Avatar

Language is a River

@storiesintheashes / storiesintheashes.tumblr.com

Sing--and singing--remember, your song dies and changes; and is not here to-morrow, any more than the wind blowing ten thousand years ago.

Kintsugi is the art of decorating your scars with pieces of Agni.

In the Fire Nation, the amount of golden marks are a sign of status. Only the Royal Family can afford to seal every single wound with Kintsugi. Such is the weight of this tradition that, among the ones with Agni's blood, it is the highest mark of dishonor to have a natural scar, for it proves you aren't worthy of the privilege.

After the Agni Kai, Ozai forbid Zuko's scar to be sealed with Kintsugi. The boy wasn't worth his title, his traditions or his pride. Zuko would be broken, but he wouldn't be beautiful. Not anymore.

(And sometimes it's easier to pretend he never was)

Anonymous asked:

Consider: Post-canon Zuko wakes up in the body of his childhood self, the morning of That War Meeting. Would he still speak against the plans, knowing his fate? What do you think he would do differently the second time around?

"Turned away at the doors, Zuzu?"

"Shut up, Azula," her brother sulked. But sulked weirdly, after staring at her too long and too wide-eyed, not like she'd surprised him but--

But like he hadn't expected her to be there. At all.

He turned away. ...He turned back. "Hey, Lala? Do you think you could help me practice that one set?"

He didn't meet her eyes.

today i’m sad about that one line from the creator’s commetary about how zuko is a tsungi horn prodigy and the little letter zuko, aged 7, sends iroh in “legacy of the fire nation” where he very politely requests that iroh come home and teach him pai sho tricks, because that casts such a different light on their interactions in book one.  it was never iroh trying to push his own favorite things - pai sho and music night - on an uninterested zuko, it was iroh desperately trying to reconnect with zuko by recreating the activities he knows zuko used to enjoy.  zuko, aged 7, once begged iroh to come home and play board games with him and now zuko wants nothing to do with him and you know that eats iroh up alive

it’s also noteworthy in that the things iroh tries to interest zuko in are specifically things that zuko enjoyed as a child.  

there is a reoccuring theme in atla of how war forces children to grow up too early.   aang, who is THE symbol of hope for the world, takes katara and sokka penguin-sledding and mailcart riding and to an illicit fire nation dance party just for the fun of it.  aang is a harbringer of not just peace but also a symbol of the lost innocence of the protagonists, reminding the audience that even these powerful, world-saving children are still children who need to experience fun and play.

and iroh serves that same role for zuko in books one and two, consistantly offering zuko opportunities for fun and play that zuko typically rebuffs.  it’s clear that zuko doesn’t think of himself as a child (like when he says “you’re just a child!” upon meeting aang but is surprised that aang sees him as “just a teenager”) and doesn’t see a purpose to play.  

one of the most heart-breaking parts of this show, for me, was that zuko never plays during the course of the show.  there are no moments when he is engaged in an activity for no purpose other than simply bringing him enjoyment.  every action he takes is related to his survival.  the closest he comes to playing is showing off his dao swords to lee, juggling (badly) for jin on their date (though he’s simply trying to continue a ruse that his survival depends on), and maaaybe exploring the ruins of the sun warriors.  zuko is the only one who doesn’t participate in the beach activities with the gaang in the first part of sozin’s comet.

so it’s not only that iroh is attempting to reconnect with zuko with acitivies they had once enjoyed together, he’s trying to offer zuko a chance to experience the childhood he lost at age thirteen.  

receipts for those interested:

bonus painful headcanon: zuko once told iroh that his jokes were funny so for three years iroh was as goofy as possible in an attempt to make zuko laugh again.

how they went from “I like it when you are with me, Uncle” to “you’re a lazy, mistrustful, shallow old man” cuts deep

Iroh felt so guilty that he didn’t set any personal boundaries for three years, and at this point Zuko almost wants the other shoe to finally drop instead of being a continuous what if stressor

(Zuko still runs when Iroh tells him off for stealing, because almost wanting it to finally happen doesn’t stop basic self preservation, and Zuko can’t be sure what Iroh will do after going like no, I don’t like this – because that hasn’t happened before)

one of my personal favorite dichotomies in atla is how iroh, once the top strategist and highest-ranking general of the fire nation, now directs all his energy and considerable tactical experience towards attempting to keep his teenage nephew from throwing himself into life-threatening situations AND IROH REGULARLY FAILS TO PREVENT HIM FROM DOING SO.

he lead a six-hundred day siege and now iroh can't keep up with a sixteen-year-old armed with two swords and a passionate deathwish. zuko's motto is "act first, think never" and he's running rings around his uncle. it's like!!! who's gonna come out on top, iroh's west point education vs. zuko's deep and abiding commitment to always choosing the stupidest possible course of action, and zuko manages to win every single time

y'all are straight up EVISCERATING that boy in the tags

Not to downplay just how committed to self destructive stupidity Zuko is, but Iroh still managed to keep him alive and in one piece. He lost literally every battle but he won that war.

Not to step on the knife, but also figuratively losing every fight as long as it means the child who is like a son to him is alive is the exact opposite of literally winning every battle and losing his son which is what he did when he was young so that's probably why he keeps so chill 90% of the time around the Zukoness of it all.

Stepping on the knife? Reading that was stepping on a RAKE made of FEELINGS and being SIDESHOW BOBBED by my own EMOTIONS

that's how i roll in clown town baybeee

i’ve had this comic sketched out for months but only decided to finish it now, it’s based on something i drew a couple years back of toph and zuko….don’t think too hard on when or how this takes place because i don’t really know either! it’s just a concept i’ve always wanted to draw

today i’m sad about that one line from the creator’s commetary about how zuko is a tsungi horn prodigy and the little letter zuko, aged 7, sends iroh in “legacy of the fire nation” where he very politely requests that iroh come home and teach him pai sho tricks, because that casts such a different light on their interactions in book one.  it was never iroh trying to push his own favorite things - pai sho and music night - on an uninterested zuko, it was iroh desperately trying to reconnect with zuko by recreating the activities he knows zuko used to enjoy.  zuko, aged 7, once begged iroh to come home and play board games with him and now zuko wants nothing to do with him and you know that eats iroh up alive

My favorite thing about fanfic Zuko is that he just does not have a reference point for sexism. Like:

Some person: isn’t that women’s work?

Zuko, thinking of Azula, Mai, and Ty Lee: women’s work? You mean homicide?

When Zuko becomes Fire Lord he’s sitting in a meeting where there happens to be only one female advisor, Takiko (Which strikes him as a bit weird but for now he’s got bigger gazellefish to fry because he’s still trying to figure out who is worth keeping around even if *sometimes* (every day) he’s tempted to just turf them all out and start from scratch rather than deal with the paranoia) and Takiko’s in the middle of giving a presentation when they run out of tea. One of the male advisors remarks on this loudly, staring pointedly at Takiko. Because some female in the room “obviously” she’s the one who should be making the tea.

Takiko, used to this nonsense, starts to move towards the pot but to the collective shock of everyone in the room she is waved away by the Fire Lord.

“No, no, you’re in the middle of your presentation, I’ve got this,” says Zuko.

Male advisor: *sputtering* “My Lord! Surely Takiko can do that. Is it not below your station to pour tea?”

Zuko: “It’s fine. Uncle Iroh always pours his own tea and he’s ranked above all of you.”

*Room collectively recalls that Uncle Iroh is Dragon of the West*

Male advisor, changing tack: “She has uh… much more experience with such things.”

Zuko: *displaying an impressive level of control in using a fire technique to heat the pot that he learned during his time working in the Earth Kingdom tea shop* “I doubt it.”

(The kicker: Zuko makes better tea than anyone in the room has had in an official meeting in *years*.)

(thank you to @a-side-of-fries for donating!)

Toph and Zuko, in spite of coming from different countries with different social customs and different positions in society, find themselves encountering the exact same problem.

They don’t know how to react when people touch them. Specifically, Katara, Sokka, and Aang.

Almost nobody touches them unless it’s in a fight, and it takes a while to adjust.

Zuko hadn’t expected Toph to be the one he gravitated towards, to be the one he connected to, but he doesn’t know why.

They’re so alike, after all.

~

The problem, Toph figures out early on, is that remote water tribes and monks don’t have class structures.

Or, well she’s sure they do, because every society does, but not like they do in the earth kingdom. Toph isn’t nobility, exactly, but she is a Bei Fong, which means her family is richer and more influential most of their numerous kings.

When you have money and power, who needs a crown?

It meant she had few peers, and as a little blind girl she had even less. There was no games of tag or rough housing with her, because she was delicate, because she was breakable. Her parents’ affection was sparse, treating her like the glass doll they’d made her into, and she hated it.

The only time she touched or was touched was in the rumble, when she was fighting. Even her servants were so skilled that their fingers didn’t even skim her bare shoulders as they dressed her.

The first time Sokka puts an arm around her, she buries him up to his neck. She doesn’t apologize, but she does undo it in the next moment. She’s only comfortable showing her affection like she’s fighting, punching them in the arms or putting them into a headlock. Sokka and Aang take it better than Katara does, but Toph doesn’t know what to do with her soft, sisterly touches, so she just avoids them.

When Zuko joins them, she notices the same anxiety with him, and imagines it’s the same problems she had, only a thousand times worse. He’s the crown prince. He has no equal.

The only people that would have been allowed to touch him casually would be his mother, who left him, his father, who burned half his face off, his sister, who’s trying to kill him, and Uncle. Uncle has to be careful not to overstep or give the impression he doesn’t respect his nephew’s authority because even if Uncle is older and more powerful, he’s not higher ranked, and that matters. Anyone else could be given a death sentence for laying their hand on the crown prince. Not that Toph thinks Zuko would have ever done that, even at his most bratty, but it doesn’t change that he could have.

Which means the only time he would have had touch was when he’s fighting or training.

He doesn’t know what to do the rest of them and their too friendly touches. He bears it better than Toph, standing their uncomfortably but not leaning away or snapping at them.

“It’s like they never even learned to spell propriety before,” she says to Zuko, after Sokka spends a whole ride on Appa pressed up against his side.

He lots out a sharp, relieved breath. “Fuck, I know, right? This is going to kill me.”

She laughs, and he joins her a moment later.

She hadn’t enjoyed her sheltered, upper class upbringing. But it was still nice to have someone around who could relate to it.

Sponsored

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.