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tanuki kimono

@tanuki-kimono / tanuki-kimono.tumblr.com

[she-they] French Kimono enthousiast ♡ Japanese arts & crafts

Priests' outfits - Jikitotsu, Daimon, and Hentetsu

(as worn during Edo period - great charts by Nadeshico Rin). You can find more about samurai ranks and their regulated attires under the tag "samurai kimono".

This outfit was worn for court events by Buddhist priests of the highest rank ( 法印 Hôin) and second highest rank (法眼 Hôgen). Those titles could also be also given to 儒者 Confucian scholars, 医師doctors, Buddhist 絵師 painters and 仏師 sculptors, etc.

  • 直綴 Jikitotsu - type of monk robe, originally made by stitching together a 偏衫 henzan (monk robe covering the upper body) and a 裙子 kunsu (monk robe covering the lower body) together. Overtime, jikitotsu came to be worn opened, more like a haori vest.
  • 末広 Suehiro - a type of formal folding fan. TN: the fan drawn here ressemble more a 中啓 chûkei, as suehiro have curving ribs which don't seems to be the case here (find more about fan types here)
  • (長)袴 (Naga)bakama - hakama pants with long trailing legs, here made of hiraginu (plain silk)
  • 白小袖 Shiro-Kosode - white kosode (=ancestor of the kimono) /or/ 帷子 Katabira - thin garment made from hemp or raw silk (worn during Summer). Note that 経帷子 kyôkatabira designates a shroud (=the white kimono used to dress the dead). /or/ 熨斗目Noshime - kosode (=ancestor of the kimono) with stripes/lattice pattern at waist area
  • 小さ刀 Chîsagatana - small katana

First people helping buddhist priests, 同朋 dôbô (lit. "companions) became overtime men attending on the Shogun, feudal lords and other high-ranked officals.

They were in charge of miscellaneous tasks (like cleaning, messengers etc.), or depending on their talents more skilled ones (dance, music, ikebana, tea ceremony etc.).

  • 大紋 Daimon is a specific hitatare set, patterned with large 紋 mon (clan/family crests)
  • 菊綴 Kikutoji - decorative tassel-like knots, first appeared on Heian nobility clothes. Here, those were leather ones
  • 胸紐 Munahimo - chest ties​, first appeared on Heian nobility clothes. Here, those were leather ones
  • 熨斗目 Noshime - kosode (=ancestor of the kimono) with stripes or lattice pattern at waist area. Also note the colored undergarments collars.
  • 袖括 Sodekukuri - decorative sleeve ties. Originally appeared on Heian clothings (like kariginu, nôshi, etc) where they were used to tighten sleeve cuffs. Here, those were leather ones
  • (長)袴 (Naga)bakama - hakama pants with long trailing legs, here made of white linen
  • 小さ刀 Chîsagatana - small katana

This outfit was the formal wear worn by lower class priests, scholars, doctors, artists, etc.

  • 編綴 Hentetsu (lit. "stitched together") - a vest with large and long boxy sleeves, made from gauze or plain silk, most often black or dark brown. The chest straps were also made of the same fabric It evolved from 十徳 jittoku (itself a variation of 直綴 jikitotsu, see above). First a casual wear for court nobles, and then spread to lower-class samurai who wore it over their kosode from Muromachi era and on. Its use then reached other social classes during Edo period. Overtime and minor variations, it finally became known as our modern 羽織 haori
  • 服紗(小袖) Fukusa(kosode) - a kosode (=ancestor of the kimono) bearing crest, and made from soft silk (like habutae or rinzu). In summer, it was a katabira (thin garment made from hemp or raw silk) /or/ 熨斗目 Noshime - kosode (=ancestor of the kimono) with stripes or lattice pattern at waist area

Samurai's ranks and dress code in Late Edo period

AMAZING reference chart put together by Nadeshico Rin, showing the different attires worn by the men of the buke class in and about Edo Castle. OP stresses the chart is by no means exhaustive - but it helps picturing things SO MUCH!

For easier reading, I have adapted the chart with english translation. Rin has also created illustrations detailing each attire, I'll translate those in coming days under the tag "samurai kimono".

You'll find the transliteration below cut:

Cw: We are going to talk here about periods, and sex education in the past. Read this note according to your own sensibilities :)

How women dealt with periods during Edo period, article by shunga enthousiast Shungirl who made a paper pad following instructions found in makura bunko 枕文庫 - ie ancient sex books illustrated with erotic ukiyoe.

One of such makura bunko is 渓斎英泉 Keisai Eisen's 閨中紀聞-枕文庫, first published in 1822. It details Chinese remedies recipes for menstrual pains and irregularities, give tips about sex, and information about menstruations and pregnancy. From a modern point of view, some beliefs are outdated, but it was then such a bestseller it went through several reeditions.

Edo period types of hakama pants, fantastic chart by Edo-lover Nadeshico Rin. You can see here from left to right, top to bottom:

  • Fundomi hakama 踏込袴 - pants with a narrow bottom hem, a type of nobakama (see below)
  • Tattsuke hakama 裁付袴 - pants tight below the knee, sometimes refered as "ninja pants" (= Iga hakama). Those were worn by many, from samurai to servants and craftmen.
  • Umanoribakama 馬乗袴 - lit. "riding pants", wide hakama with high gusset split legs for confortable horse riding.
  • Nagabakama 長袴 - formal trailing hakama worn by samurai from late Muromachi era.
  • Andonbakama - skirt-like hakama worn by Meiji period female teachers and students (hence why it's sometimes called onna bakama). A boy version appeared after mid-Meiji.
  • Yamabakama 山袴 - daily-life work pants with narrow legs and sometimes a gathered bottom hem. Name greatly varies depending on areas and time. A direct descendant of this style are women's monpe もんぺ.
  • Nobakama 野袴 - shorter hakama with black velvet hem, worn by travelling samurai. It was also part of firefighters' gear.
  • Hirabakama 平袴 - the "classic" ankle lenght men hakama pants, with a low gusset which means it looks nice when sitting (tailoring is hence different from the umanori, see above). Also called hanbakama 半袴, those were longer than the ancient kobakama 小袴 and shorter than formal trailing nagabakama (see above).
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Welcome to the amazing world of kimono! I’ll speak below mostly about kimono ABC. For more insights about Geisha specifics, I warmly recommand you to read:

On tumblr, you can safely turn to @missmyloko who knows much more than me about ranks and daily life in the Karyukai :)

I tried to stress as many ressources as possible but covering every particularities in one go is impossible. Please also note that some might not apply/need in-depth look for your OC (especially if she’s a pre WWI Geisha).

In any case, MP me if you wish to learn more about a point!

Seasonality is indeed a big deal in kimono wearing - especially for Geisha who has somehow become nowadays the ambassadors of Japanese flair. Geisha are now considered the epitome of traditional Japan, but note that it has not always been the case.

Before WWI/Taisho era, they were trend-setters and many fashions now set in stone (like the taiko musubi) are said to have been created by Geisha. Even today, some hanamachi are more in touch with modernity than others, so take rules listed below with a pinch of salt ;)

On a side note, if you are a complete beginner, I also recommand you to have a look at kitsuke (kimono wearing) articles and videos: it’s always easier to speak about kimono when you understand how they work :)

Ready? Let’s begin :D

   Seasonality is the incarnation of the Japanese love for harmony in an idealized natural world. Paired with a love for clear ranking system, it rules all the kimono outfit, from the TPO (time/place/occasion) of the kimono itself to its accessories, and depends of :

  • The setting = relaxed to highly formal
  • The weather = types of fabrics, lined or unlined, etc.
  • The seasons = seasonal motifs and colors

Hi! I’m working on a series of art pieces that feature Maiko! I was wondering if there’s any library or recourses about maiko kimonos and their seasonal patterns? Thank!

Here’s a maiko sketch for you!

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Hi and thank you for the sketch, she looks utterly adorable (love the way she's holding her pouch!).

I don't know of any physical ressource specially about maiko seasonal patterns. Tbh, their garb follows the traditional Japanese seasonal calendar - with just a few addendums here and there depending on their regions.

If you are begining your Japanese pattern journey, check kanzashi calendars (like Missmyloko's one), you won't be wrong by drawing a kimono patterned with some of those motifs ;)

I have answered a similar ask awhile ago which covers a lot of subjects+ressources, check it and don't hesitate to come back to me if you have further questions :3

Edo period women obi knots, fantastic reference chart by Edo lover Nadeshico Rin.

You can see here several obi musubi favored by city women, of all class and status. Novelty knots were a fashion statement, often lauched by star onnagata kabuki actors, and spread by iki fashionistas such as geisha.

For top to bottom, left to right, you can see here:

  • Chidori musubi (plover knot) ちどり結び
  • Shôryû musubi (little dragon knot) 小龍結び
  • Kichiya musubi (Kichiya knot) 吉弥 結び - named after onnagata actor Uemura Kichiya I in Genroku period, who single handedly launched a new type of knots and obi fashion
  • Koman musubi (Koman knot) 小万結び - named after a kabuki character in play Yakko no Koman
  • Nagoya obi (Nagoya belt) 名古屋帯 - Azuchi Momoyama/Early Edo era silk kumihimo tied in butterfly knot
  • Yanoji musubi (arrow knot) 矢の字結び - created by onnagata actor Segawa Kikunojo II. Also found under the name tateya musubi 立て矢結び (standing arrow knot)
  • Yoshio musubi (Yoshio knot) よしお結び
  • Mizuki musubi (Mizuki knot) 水木結び - onnagata actor Mizuki Tatsunosuke is said to have first worn this variation of the Kichiya musubi
  • Rokô musubi (rôkô knot) 路孝結び - created by onnagata actor Segawa Kikunojo II
  • Karuta musubi (card knot) カルタ結び - created in early Edo period, looking like 3 playing cards side by side
  • Hitotsu musubi (single knot) 一つ結び - during Edo, was also called darari musubi だらり結び. Note that it differs from is nowadays called darari obi (worn by maiko)
  • Tate musubi (standing knot) 立て結び - see yanoji/tateya musubi for variations
  • Bunko kuzushi (unbalanced knot) 文庫くずし
  • Heijûrô musubi (Heijûrô knot) 平十郎結び - created by actor Murayama Heijûrô III
  • Sageshita musubi (falling knot) さげ下結び

(by request of @fireflybettle, hope this will help you ^^)

(video in French only, sorry guys :S)

[À quoi ressemble la Préhistoire au Japon ?], super interesting interview of archeologist Linda Gilaizeau by Nota Bene about Prehistoric and ancient Japan periods.

She first details the actual history of archeology in Japan, then (31:45) surveys keys points of the Jomon, Yayoi and Kofun cultures, before (1:15:34) answering questions from the chat.

Whole talk was immensely useful as, as Linda stresses it herself, studies available mainstrean are sometimes still dated compared to what has been/is actually discovered nowadays! It's so neat to hear her talk about up to date research ^^

Linda Gilaizeau has a popularization channel (her twitter), I'll be sure to check her talks :D

印籠 (inrô) pill box/nested boxes, handy chart by fantastic Edo-lover Nadeshico Rin.

Inrô were first used during Sengoku period by men to carry their personal seals (印鑑 inkan) and thick red ink (朱肉 shuniku). It was then used to carry medecines (薬 kusuri), such as pills (丸薬 ganyaku), powders (散薬 sanyaku), or decoctions (煎じ薬 senjigusuri). Slowy people also added any small trinkets which could fit in.

First carried by samurai class, it then spread to chônin commoners in the Edo period. Many shapes existed, and inrô boxes could be made from many materials depending of their owners’ fortune, from paper to precious ivory. Often beautifully decorated, their designs could include raden (mother of pearl inlays), or makie (gold powder).

On the right, you can see the different part of an inrô:

  • 根付 (netsuke) carved toggle (sometimes very intricated miniature sculptures), slipped into the obi belt
  • 紐 (himo) cord, holding everything together
  • 緒締 (ojime) string-fastener bead, could be made from precious coral or as decorated as netsuke
  • 飾結び (kazari musubi) ornamental knot​, at the bottom
  • 紐通し孔 (himodôshiana) lacing hole, to thread the cord into the boxes
  • 蓋鬘 (futakazura) top piece, lid of the box
  • 段 (-dan) row of boxes, ex. 一段 (ichidan) first row

Main types of inrô shapes existed, with of without visible lacing holes (紐通し付き himodôshi tsuki = visible / 隱し紐通し kakushi himodôshi = hidden). Rin details following styles on the left:

  • 杏仁形 (kyônin gata) apricot seed shaped
  • 楕円形 (daen gata) ellipse​ shaped
  • 胴張形 (dôbari gata) hull shaped
  • 丸角長方形 (marusumi chôhôkei) rounded rectangle shaped
  • 長方形 (chôhôkei) rectangle shaped
  • 角切形 (sumikiri gata) cut-corners shaped

Kyûsu (急須, small teapot) and chôshi (銚子, sake decanter​) collection, put together by Edo-lover Nadeshico Rin. They based this handy chart on designs seen in shunga (春画, erotic woodblock prints).

The captions list famous artists and the erotic compilations where those items could be found. I don’t care much about shunga so I won’t link them here but feel free to search - and ofc ready yourself for naughty NSFW ;)

Fukuro mono (嚢物) purses and bags, chart by Nadeshico Rin.

Kimono don’t have pocket in the Western sense, and the easiest way of carrying something is to tuck it into your tamoto (袂, dangling pocket-like part of a kimono sleeve). But people also used many types of pouchesand cases to carry their trinkets, here are some which were used by Edo period city-deller women:

Kakemamori (懸守) amulet case, made from a cylindrical pouch slipped on a cord. In Middle Age, those pouches were put around the neck by pilgrims, mostly women, to carry gofu (talisman). Temples and sanctuaries sold amulets to facilitate childbirth, and counteract menstruation impurity (月水を穢), which was (still is nowadays) a big taboo in Japanese society. Other amulets existed, for example to protect one’s safety, or to ward off disasters. Kakemamori went through style changes but their use remained late into Meiji era.

Sage tabako ire (提げ煙草入れ) hanging tobacco pouch, put on by tucking the netsuke (根付 decorative toggle) into the obi, and adjusted with ojime (緒締, decorative closing bead). They were paired with kiseru 煙管 pipes, put away in tsutsu 筒 cases. Those pouches were used by men and women alike.

Tamoto otoshi (袂落とし) pocket sleeve pouches, put on around the neck over the underlayer, and accessed through the kimono sleeves openings. Several types existed, like kamiire ( 紙入れ small handbag, wallet), or straps holding handy tenugui towels. Those convenient pouches were used by men and women alike.

Kagami ire (鏡入れ) make-up pouch, often decorated with a hana kusari (華鎖, dangling charm), and holding several portable items: hake (刷毛, make-up brush), beni fude  (紅筆, lipstick brush​), beni ita (紅板, lipstick palette, the green hue is the mark of true safflower), oshiroi (白粉, face powder), tekagami (手鏡, handmirror), etc. Tbh, I found hard to distinguish modern kagamiire from hakoseko without being able to open them and check to content, especially as they can be a bit of both ^^;

Hakoseko (箱迫) women billfold-like clutch, slipped into the futokoro (bosom collar fold when a kimono is worn, just above a woman obi). Made from heavily decorated brocade, those were first used by women of the samurai class to carry kaishi (懐紙, tissue paper) and other small items like birabira kanzashi (びらびら簪, dangling hairpin) or nioi fukuro (匂い袋, perfume bag). Nowadays, those are mainly used for wedding or shichigosan attires.

Types of ôgi (folding fans), handy reference chart by Edo-era lover Nadeshico Rin. Please note this overview doesn’t cover all Japanese fan variations, for example also see maiôgi (舞扇 dance fan), tsunenoôgi  (常の扇 common fan), shizume (鎮扇 noh fan), rokkoku (六骨 Kamakura fan), gunsen (軍扇 war fan), etc etc.

Fans were first imported to Japan from China, and were used from the start as symbols of status and refinement. Chinese fans were originaly rigid ones (see modern uchiwa), and according to Rin, foldable ones appeared in Japan during Heian period free from Chinese influences.

In the past, word ôgi 扇 meant “sliding door” (today 戸板 toita), and overtime lost its original meaning to only designate folding fans.

From right to left, you can see on first picture the oldest known Japanese folding fans:

  • Hiôgi (檜扇 - ひおうぎ) - hinoki cypress fan, used by Heian nobles. Some theorise those were first made from shaku 笏 (a type of ritual wooden baton used in Shinto) hold together by threads. Hiôgi were symbol of power and formal ones were heavily decorated with painted sceneries and dangling colorful ribbons.
  • Kawahori (蝙蝠 - かわほり) - lit. «bat» fan, appeared around mid. Heian period. Those were simplified hiôgi meant to be used in Summer. The lighter frame had paper pasted on one side, somehow giving the aspect of a bat wing when seen from reverse.

From there, kawahori fans morphed during Muromachi period:

  • Ukeori (浮折 - うけおり) or «floating» types which had unmovable handles and looser top parts. Some examples are: - Suehiro (末広 - すえひろ) - spread out fan, with curving ribs - Chûkei (中啓 - ちゅうけい) - ceremonial fan, used by nobles, samurai and monks - Bonbori (ぼんぼり) - the little brother of the chûkei which appeared during Edo period (bonbori are paper covered lanterns I don’t know if those and this fan are linked).
  • Shizumeori (沈折 - しずめおり) or folding types, where whole structure can be collapsed, looking quite sleek and refined. Most known fan of this type is: - Sensu (扇子- せんす) - folding fan, which is the most spread nowadays. During Muromachi period, paper began to be put on both sides, hiding the ribs. Interestingly, Imperial court still favors one side paper only even today as a nod to the original design.

During Edo period, folding fans use spread among the whole population and their ribs started to get more and more decorated with sukashi (透かし openwork). Some popular designs included:

  • Hanabishi (花菱 - はなびし) - flowery diamond-shaped cut-out​
  • Nekomasukashi (猫間透し - ねこますかし) - «cat door» cut-out (sometimes also called nekome/猫目/cateye)
  • Kamatarisukashi (鎌足透し - かまたりすかし) - «heels apart» cut-out
  • Oosukashi (大透し - おおすかし) - big cut-out
  • Rokkotsusukashi (六骨透し - ろつこつすかし) - «six points» cut-out
  • Chôjisukashi (丁子透し - ちょうじすかし) - «clove» cut-out
  • Nagachôjisukashi (長丁子透し - ながちょうじすかし) -«long clove» cut-out

Flashy jinbaori (battle surcoat) showcased at the Taigan Historical museum, entirely covered by peacock feathers caught under netting, with a luscious red lining.

Jinbaori were decorative coats worn by high ranked warlords, especially during the Sengoku period. Like the rest of the lords’ battle regalia, they were luscious and expensive, showing their owner power and status.

Sengoku era coat game was wild!!! You can see more battle gear on this page (jinbaori 陣羽織 are at the very bottom).

[蜻蝶譜] Seichoufu, an insect collection drawn in late Edo period by Hotta Masatami (then Lord of Miyagawa Domain in Omi Province). Hotta was then reknown for his painting skills and interest for natural sciences as shown by this entomological study, but also by his precise depiction of the moon made using a telescope.

You can consult here the digital file on the National Archives of Japan site (this document is a Meiji era reproduction of the original). This drawing collection presents species of dragonflies, moths, butterflies, grasshopper, crickets, fireflies, wasps/bees, and some other critters.

Recreation of a formal mid-Meiji look with pocket watch on a chain, done at Tokyo Kimono show by Arecole.

Kimono isn’t usually worn with Western jewellery (like necklaces or bracelets). But with westernization taking place during Meiji, well-off people adopted some clothings and accessories coming from the West.

Watches are one of those items. You can see here how women would put pocket-watch on a long chain and tuck them into their obi front.

It’s also interesting to see how low they are wearing their obijime!

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Edo era tabako-ire (tobacco pouch) and kiseru (tobacco pipe) styles, handy chart once again by Edo lover Nadeshico Rin (all words in red are my translations, any mistake is mine!).

During Edo era, tobacco pouches were an accessory used by many men (I have never seen women depicted wearing those depicted here, they tucked theirs directly into their obi or collars), while kiseru pipes were used by men and women alike. Smoking was mostly seen as an refined urban habit - it developed in the countryside much later.

Kiseru pipes were used by putting kizami tobacco at the end and lighting it. Ashes would then be discarded by tapping the pipe’s end into a tabakobon (ashtray). Because of their metal ends, kiseru pipes were often carried around by men and women alike to be used as weapons (during Edo-era, commoners were prohibited from carrying a sharp weapon - this was a samurai class priviledge).

You can see here:

Tobacco pouches styles

  • Sage tabako-ire (tobacco hanging pouch): those pouches were hung by tucking the netsuke (decorative toggle) into the obi, much like inrô boxes [example below]:
  • Koshisashi tabako-ire (waist tobacco pouch): the kiserudzuru (pipe sheath) was tucked into the obi, much like a katana sword [example below]:

Kiseru (tobacco pipes) styles

  • Hanami gata (flower viewing style) - a long pipe used in red-light districts by courtesans (“flower viewing” is a delicate way of saying you were going to visit courtesans/prostitutes which were then “exposed” while waiting for a client to pick them)
  • Kôhone gata (water lily style) - long pipe probably also used in red-light districts, and named after the likeness of its beak with the Japanese spatterdock water lily.
  • Minakuchi gata (paddy sluice style)- a very elegant style (I personally associate this one with dandies, and artists like actors and geisha but I am not sure this was historically a thing).
  • Kinuta gata (fulling block style) - small and sturdy pipe. Fulling blocks were then used to wash clothes.
  • Tamamiya gata (Tamamiya style) - I believe this style originated in Gifu city near Nagoya?
  • Tadzuna gata (bridle style) - a twisted tube mimicing the fancy classical red&white briddles. Those were probably a pain to keep clean but they are my favourite kiseru pipe style ^^
  • Kôdaiji gata (Kôdaiji style) - This pipe with strong tube and small tobacco holder is said to have been in used in the kyakuden (reception hall) of Hida’s Kôdaiji temple.
  • Koshô gata (noble’s page style) - I don’t know if they were used by actual noble’s pages, or if those are called that way because of their tiny cuteness ^^
  • Joshin gata (Joshin style) - this one puzzle me. Rin stresses those were created by a tea master, but I couldn’t track a “Joshin” tea master or Joshin tea ligneage/school (if you do know, please share ;) )
  • Tamagawa gata (Tamagawa gata) - Seconde favourite style of mine! This one with its long metal ends, was especially used by gokenin (low rank samurai vassals) and by geinôjin (artists).
  • Natamame gata (sword bean style) - name says it all: this style truly looks like a sword bean with its long-flat shape.
  • Meoto kiseru (”his and hers” pipe) - impractical double-pipe which was used as a fun item in red-light districts. “Meoto” usually designates a married couple - not the case here xD. On a side note, Japan has many meoto items, like tea cups or bowls, where in theory the big one is supposed to be used by the husband and the smaller one by the wife.

Here’s another useful diagram about kiseru pipes. It looks like people from different classes held it differently:

So Hijikata sometimes holds it samurai-style and sometimes gambler-style. That sounds about right 😂

Many thanks @shinsengumi-archives for the great addition! I knew about the gamblers+farmers way of holding a pipe, but not about the samurai style ^^

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