THEME BY MARAUDERSMAPS

artist, cosplayer, nerd. she/her. πŸ’–πŸ’œπŸ’™ side blogs are @toughtinkart @toughtinkcosplay and @kelseylikesclouds

teaboot:

penandinkprincess:

the real challenge of adulthood that no one tells you about in advance is how many goddamn pieces of paper you have to keep up with that are never important until they are suddenly VERY important

PEOPLE BECOMING ADULTS OR ADULTS WHO ARE LIKE ME

-Take photos of all legal documents / pay stubs / tax forms / receipts you can be reimbursed for

-Email them to yourself with the document name and date in the subject line (IE 2025-01-01_Work Expenses_Staples Receipt)

-AND/OR save them to a device

-AND/OR save them to a hard drive

-AND (optional) keep physical copies in the same shoebox under your bed you keep your birth certificate/passport/SIN card inside

Sincerely,

A Person Who Lost Their Original Copy Of Their Lease And Now Pays $500 Extra A Month Because Landlords Are Monsters

hey y’all just a quick tip for applying to jobs—proofread your cover letter. i know usually job hunting is The Worst and folks have to reuse templates even if it’s just as a starting point for writing, but uhhh probably best to get the name of the company correct and not also accidentally include another local company in the same industry, for example, if you are reusing a template.

honestly, if you can tailor your letter to the place and position itself with enough specificity as to prove you understand what you are applying to and even are excited at the prospect of this particular employer, that’s best. but second best is proofreading for glaring mistakes like misspelling or confusing the company name. :T

magicmooshka:

Title card reading [Storyboarding Techniques: A Sequel to "Storyboarding Basics". Brought to you by NU Animation Club, Nov 2023]. A chibi drawing of Feeb holding a stylus waves in the bottom right corner.ALT
Text reads: [Boarding Action Tip: Move characters in Z-space! Beginners have a bad habit of boarding in x and y only. Don't neglect moving in z-space! It can be dynamic and exciting!] A drawing of an axis sits above the text, showing a green arrow pointing up for Y (symbolizing moving up and down), a red arrow pointing right for X (symbolizing moving left and right), and a blue arrow pointing forward (symbolizing moving forward and back). Two examples are shown on the right, depicting Vash from Trigun Stampede drawing his gun. The first one shows him running to the left and drawing his gun, moving in X-space. It is more static and plain. The second one shows him running towards the viewer, drawing his gun when he gets close, moving in Z-space. It is more engaging.ALT
Text reads: [Boarding Action Tip: Go close, then far. Bring the camera close to the character. Pull back without cutting. Moving the camera allows the viewer to feel like they're fighting, too.] The example shows Finn from Archmage Ascending holding up their magic staff, the camera close to where their fist grips the weapon. The second shot shows that the camera has pulled back to have Finn's whole body in view as they swing their staff downwards, causing an explosion.ALT
Text reads: [Boarding Action Tip: lead the eye. Inevitably, action scenes have many moving parts. Use the composition & camera movement to guide the viewer's eye in the direction of the main motion.] The example shows Juri and Utena from Revolutionary Girl Utena engaging in a sword fight. As they move from the left to the right of the arena, the camera tracks their movement. Another smaller set of boards beside the example shows how the camera's view moves to the right, following the duelists.ALT
Text reads: [Boarding Conversations: Perspective is power. The angle/perspective of the camera implies power dynamics. Low looking up: the depicted character has power over the viewer. High looking down: the depicted character is under the viewer's power.] There are two examples, both showing Makima from Chainsaw Man having a conversation with Denji. The first shows two over-the-shoulder shots, both characters on equal level, and is marked [NEUTRAL]. The second example shows Makima from the perspective of a low-placed camera looking up, so she looms over the viewer; and Denji from the perspective of a high-placed camera looking down, so he cowers under the viewer. The example is marked with a checkmark and the note [stronger sense of power imbalance].ALT
Text reads: [Boarding Conversations: 180 Rule. The viewer must stay on the same side of the scene at all times. A way to test this is to make sure the character faces the same side of the screen (left or right) in every shot.] There are two examples, an incorrect one and a correct one, both depicting Dani and Dorian Wytte from Hooky having a conversation. The first example shows Dani on the left facing right, with Dorian on the right facing left. A small top-down diagram below shows that the camera sits on the right side of the twins. In the next shot, Dorian is now on the left facing right, and Dani on the right facing left. The diagram shows the camera has jumped to sit on the left side of the twins; this is incorrect. The correct example starts the same, showing Dani left facing right and Dorian right facing left. In the next shot, Dani is still facing right and Dorian still facing left. The diagrams show that the camera has changed its angle and position, but has remained on the right side of the twins.  This is correct.ALT

some storyboarding techniques as a sequel to my storyboarding basics presentation. I focus specifically on tips for action and conversation scenes!

as always, these are general tips and tricks, but rules can always be broken. happy boarding! ✍️✨

gingercatsneeze:

1. Ah Fai was a chief animator for McDull’s animated features. He’s super cool. Ultimate senpai. 

2. Previous post on breakdowns right here 

Some thoughts on acceleration and force

I presented this in the order of how I slowly understood the trick of delivering force - first an abstract concept of impact taught by Ah Fai, then a more complicated discovery on the acceleration pattern, last back to a more abstract concept of breakdowns

Like I’ve previously stressed, 2D animation is everything but one single approach. There’s no one rule that rules them all, but interchangeable ideas with math, or physics, or music, etc. There’s no “perfect” animation either, but what is perceived as organic and dynamic. E.g., using the Fibonacci numbers to animate didn’t bring me a perfect animation! On the other hand, a tiny change in the pattern could already make the feeling of force so much more powerful. 

Not so much of a tutorial than a personal experience. I hope you find this interesting hahaha 

toughtinkcosplay:

nicosplay:

That new wig you got would be pretty fantastic…if only thebangs on it weren’t quite so long and curly! You don’t have to feel trapped when you get a misfit wig. Use these basic tools and you can fix it up!

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Wide-toothed Comb

This is gentlest on your wig. Other kinds risk splitting the fibers on the wig and making it frizzy.

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Foam Head

You can also use a wig stand, but these are more readily available and pretty cheap.

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Straight Pins

To keep the wig on the foam head.

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Spray Bottle

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Hair Cutting Shears

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Alligator Clips

These are to keep different parts of the hair up and out of the way while you’re styling.

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Rollers

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Hairspray

You can get away with using normal hairspray on synthetic wigs, but it isn’t recommended and you’ll need the strongest hold available. Hairspray for natural hair can break down the fibers in a wig over time, so you’ll need to wash and re-style the wig frequently.

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Wig Styling Gel

There is no wiggle room here. Normal gel does not work. You need product made specifically for wigs.

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Needle and Thread

For sewing-in wefts (small sections of wig hair)

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Heat-resistant wigs only! Blowdryer

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Heat-resistant wigs only! Straightener

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Heat-resistant wigs only! Curler


Remember! When you’re using heating products on your wig, they need to be on low settings. Heat-resistant ≠ heat-safe; you can still melt your wig if the temperature is too high.

Try to keep all of these tools in one container by your wigs so you always have easy access to them. It helps a lot, especially when you’re in a rush.


This guide was made under the wing of Costume Discounters (www.costumediscounters.com). Please go check out their site!! They sell wigs, shoes, shirts, essentials…all sorts of goodies.

these are all great tools! i’d like to add on one more thing to this list, though…

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a wig head holder! styling a wig without one is honestly a nightmare. it clamps right onto whatever table/counter you’re working at and you can adjust it really easily and lock the wig into whatever position you need it in. and it’s small enough to be easily portable, so you can bring it with you for last minute wig styling in con hotel rooms. you can find them fairly cheap different places. i got mine at Sally’s for $8.

# tips  # wigs  

jojostory:

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I did my very first artist alley at AOD2015! I did a lot of research beforehand to help prepare, but one thing that I thought was missing from all the articles and blog posts I read was a step-by-step guide from the perspective of a beginner. So, I decided to put one together myself! I’m not entirely sure if this is the right way of preparing, but this is what I did and it worked for me.

If you’d like to know how I did it, read on!

Keep reading

toughtinkcosplay:
“cosplay tip #10: good materials! not everyone can afford the materials they’d like to use in cosplay, it’s true. so sometimes that means using craft foam over $80/sheet worbla or choosing satin over silk, but that doesn’t mean your...

toughtinkcosplay:

cosplay tip #10: good materials! not everyone can afford the materials they’d like to use in cosplay, it’s true. so sometimes that means using craft foam over $80/sheet worbla or choosing satin over silk, but that doesn’t mean your craft has to suffer completely.

Keep reading

toughtinkcosplay:
“cosplay tip #9: check your silhouette! in character design, silhouette is very important. the audience needs to be able to quickly tell characters apart, and it certainly helps in marketing when you have unique character designs....

toughtinkcosplay:

cosplay tip #9: check your silhouette! in character design, silhouette is very important. the audience needs to be able to quickly tell characters apart, and it certainly helps in marketing when you have unique character designs. having a strong silhouette, one that’s immediately recognizable is imperative in good design.

Keep reading

toughtinkcosplay:
“cosplay tip #8: give it structure! everyone needs a little support sometimes. that includes your costumes.
Keep reading
”

toughtinkcosplay:

cosplay tip #8: give it structure! everyone needs a little support sometimes. that includes your costumes.

Keep reading

toughtinkcosplay:
“cosplay tip #7: amplify your makeup! it’s time to amp up your makeup!
Keep reading
”

toughtinkcosplay:

cosplay tip #7: amplify your makeup! it’s time to amp up your makeup!

Keep reading

toughtinkcosplay:
“cosplay tip #6: plan ahead! it’s the week of a con, and you’ve still got to sew your whole outfit, paint all your props, and make that one last minute thing! cosplay crunch is a very real and stressful time for almost every...

toughtinkcosplay:

cosplay tip #6: plan ahead! it’s the week of a con, and you’ve still got to sew your whole outfit, paint all your props, and make that one last minute thing! cosplay crunch is a very real and stressful time for almost every cosplayer, and it is usually self-inflicted since if we had just started this costume sooner then we wouldn’t be in this mess.

Keep reading

toughtinkcosplay:
“tip #5 carry junk! this is just a simple reminder that if you can put pockets into your cosplay, do it! i almost never remember to and always kick myself for that when i’m finally wearing the finished costume. there’s always...

toughtinkcosplay:

tip #5 carry junk! this is just a simple reminder that if you can put pockets into your cosplay, do it! i almost never remember to and always kick myself for that when i’m finally wearing the finished costume. there’s always something you want to be able to hold on you, especially since some cosplays make carrying a bag difficult. alternatively, if you can carry a bag, consider making one specifically to match your costume. having a brown satchel to go with your flynn rider cosplay or even just a blue purse to match your gyarados gijinka can be really helpful for carrying extra supplies as well as the smaller necessities (money, phone, keys, ID, etc). it’s by no means necessary for your bag to match your cosplay, but it can be a nice touch if you’ve got the time and resources!

if you have any questions or ideas for future tips, feel free to message me.

toughtinkcosplay:
“tip #4 iron as you go! this is a simple tip that you’ll hear from a lot of cosplayers and seamstresses, but it’s true! keep your iron handy as you work on new pieces so you can be prepared to press your seams as you sew. it saves...

toughtinkcosplay:

tip #4 iron as you go! this is a simple tip that you’ll hear from a lot of cosplayers and seamstresses, but it’s true! keep your iron handy as you work on new pieces so you can be prepared to press your seams as you sew. it saves doing a lot of ironing in the end but also results in a better looking cosplay since it definitely makes the sewing/pinning process go more smoothly.

if you have any questions or ideas for future tips, feel free to message me.