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Tayber (ze/zem/zir, she/her, he/him) 35+ Queer AF
Whatever you think I am, you're probably incorrect.
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I talk about stories a lot. Doing what I can to help.
Censorship is Bad. Write Whatever You Want Forever.
multimedia, multifandom, multi-interpretations, and multishipping
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See pinned post for details on general content, main tags & fandoms, and other online haunts.
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Showing 1071 posts tagged on writing
It's okay to want people to engage with your art. People act like it's shameful to want engagement, but it really isn't. We are social creatures who crave connection. It makes sense that we would want that with the things we create as well.
Our world is no longer built for community. We are isolated and lonely and tired. Make art anyway. Find a community. Engage and be engaged with. Find your people.
So you know when you're writing a scene where the hero is carrying an injured person and you realize you've never been in this situation and have no idea how accurate the method of transportation actually is?
Oh boy, do I have a valuable resource for you!
Literally a life saver.
(No pun intended.)
i loveeeeeee nonlinear storytelling. show me where we are. now show me how we got here. the end before the beginning. show me how it was inevitable or how many chances we had to change things(nothing was ever going to change). let's meet in the middle as all the puzzle pieces slide into place hell yeah that's the good shit.
One under-appreciated breed of fic writer are the ones who hyperfocus on logistics to the exclusion of all canon shortcuts, and thus usually strike upon an awesome way to flesh out the worldbuilding or characters.
Like, I’m not necessarily talking realism here since often it’s still pretty far from realistic, but more like, “someone has to be running spies in this fantasy kingdom, and we’ve seen the whole royal court, so which background character is it? How does that change these three major interactions?” Or “real life historical nobility did in fact have some things to do that were like jobs, how does this human disaster cope with running an estate?” Or “there’s no reason for a sci-fi robot detective to know how to whitewater kayak, where’d she learn?” Or “if this guy is serving the emperor directly he has to be way high up in the space empire servant hierarchy, why is he doing this menial task for someone else? What’s his motive? Does he perhaps have the secret space telepathy?”
Anyway I’m always DELIGHTED to find a fic or writer who asks these questions because the fics themselves are universally bangers.
person who knows how logistical things works has picked up the cannon, hefted it thoughtfully, and put a single chalk mark precisely on the problem.
Sometimes, in fandom, we just want to write id-tastic fic that rolls around in tropes that might be viewed as problematic. But we don’t want to address the problematic side of things in this particular fanwork; we just want to roll around and wallow.
It is considered courteous to give readers a heads-up via use of AO3 tags. I propose a tag that signals that a given fanwork is for rolling around, not giving a measured evaluation of anything. The MCU has carved out a space for this sort of fic with the “HYDRA Trash Party” tag, for which I commend them. Trash Party is a bit too specific to cover all of the ground I’m thinking of here, though; I propose “Dead Dove: Do Not Eat.”
For those of you not familiar with Arrested Development, Michael Bluth finds a paper bag in the freezer labeled “Dead Dove: Do Not Eat.” He opens the bag, finds a dead dove, and reacts as follows:
[gif of a white man saying “I don’t know what I expected” in a deadpan manner]
The “Dead Dove: Do Not Eat” tag would essentially be a “what it says on the tin” metatag, indicating “you see the tropes and concepts tagged here? they are going to appear in this fic. exactly as said. there will not necessarily be any subversion, authorial commentary condemning problematic aspects, or meditation on potential harm. this fic contains dead dove. if you proceed, you should expect to encounter it.”
(more at KnowYourMeme: http://knowyourmeme.com/memes/i-dont-know-what-i-expected)
been thinking about the closet and how people write about it and how it sucks because so many networks and publishers only wanna hear about the closet if it’s some teenager figuring out they’re gay and coming to terms with that and then they gotta come out to all their friends and family and their whole school and their whole community in preferably the most dramatic way possible so everyone can prove how woke the characters all are by having them group hug except for maybe one asshole who’s the token homophobe who nonetheless will come around (if it’s their parent or friend) or else will be written off as non-noteworthy bigot (if it’s some old geezer or mean girl no one likes anyways)
and how that’s not how the closet or coming out works at all because we are always coming out of the closet. you don’t make a big announcement and then everyone knows. You start with like one or two people that you trust, and then you move outwards until everyone you trust knows. And you gotta keep coming out and coming out and coming out and coming out and sometimes you get sick of having that conversation or you know someone will have a bad response or you don’t know a person enough to care if they know so you DON’T come out and you just exist and people figure it out or they don’t.
a lot of times we know damn well that we’re queer, and we’re not agonizing about ourselves but we know it’s not safe, so we don’t tell people. But we fucking know we’re queer and we don’t need some elder queer or woke & worldly straight to explain to us that it’s normal and okay to be queer and it’s no one else’s fucking business anyways
and every time someone insists that a character can’t be queer because we don’t see them kiss another person or state outright that they are queer complete with microlabels and a sad face so we know that they’re deeply disappointed in their lot in life, it makes me wanna scream because
and that’s all that kind of moment is at the end of the day. It’s not even about coming out to their loved ones. It’s about coming out to the audience. the clear-cut statement of who they are so that you the onlooker can feel validated and satisfied. If you need to see a character kiss or hear them say “I’m gay” to admit that they aren’t straight then what you really want is for the character to come out to you.
Queer people and characters do not owe you self-identifying language and peeks into their relationships and that doesn’t fucking mean they’re actually straight unless otherwise said. Way too many people are attacking and belittling REAL PEOPLE because their heteronormative worldview doesn’t allow for queer people to see and recognize themselves in others — they think you’re part of this group or that group and everyone needs to show ID to interact.
Anyways, people in the closet, I love you. I will hold the door for you as long as you need. I’ll station myself outside so that you can feel safer, whatever you need.
It's back, the little event where we challenge you to use the pet name "sweetheart" in fic and art!
💖 February 13-15
💖 all fandoms & original fiction too!
💖 all ships welcome, as well as gen
💖 no minimums, maximums, or content restrictions
💖 optional bonus prompts
💖 and no sign-ups needed
You do not have to apologize for writing something self indulgent!!! You do not have to feel bad for writing something no one will read!!! Do not feel bad!! There are no rules!! Have fun and be cringe!!! You are free!!!!!
earlier today i told an acquaintance in passing that i'll often be in the middle of a novel and think "man i wish this shit were more ambiguous" and had to reiterate twice that i wasn't being sarcastic before they believed me, so this post is to say: i love when writers don't bother to explain everything, i love when stories end uncertain and unsettling, i love being required to think as a reader, i love when stuff makes no damn sense, no i'm not kidding
Many people are aware that copyright originated as and remains a protection for publishers, not authors.
However, there are longstanding rights intended to protect authors. These are legally called 'the moral rights of authors.' Good naming.
These rights include:
The right to attribution. To have your name on your work. Don't repost peoples work without attribution.
The right to use a pen name or to publish anonymously. Publishers should protect the privacy of authors. Service providers shouldn't require posters to provide ID.
The right to integrity. Editors should not cut up your work to make it say something you do not endorse.
So let's review:
❌ AI harms authors because it violates copyright.
✅ AI harms authors because it violates their rights to attribution and integrity.
hi there! I was wondering, in your personal opinion, what are some things you wish writers of m/m fanfiction, primarily smut--if that's okay to include--knew or would take care to include in their stories?
"Less focus on dicks getting hard". Could you elaborate on this one? I genuinely had no idea someone with a dick could have enjoyable sex without getting hard.
sure! the penis is still an erogenous zone; there's no need for a penis to be hard for its owner to derive sexual pleasure from it being touched. it's perfectly possible to be aroused and horny without ever getting hard, and like... it's only technically important if your aim is anal or vaginal penetration of someone else. but even with that, there are a lot of tools geared towards (cis) men with erectile dysfunction, such as support sleeves, that assist with erection maintenance. you can still enjoy being penetrated, enjoy being sucked off, or enjoy any of a wide range of sexual activities or kinky stuff without ever needing an erection.
you don't have to be hard to have enjoyable sex because sex doesn't always need to include the things that technically require an erection. and even if you want your sex TO include those things, there are a lot of tools and equipment out there to assist you with that.
as someone with a speech impediment, all of the people saying that only one type of stuttering is valid are wrong.
stuttering CAN look like this: "t-this is a-an example s-s-sentence"
OR this: "this-this is an example sen-sentence."
OR this: "t-t-t-th-..t-ttttthis is an example sentence."
OR this: "this is, uhm, an example, uh, sentence."
OR this: "this is an example sssssss-sentence."
OR this: "this is an examp-...this an example sentence."
sometimes the sentence won't even come out of your mouth at all.
there are probably many examples i'm forgetting, but that's the point! it usually is a mix of a few of these, but some people do one of them more often than others! some people with speech impediments have certain sounds that they almost consistently have trouble with (for me it's "st").
people with speech impediments also rarely-if ever-stutter whilst they're singing or whispering.
most importantly!!!! people with speech impediments are capable of saying a sentence without stuttering!! it can just be a gamble sometimes.
and if more people could portray the frustration that comes with stuttering and not being able to get words out, i'd be a very happy girl.
(fun fact: sometimes when my mouth won't let me say what i want to say, i get so annoyed that i just yell or grumble out "WORDS.")
this was your speech impediment PSA!!!!
I should talk more about topping because honestly I actually do think that there's an asymmetry in how bottoming and topping are perceived on this site that has at least a little to do with how rare it is for tops to be allowed to to safely talk about their desire in any setting that isn't harshly guarded against judgement and shame
And like. Topping is great actually. I love it a lot. But finding bottoms who are actually interested in their top as opposed to interested in BEING topped can make you really feel like topping is unwelcome in queer sexual spaces. Don't have the focus to do it now, but remind me lmfao
Okay I'm back let me start with this.
I am not an exclusive top. At this point in my life I'm pretty evenly vers and it's FUCKING great, but ALSO it has become very obvious to me as a vers how few people actually get the chance to be anything but exclusive top/bottom in their existing dynamics.
And like. In the grand scheme of things, that's not the worst thing in the world but on the other hand.
When I was engaged in college, my fiance was an exclusive bottom both penetratively and power wise, and friends. Friends I learned something about bottoms that it took me WAY too long to fully internalize
A lot of us choose to bottom because it allows us to give up our own agency of sexual activity and desire, and we do this not because we are actually enjoying the giving up of agency but because taking ownership of the agency, interacting with it consciously, is too painful.
I say "we" and "us" here because this includes me! When my fiance left me I could barely stand to ask for anything in bed, I just wanted someone to DO THINGS to me and not have to think about how I got there. This was a VERY bad time for me AND for the partners I was asking to top me. I try really hard not to do this anymore as a bottom. But it's a little heartbreaking how often it surprises the tops I am with that anyone would do things like casual aftercare touches, clean up, debriefs, massages, whatever. They get so blushy when I scratch their scalps and have them lay their heads in my lap and talk to me about how it felt. On the one hand, I treasure these moments. On the other hand, it makes me really sad how many tops seem to collapse into the brief moments of respite I'm offering them.
I'm planning to do more erotic writing about this later, but for now I just want to make the point that I literally burned out on topping for a DECADE because it is too easy as a bottom to put all of the emotional weight of intimacy and connection building on the top. It's easy to abdicate our own responsibility and participation in sexual desire. But "service top" can't keep being code for "I am burning myself out for other people's fantasies without ever knowing if I'm actually achieving it OR enjoying my own fantasies"
I read this whole thing then read it again and felt the surprise that OP was talking about that they as a bottom perform aftercare with their top(s). Even reading it, even in the context of this message, I still immediately assumed/defaulted to the concept of the top catering in every way to the bottom and their desires and needs.
I think in the last maybe two years the tumblr discourse on tops having more or less the same agency and utility as takeout has calmed down, but burning out as a top is so real. So hyper real.
I've told similar stories on this site before, but I used to spend time and energy as a worldbuilder for other people's fantasies (online and in-person). I constructed elaborate sexual rituals and rites, made spreadsheets, conducted in-depth interviews, investigated their every sexual impulse and inclination, built digital programs, tried very very hard to sustain something like a religious fervor in my partners all for the asking price of a 'hell yeah, that was fun.'
But I realized that I was just shoveling the coal of my own desires and fantasies into the engine while the people bottoming for me provided little reliable emotional or erotic connection. In nearly every situation they were looking to be entertained and engaged, passively. They wanted someone to do shadow puppets on the wall while they lay in bed and watched.
These days I funnel that same energy into D&D because even when I throw my players off cliffs they show up consistently and emote.
So yeah, playing the top burned me out on sex for a while. Play stopped being playful when I realized that mostly I was the one playing and the other party was just waiting for me to deliver the plot. And just rolling over and bottoming so someone else could take up the mantle because I was burned out and empty left me feeling like I'd become part of the problem. (And half the time I'd just end up as the de facto top again eventually.)
It's less dire these days, but it's never going to be what it was before. I'm pretty clear about that now. I can't bear the load for such meager rewards.
Here's the point, so you don't burn your top(s) out: be fun, be a good fucking hang. Communicate and show up and be present. Every scene, every fuck, can't lead to the bottom half-unresponsive facedown on the mattress like they're trying to escape. You have to interrogate the inner life of your tops. Tell them when they've done a good job, compliment them, and be goddamned specific: "I love how your hair got all sweaty, and you really turned me on with how much eye contact you gave, can we do more of that?"
It's not enough to douche (if anal is a part of your thing) and show up. You have to actually be in the room or the other party will walk out of it eventually.
I really like seeing people respond to this as it resonates because I really think a lot of us lack the language for this conversation, and that's not fair because it's an important one!
So here's my go-to template for after-care with EVERYONE that I sleep with, not just my tops:
Interaction: some kind of snuggling and casual touch, usually something like giving them a lil scalp massage or laying on them like a human blanket, whatever is comfortable for them, the only rule I have is that I do NOT reinitiate sexual contact, if my partner does, I will often happily participate, but after care performance and sex do not go together as a process imo (your mileage may vary! This is a personal preference for me and many of my partners!)
Questions:
Btw, these questions are for me to answer too! It's an exchange, part of how we can lower the stakes of learning each other such that being proactive during sex doesn't feel as scary or overwhelming.
Anyway, go forth and enhance the sexual pleasure of the moment for everybody my friends.
I just think people write out of obligation too often.
"How do I motivate myself to write through the boring part of my story?"
"How do I make this boring scene not boring?"
Don't write it.
Don't write boring things just because you think the structure of the story demands it. I promise it doesn't need to be there.
If your characters need to have gone shopping for a later part of the story to make sense you can just have a sentence about how they went shopping and move on.
You are not obligated to write the boring parts. No matter what those parts are.
You are not obligated to make the parts of your story that you're not excited to write interesting somehow.
You can just write the fun and interesting parts and gloss over and summarize boring things.
Your audience will thank you and you will thank yourself.
Truly the best work bleeds enthusiasm, genuine love for the world and the characters and the concept. Trudging through your own work is a surefire way to strangle it.