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AFTER

by yaz lancaster

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1.
Phosphenes 02:32
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it’s so heavy it’s so heavy what have i done in my dreams? i thought that i took care enough isn’t it swallowing you? is it all you see? does it make me weak? (weak?) my body is– my body is (is it all you see?) my body is (does it make me weak?) does it make me weak?
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if i shoot my shot baby tell me i could dunk it (x3) put me to the test baby i could never flunk it bet i’ll never flunk it i could never (oh, i) can i just stay the night do i want more i might cause you said i’m just your type you don’t mind if i bite nod ya head if i’m right can you just stay the night do you want more you might gimme more than just a sign you don’t mind if i ride know you been tryna slide can i just stay the night do i want more i might cause you said i’m just your type you don’t mind if i bite nod ya head if i’m right i can’t take it anymore i just wanna know for sure should we go back & explore will the show have an encore? they know us for real i’an have to say “hello” pull all the strings with this shit like a cello city on smash treat ‘SeeDay’ like demo ball every night cause i learned from carmello ball every night in new york like the knicks switchin’ my hoes like i switch up my fits but i got my lil favorite, i blow her a kiss i got my lil favorite if i need some (–shh) can i just stay the night (can i just stay?) do i want more i might cause you said i’m just your type you don’t mind if i bite (you don’t mind) nod ya head if i’m right can you just stay the night (can you just stay?) do you want more you might gimme more than just a sign you don’t mind if i ride know you been tryna slide can i just stay the night (i can’t take it anymore) do i want more i might (can i just stay the night?) cause you said i’m just your type you don’t mind if i bite nod ya head if i’m right (i’m right) can you just stay the night (i just wanna know for sure) do you want more you might gimme more than just a sign you don’t mind if i ride know you been tryna slide slide over here it’s vibes over here come ride over here tek time over here
6.
7.
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IDKU 02:52
i don't know you anymore you left while i was crying on the phone
9.
10.
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post no bills do no harm years flew by let's move on
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closure 06:19
you're still a good person your life isn't over nothing feels worse than giving up on closure

about

There’s a lot to hold in the seconds between sleeping and waking– the dream you just had already slipping through your fingers, the impending reality of the day about to break, the surreal moment you’re in right now. Yaz Lancaster’s AFTER finds a home in fuzzy places like these, where memories are just behind a window pane.

Their 2023 debut album, AmethYst (people places) highlighted their shimmering, translucent, and nostalgic approach to music. AFTER builds on this, taking gossamer threads of melodies and weaving them into hazy sonic worlds rooted in questions about perception. Unbound to any rules or limitations on genre, the artist presents a cohesive melding of experimental composition, RnB-tinged pop, noise, “emo ambient,” improvisatory collaborations, and clubby references across 14 tracks to conjure a sense of reverie.

Yaz recorded AFTER while in-residence at Pioneer Works in Winter 2025, and the album synthesizes their post-genre, open-minded, and collaborative process. AFTER also offers a collage of Yaz’s musical practice, swerving between the many sound worlds they live in. The album opens with shuddering notes that gradually become an expansive pasture; just a couple songs later, “Signs (ft. See The Lieutenant)” takes on the form of a classic pop song. Luminescent noise also appears, too, with tracks like “Limerence” and “dream/sweet II” shrouded in static, contorting melodies and rhythms into dream sequences. It isn’t about finding one genre or style to adhere to — it’s about refracting light in all directions.

Ultimately, AFTER is a rumination on memory. Themes of nostalgia, perceptive realities, and intimacies live both explicitly and abstracted in the textural soundscapes, obfuscated sampling, and purposefully degraded production techniques. Dreams and dreaming are conceptually salient to AFTER, with each track engaging with the ways we remember, misremember, invent, and hold/release truths.

– by Vanessa Ague + Yaz Lancaster

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Yaz Lancaster grants themselves permission to do it all. Their expansive practice encompasses experimental electroacoustic performances, notated compositions, post-genre DJ-ing, music writing, steel pan, collage-based poetry, collaborative work, and organizing DIY shows across New York City’s underground and nightlife scenes.

credits

released November 7, 2025

All music written + recorded by Yaz Lancaster at Pioneer Works music studio in NYC

Yaz Lancaster – violins, voice, electric guitar, drone jar, production
CENTENNIAL GARDENS (Dreamcrusher + KING VISION ULTRA) – electronics [09]
gg200bpm – korg cx-3 organ, vintage casio synth [04] [13]
Nyokabi Kariũki – voice, synth [02] *recorded remotely
See The Lieutenant – raps [05]
Tyler Neidermayer – clarinets [02] [05]
Vines – voice [04] [12]

Mixed by Yaz Lancaster
Sonically optimized by GENG PTP

Artwork by Suchi Jalavancha

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yaz lancaster New York, New York

black transdiscplinary artist ꩜ they/them ☆ lenapehoking

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