So far it’s been good to be honest, I’ve been djin and making music for year's… and I feel now I’m taking the next steps to better myself. I thought my DJ/Production years was over, but I’ve taken a complete 180 degree turn… building confidence in myself again and the experience has been very helpful in my new journey 😇

My children have absolutely loved Rocksteady. They have developed brand new skills, worked collaboratively as part of their bands and really enhanced their confidence and self belief. It’s been fantastic watching the little concerts that have been organised and how much my kids’ faces light up when they are on stage. 

I needed to check that I had the correct piano identified and Rimmers customer service offered appropriate help to get it right. I had problems with the online payment system and the rep was extremely helpful in helping me to get it sorted with my bank. The piano itself was delivered on schedule, which was perfect as I had set a specific day aside to be in to receive it. I'm confident that they will help with any follow-up questions, although everything is working perfectly so far.

I am fulfilling a dream at age 78, I have had all my life.  Loving all aspects of the course.  Tutorials are good.  Community is really special and Facebook postings of other members tunes is inspiring.  Much praise to Declan and also his team for bringing so much joy to us all.


Ebassguitar.com is awesome!  The books and lessons cover the basics of playing the bass well beyond my level, which is intermediate.  The methods taught for approaching a new tune are very intuitive.  Songs I’ve had the sheet music for and was struggling to learn became learnable with a day’s practice after viewing instructional videos provided.  Not only that, but the video tutorials teach the student an approach that can be applied ti all songs.  It’s not just about learning the one piece in question.

Tracy has been absolutely amazing helping my son to successfully pass his Grade 5 music theory exam with a high Distinction, first time. Her methods are brilliant, she teaches with clarity, humour and patience. 
Before we found Tracy my son had worked through all the rather dull and difficult books and when it came to sit the exam he had a meltdown and lost all confidence. Tracy gave him 8 lessons, her methods were absolutely brilliant, as were all the free teaching videos and review Saturday classes. He leaned so much from her and importantly she built up his confidence to sit the exam. And he got a high distinction so everyone very happy. 
Thanks again, we highly recommend Tracy from Music Lessons Anywhere.

Craig is a great teacher who offers a clear and concise approach to teaching the fundamentals of Ableton Live. As I work through the lessons I feel more confident in my ability to express myself creatively through music. 

I enrolled in Musical U's Next Level Coaching after its promotional materials presented it as a high-value opportunity for growth through personalized guidance. The process included a questionnaire on investment level and commitment, leading to a 90-minute interview that ended with a $10,000 quote for one year. No pricing information was available publicly beforehand. No coach biographies or descriptions of expertise were given—only the "world-class coaches" banner. Promotional content referenced notable guest experts, but no clarification was given that core coaching would come from internal staff. Had these matters been plainly disclosed from the beginning, enrollment would not have occurred.
An email confirmed the cost and a two-month payment plan. No formal contract, cancellation terms, off-ramp, or refund policy was provided.
For due diligence, only three testimonials were shared: two relative beginners and one from a niche guitarist. A request for information about participants with orchestral instrument training received no response.
The promised invoice arrived four months late, as the first half of the 36 sessions were ending, referencing the $5,000 now due. They tracked paid sessions precisely for billing but did not follow their own stated schedule.
Coaches were assigned by internal staff without student input, reason, or explanation. I offered constructive feedback on the initial fit. A new coach stepped in, who dismissed the concerns, praised the original choice, and labeled me uncoachable in a session deleted from recordings. Guidance was mostly generic; some suggestions were counterproductive to established instrumental pedagogy. In the penultimate session (next-to-last), a practice recording—a spliced thumbnail intended by the coach to showcase my progress—was played back at 2x speed without permission. Of course it sounded cool—who doesn’t when sped up to chipmunk tempo? The acceleration covered imperfections in intonation, dynamics, phrasing and musical narrative that are only discernible at normal speed. I later listened at standard speed and analyzed it as a learning tool.
I participated in all 36 sessions (roughly $278 per session equivalent, plus 12 guest sessions resembling TED-style talks). The penultimate session (next-to-last) also included an upsell for continuation at a discount; the coach declared he had no knowledge of my original charge, confirming "individualized" pricing.
Due to review length, I omit platform issues and note that the $29/month DIY membership seemed to form the content foundation for much of the coaching. Coaches accepted outside material and were not terrible overall, but the sessions were middling, never world-class.
Despite these matters, the experience contained positive elements. I remained committed, drew on independent resources, and made substantial progress in my music. I’ve been fortunate to work with outstanding coaches before, so I know what high-caliber guidance feels like. I now choose where I invest my time and money with more care.
Note: The International Coaching Federation (ICF) Code of Ethics requires clear communication of financial arrangements and terms before coaching begins. Musical U is not affiliated with or a member of the ICF. Many music educators and coaches (e.g., ICF Master Certified Coach Hilary Oliver in performance-related coaching) uphold ICF standards or similar ethical codes from organizations such as MTNA or NATS. Practices such as undisclosed "individualized" pricing, absent formal agreements, opaque billing, lack of coach-matching transparency, and unpermitted altered playback in feedback fall short of such ethical benchmarks.
(1 star – Lack of upfront transparency on pricing, coach qualifications and assignment, and program realities, combined with billing discrepancies, inadequate handling of concerns, and questionable feedback practices, made this an unsatisfactory experience. I state these facts plainly, with a small tired smile, in the interest of truth for others.)

So, after almost 3 weeks I can admit that I really did a progress I didn't believe I could do. It's not the cheapest course you can find in web, but from the other hand - it's comparable to the price of a good quality guitar, which is not that much, plus you can pay in parts.

TOP Production course, you unlock your potential and focus in tequeniques who really cares.

Group all the things that you need to be a professional or top producer, using Ableton.

Good material and good experience with feedbacks.

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