Pinned
“Tell no lies. Expose lies whenever they are told. Mask no difficulties, mistakes, failures. Claim no easy victories.”
— Amilcar Cabral

Pinned
“Tell no lies. Expose lies whenever they are told. Mask no difficulties, mistakes, failures. Claim no easy victories.”
— Amilcar Cabral
i see you americans in mourning, watching images of violence, the i.c.e. shooting people in broad daylight, but i must interject, i've been watching videos like these since the the late 2000s (no coincidence, just that widespread video sharing was taking root at the time), the indian army shooting kashmiri civilians, the u.s. army killing civilians in iraq and afghanistan, the slew of images that have been pouring out from palestine from well before 2023, even the u.s. police shooting black american men and women, and even more that slips my mind at this moment. how've you forgotten these horrific incidents? none of this is new.
Gaza is not okay. The bombing hasn’t stopped, and hunger comes before everything.
My family is like thousands of others: no electricity, no clean water, and no adequate medicine.
My mother needs a new heart device. My father survived a stroke and needs urgent treatment. My brother is injured. I’m fighting illness again.
We’re trying to survive that’s all. If you can’t donate, please reblog. 💳 Donate here ➡️ PayPal ✅ Verified fundraiser
My family is collapsing in real time. Illness and fear are destroying us.
I urgently need $300 on PayPal for my mother’s treatment. We are surviving minute by minute and even that is fading.
If you can’t donate, reblog. Don’t let us vanish into silence.
In this letter written to Jotiba in 1868, Savitribai gives an account of an inter-caste relationship along with the society’s violent response to it and her own intervention.
29 August 1868 Naigon, Peta Khandala Satara
The Embodiment of Truth, My Lord Jotiba, Savitri salutes you!
I received your letter. We are fine here. I will come by the fifth of next month. Do not worry on this count. Meanwhile, a strange thing happened here. The story goes like this. One Ganesh, a brahman, would go around villages, performing religious rites and telling people their fortunes. This was his bread and butter. Ganesh and a teenage girl named Sharja who is from the mahar community fell in love. She was six months pregnant when people came to know about this affair. The enraged people caught them, and paraded them through the village, threatening to bump them off.
I came to know about their murderous plan. I rushed to the spot and scared them away, pointing out the grave consequences of killing the lovers under British law. They changed their minds after listening to me. Sadubahau angrily said the wily brahman boy and the untouchable girl should leave the village. Both the victims agreed to this. My intervention saved the couple who gratefully fell at my feet and started crying. Somehow I consoled and pacified them. Now I am sending both of them to you. What else to write?
Yours, Savitri
This brief letter speaks volumes about the Phules. Intervening to stop mob violence is an intimidating task for uniformed personnel invested with authority to control, but here she is, an informed, non-judgmental human rights warrior, armed with the most powerful weapon: compassion. Societal violence sent this young couple into the safety of Savitri and Jotiba’s protection. How many villages would have witnessed similar mobs going after hapless young people, and how many Phules stood up for them?
Some of the first photographs ever taken inside the Lascaux caves (France, 1947).
[ID: two postage stamps with paintings of rats with vegetables. the first depicts a rat and a squash with a bite taken out of it. the second depicts a rat with an ear of corn. end ID]
But in better news there is still beauty in the world #popcornsnail
savory tarts by elizabethmayhew
Savitribai Phule (3 January 1831 – 10 March 1897) was an Indian social reformer, educationalist, and poet from Maharashtra. She is regarded as the first female teacher of India. Along with her husband, Jyotirao Phule, she played an important and vital role in improving women’s rights in India. She is regarded as the mother of Indian feminism. Savitribai and her husband founded one of the first Indian girls’ school in Pune, at Bhide wada in 1848. She worked to abolish the discrimination and unfair treatment of people based on caste and gender. She is regarded as an important figure of the social reform movement in Maharashtra.
A philanthropist and an educationist, Phule was also a prolific Marathi writer.
Few people today think of Savithribai Phule as a poet or a scholar or indeed as an activist in her own right. If she is remembered at all, it is as the wife of Jotiba Phule (1827-1890), who, in 1873, formed the Satyashodhak Mandal, one of the earliest and most significant movements of the lower castes against the oppressive power of the high-caste brahmins. Though Jotiba and Savithribai themselves never used the phrase, and always referred to these castes as mang-mahar, mangs and mahars were traditionally “untouchables”. The anthropologist Irawati Karve points out that the mahars, who are possibly the largest caste in Maharashtra, were important village servants: they carried messages, guided strangers, and assisted the headman. They also guarded the boundaries of the village and kept it clean. Besides, they often settled land disputes, for they were living reference books of village and family history and contemporary social relations. As village economies broke down, their importance declined. The mangs were rope makers, basket weavers, and musicians. Both castes lived outside the village and were allowed to draw water only from separate wells.
Savithribai was the first woman teacher in modern Maharashtra. Together, she and her husband started the first school for women, in 1848. Though there was a period in which Jotiba Phule’s work was also trivialized and dismissed, today he is remembered as the father of the nonbrahmin movement in Maharashtra. But it is only after the work of scholars such as G. B. Sardar and M. G. Mali, whose biography of Savithribai was published in 1980, and who brought out her collected works in 1988, that we have begun to appreciate her important role in that movement. Savithribai was married to Jotiba in 1840, when she was nine. With his support she was able to study. In 1848, when Savithribai was only seventeen, they opened five schools in and around Pune, and in 1851, one meant especially for the girls from the mang and mahar castes. Savithribai and Jotiba, together with another colleague, Fatima Sheik, taught in them until 1856 when Savithribai fell seriously ill and went back to her parental home in Naigaon (Khandala taluk, Satara district), where she was nursed back to health by her elder brother, “Bhau.” The letter translated here was written at that time. Both Savithribai and Jotiba Phule were maligned, socially ostracized, and attacked by the orthodoxy whose authority and power they had questioned. Yet Savithribai had special burdens to carry.
Women are traditionally charged with the responsibility of preserving societal “purity” and maintaining its norms. When they rebel, they are policed and punished in a thousand ways that rarely touch the men. Like the wives and co-workers of so many of the enthusiastic male reformers of that period, Savithribai bore the brunt of the attack against the Phules and the Satyashodhak Mandal even as she strained to shield her husband. Another letter, written in 1868, also from Naigaon, gives us a glimpse of a different aspect of Savithribai’s life. It tells the story of a mahar girl and a brahmin boy who fell in love. The girl got pregnant and the infuriated villagers wanted them both killed. Savithribai rescued them and sent them to Jotiba in Pune. A third letter, written in 1877, describes the work of the Satyashodhak Mandal during the fierce drought and famine of 1876. All three extant letters have recently been published in M. G. Mali’s edition of her collected works.
Savithribai and Jotiba were not alone in their crusade. They were part of a group whose impact, as Gail Omvedt has shown, was strong and widespread, and from whose work grew a remarkable body of writing. The independence of thought and the sharpness of argument that mark the work of Muktabai, for example, who studied at the Phules’ school in Pune, or of Tarabai Shinde, whose vigorous polemical style has been associated with Jotiba’s, were not matched for many years to come.
Savithribai was not only a teacher and an activist but also a writer. Her first collection of forty-one poems, Kavyaphule (Poetry’s Blossoms), was published in 1854. Many of the poems are nature poems; others speak in the main of the wealth that comes with education, give advice to children, and decry the caste system. Her second book, Bavankashi Subodharatnakar (The Ocean of Pure Gems), 1892, a more ambitious book, is a biography, in verse, of Jotiba Phule. Jotiba had developed a critique of the brahmin interpretation of Maratha history in the ancient and medieval periods. He presented the Peshwa rulers, who were overthrown by the British, as decadent and oppressive, and Savithribai reiterates these themes in her biography. In addition to these two books, Savithribai edited for publication four ofJotiba’s speeches on Indian history.
A few of her own speeches were published in 1892. Because Savithribai s correspondence is so unique, and especially because of the insights it provides into her life and into women’s experiences in one of the most important social movements of the times, we have chosen to include a letter rather than poetry
— Savitribai Phule (1831-1897), in, Women Writing in India, Volume 1: 600BC to the Early 20th Century, edited by Susie Tharu and K. Lalita.
Oncilla or Tigrillo (Leopardus tigrinus), MELANISTIC, family Felidae, Panama
photograph by Ignacio Yúfera
jewellery box crab
Emily Pangnerk Illuitok
Birds Nesting in Cliffs, c.2007
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Born in 1943, Illuitok was an Inuit master sculptor from Kugaaruk. She created detailed, delicate ivory/bone carvings that mostly represented hunting or nature scenes. Illuitok often worked with found materials that she then shaped into works of art. She passed away in 2012.
The above work shows birds nesting and is made of whale bone and ivory. Notice the little detail on the bottom right of a polar bear hunting some seals.
because i go to arts and crafts college instead of getting a real degree, i can paint Silksong fan art for class. not exactly completely happy with these, but i need to let them go, i've been at them for too long (the Bilewater one is actually the painting i did first, and it shows cause it's the worst)