device is seeded all the way back in Problem Sleuth, which I'm also yet to mention - though possibly because PS infamously gets the relationship backwards.)

but I honestly think the centrality of gravity as a concept might be even more deep-rooted in Homestuck than that: understanding that at the very fundamental level the name Homestuck is supposed to evoke the name Earthbound, doesn't it make complete sense that the force keeping the characters 'earth bound' would be the very same one keeping them 'home stuck'?

Reading Roxy and Meenah as doppelgangers: a digression on manifestation theory

A brief introduction to manifestation

Manifestation theory sounds scary - the idea that the appearance of trolls and other fantastical creatures might double as insight into the psychological goings-on of our human protagonists is not one that necessarily comes intuitively to all readers. But as blogger azdoine succinctly put it: it's basically "just symbolism". Characters in a story symbolise something, and, understanding that Homestuck is chiefly about its human protagonists, it's logical to presume that the non-human elements symbolise things that are relevant to the protagonists' human experience.

mmmmalo has written at length about what he identifies as the signs linking Meenah to Roxy's inner psychodrama - the things that make Meenah an "esoteric mirror" or "doppelganger" of Roxy. For comprehensiveness' sake, I'm going to outline from scratch what I have identified to be the key signs, and to that end this post is going to discuss the topics of reproduction, reproductive coersion and miscarried pregnancy (with text-pertinent allusions to grooming and incestuous abuse).

One big happy family

Looks like a little girl's room. This all strikes you as a bit odd.

Hussie suggests only briefly in commentary that the young Roxy's (β) upbringing was at the hands of "a younger grandpa Harley" (Book 2, p. 106), but we needn't take their word for it; the scenery here speaks for itself. Roxy grew up in a dark green basement, trained from childhood to become an agent of Harley's goals, just as Damara (β) - and then by succession Meenah (β) - would be trained as English's agents. So, by analogy, Grandpa Harley is Lord English.

This is another point mmmmalo has (in)famously already made, but regardless of your thoughts on the particulars of that specific reading, the key clues pointing to English as a manifestation of the "Grandpa" character are still plain to see. When John says "the worst case scenario" would be "[facing] our grandfatherly paradox-dad as a last boss", he's explicitly referring to he and Jade's family patriarch, but he's also implicitly foreshadowing Lord English - a character who, in the maturity of 2024, we should now all be able to recognise is in one way everyone's grandfatherly paradox-dad. He represents the same upper echelon of paternalistic power on a cosmic scale that Jake (β) represents on a familial level.

Moving this along towards my point: essentially all of Acts 1-4's adult characters form part of this elaborate Nuclear Family Roleplay - a pantomime of the 'Suburban' setting Homestuck is founded upon. In the same way Jake being known as simply "Grandpa" symbolises his arch-patriarchal position, the reason Roxy is known only as MOM for the first five acts of the comic is because this is the archetypal, impersonal role she has been reduced down into. Her relationship with the character named DAD is a direct invocation of this - the two are essentially playing house, living out the gendered roles that have societally/cosmically been laid out for them. The comic's exposition coyly brushes over this, but a deeper look at Alternian culture gives us a much clearer vision of why 'MOM and DAD' make such an iconic matespritship: on Alternia there ARE no real family units, only procreation, and therefore matespritship is understood by the planet's inhabitants as a mere expression of "mating fondness". MOM and DAD make such a cute couple because they are exactly what their assigned titles depict them as - a breeding pair.

This is basically the crux of Roxy's arc right up to the very end of the comic; though Roxy's (Α) post-apocalyptic anxieties about the extinction of the human race bring these thoughts to the forefront, her struggle within the patriarchal structures of the household / society / reality itself has always been that she is only valued as a MOM - as a breeding machine.

The problem therein is that Roxy is seemingly incapable of having children.

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leofwines-deactivated20250831

umm could you convert that to a .joy file yeah i have a christmas computer it’s the only way i can open it

Anonymous asked:

your fat dave helped my body image issues as a fat trans dude. thanks. love your art and oc shit you been posting keep it up

thanks so much for being fat lets try to get fatter in 2026 okay?

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