

Sleek black satin obi with beautifully embroidered kabuto (samurai helmet) with dragon crest. The textures are so nice!
Origami samurai, by Finnish paper artist Juho Könkkölä. In his own words:
Folded from a 95cm x 95cm sheet of Wenzhou paper. My first work of 2021, probably one of the most detailed designs from me so far.
It took a long 3 month process to design and fold the character, I decided to put some of the other projects on hold to finish it. There were a lot of challenges to make it work, but I am satisfied with the results.
A previous attempt was captured in video:
Modern origami art never ceased to amaze me (see Katsuta Kyohei’s fox bride and owl).
Juho Könkkölä has many other pieces on his websites. My favourite is probably this ronin-like warrior, with his cape floating still in an imaginary wind:
(as worn during Edo period - great charts by Nadeshico Rin). You can find more about samurai ranks and their regulated attires under the tag “samurai kimono”.
This outfit was worn for court events by Buddhist priests of the highest rank ( 法印 Hôin) and second highest rank (法眼 Hôgen). Those titles could also be also given to 儒者 Confucian scholars, 医師doctors, Buddhist 絵師 painters and 仏師 sculptors, etc.
First people helping buddhist priests, 同朋 dôbô (lit. “companions) became overtime men attending on the Shogun, feudal lords and other high-ranked officals.
They were in charge of miscellaneous tasks (like cleaning, messengers etc.), or depending on their talents more skilled ones (dance, music, ikebana, tea ceremony etc.).
This outfit was the formal wear worn by lower class priests, scholars, doctors, artists, etc.
(as worn by samurai of the Edo period - great charts by Nadeshico Rin). You can find more about samurai ranks and their regulated attires under the tag “samurai kimono”.
長上下 Nagakamishimo was worn by all upper ranked samurai.
Also called 継上下 tsugi-gamishimo, 半上下 hankamishimo is the official everyday wear for all Edo period samurai.
Main difference with nagakamishimo are the shorter pants, far more suited to everyday life. Colors and fabrics were not especially regulated.
(as worn by samurai of the Edo period - great charts by Nadeshico Rin). You can find more about samurai ranks and their regulated attires under the tag “samurai kimono”.
狩衣 Kariginu first appeared during Heian period where they were informal attires worn by kuge (nobibilty) men for activities such as hunting and 蹴鞠 kemari ball games.
Kariginu rose to formal status during Kamakura period when it started being worn by the buke (warrior class). In Edo period, it was worn by upper-ranked samurai (4th rank and above).
Edo-period kariginu designates a patterned clothing (different from the hoi, see below), often decorated with the family 紋 mon (crest). Colors were not regulated.
布衣 Hoi is a variation of 狩衣 kariginu (see above).
During Edo period, it was worn by some hatamoto (6th rank samurai) via explicit permission of the shogunate - setting those rewarded by this honor apart from other vassals of the same rank.
Compared to kariginu, hoi were plain solid color.
It is worn here over a 熨斗目 noshime, a samurai kosode (=ancestor of the kimono) with stripes or lattice pattern at waist area.
As for the kariginu, note the bare feet!
直衣 Nôshi was a type of everyday robes which were first worn by males of the imperial family during Heian era. Formality placed it then above kariginu.
Overtime, their use spread among nobility, and by Edo period, they were a “tad-formal” attire worn by Shogun’s family for worship celebrations.
(as worn by samurai of the Edo period - great charts by Nadeshico Rin). You can find more about samurai ranks and their regulated attires under the tag “samurai kimono”.
直垂 Hitatare first appeared as an attire worn by lower class warriors. As buke (warrior class) rose into status, it was slowy established as a formal garb for samurai during Kamakura period.
In Edo period, hitatare was the most formal attire worn by samurai of the 3rd rank and above. Fabrics used were luxurious, such as 精好織 seigo-ori (a type of textured silk, also used for Shinto priest clothing nowadays).
The 大紋 daimon is a specific hitatare set patterned with large 紋 mon (clan/family crests). It was worn by fifth court rank samurai (rank of the daimyô lords for example).
It was put over a 熨斗目 noshime, a type of kosode (=ancestor of the kimono) worn by samurai, with stripes or lattice pattern around waist area.
The 素襖 Suô, also a variation of the hitatare, was the ceremonial dress of the lower-ranked samurai. Via explicit permission of the shogunate, some samurai could be granted the right to wear 布衣 hoi (a type of kariginu).
It looked very similar to daimon set, but showed fewer crests of much smaller size. The hat was also different as they wore one called a 侍烏帽子 samurai eboshi.
(as worn by upper-ranked samurai of the Edo period - great charts by Nadeshico Rin). You can find more about samurai ranks and their regulated attires under the tag “samurai kimono”.
束帯 Sokutai is the most formal attire worn by Edo period samurai of the 4th rank and above.
It first appeared during Heian era as a ceremonial court dress worn by 公卿 kuge (nobility/Imperial court) and 殿上人tenjôbito (courtiers/court officials). Usage was kept well into Edo period by both the Imperial court and the Tokugawa shogunate.
The intricated garb includes:
衣冠 Ikan - while still very formal and worn by Edo period samurai of the 4th rank and above, ikan looked much more simpler than sokutai.
First used for nightime duties (夜間宿直) in Heian era, it gradually came to be worm during daytime too. From Muromachi period and onwards, it had become the work uniform of the Imperial court.
Like sokutai, it uses the hô+kanmuri, and wearers were allowed to carry kazari-tachi. Yet, note how the pants differ from sokutai ones: those are large bouffant pants called 指貫 sashinuki (or 奴袴 nubakama).
You can also note that wearer here is not holding a shaku scepter: it’s a folded 檜扇 hiôgi (formal folding fan made of cypress also of Heian history. Those were unpatterned as painted ones were for women).
AMAZING reference chart put together by Nadeshico Rin, showing the different attires worn by the men of the buke class in and about Edo Castle. OP stresses the chart is by no means exhaustive - but it helps picturing things SO MUCH!
For easier reading, I have adapted the chart with english translation. Rin has also created illustrations detailing each attire, I’ll translate those in coming days under the tag “samurai kimono”.
You’ll find the transliteration below cut:
I have a question for you! Do you know what sort of garment unmarried noble girls would wear? And i mean very noble women- i need it for a reference :D
Hi! That truly depends on what time period you are talking + what you mean by noble + how old is the girl ^^;
A Heian girl will not wear the same as an Edo one, same for a noble (kuge) or samurai (buke) daughter
Musha dokuro (skull warriors) modern yukata/kimono by RumiRock, perfect for both Japanese summer and Western Halloween season. I love how it’s modeled here, with skull just peeking through the hakama slit!
Refined colors for this muted outfit, pairing a soothing kimono depicting a beach and moonlit sea, paired with an unusual obi with people scaling walls on bamboo ladders.
The obi is a nod to an episode of the famous Forty-seven ronin narrative, where the loyal ronin after months of careful planning, attack the mansion of their ennemy Kira Yoshinaka (Moronao in Chushingura plays) to assassinate him in the dead of night.
印籠 (inrô) pill box/nested boxes, handy chart by fantastic Edo-lover Nadeshico Rin.
Inrô were first used during Sengoku period by men to carry their personal seals (印鑑 inkan) and thick red ink (朱肉 shuniku). It was then used to carry medecines (薬 kusuri), such as pills (丸薬 ganyaku), powders (散薬 sanyaku), or decoctions (煎じ薬 senjigusuri). Slowy people also added any small trinkets which could fit in.
First carried by samurai class, it then spread to chônin commoners in the Edo period. Many shapes existed, and inrô boxes could be made from many materials depending of their owners’ fortune, from paper to precious ivory. Often beautifully decorated, their designs could include raden (mother of pearl inlays), or makie (gold powder).
On the right, you can see the different part of an inrô:
Main types of inrô shapes existed, with of without visible lacing holes (紐通し付き himodôshi tsuki = visible / 隱し紐通し kakushi himodôshi = hidden). Rin details following styles on the left: