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Hummus

@hummus-tea / hummus-tea.tumblr.com

Jewish, cold all the time. Fandoms will change periodically but never totally die. If we're mutuals, this is an open invite to tag me in things or send me asks I CRAVE attention

The debate about AI art is the exact same one as the fight the Luddites had about the introduction of weaving machines. Because it's not about the specific technology, it's about worker control over said technology.  The Luddites—skilled weavers themselves—weren't even against the use of those weaving machines in general! But they recognized that, if they weren't the ones in control of the manufacturing, they would be open to exploitation by the factory bosses. And they were right. Now they were being paid for speed—piece work—instead of for their expertise and time. Their wages dropped, they became replaceable, fewer of them were needed to produce as much output, they lost the ability to negotiate for wages and worker protections. And they were derided for being afraid of progress, afraid of the future, of the power of technology to improve our lives. And that's how they're remembered.  Sound familiar?  The power of capitalism is that it wants to twist anything into its service, including movements against it. The Luddites' movement to protect the value of their labor becomes an insult meaning "scared of technology and science." Artists pushing back against AI art are being called elitists (or Luddites themselves) who just don't want poor people having access to art. The key, now as in the 19th century, is worker control. NOT "does AI art count as art" (too easy to get derailed into arguments about what art even is), NOT "how do I stop my art from being used in training" (a preventative/reactive measure, not a plan for future action). Framing the argument as an issue that affects all workers builds solidarity, instead of letting us get pitted against each other. No one is free until we're all free, and all that.

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i like to imagine that clark kent’s search history is mostly normal but then there’s stuff like “improved superman costume concept art” because he wanted ideas

no but like… do you sue him for using your designs? Do you politely ask him to stop using your designs? Do you ask him for license fees when the Superman merchandise adopts your design as well? 

i am absolutely sure that he would find one with an artist’s comment/description that included “hey superman if you’re reading this feel free to use this anytime ok ;3″ and he would say “oh man that’s so thoughtful, thank you weedhorse69, I think I will” and like how do you explain in court that you, weedhorse69, did not intend for your statement to be any kind of contractual offer because you did not think he would ever find your public internet post with his name all over it

tumblr is garbage and likes to resize everything and readmores don’t work on mobile anyway so you all will just have to click through if you want to read weedhorse69′s chatlog screenshots

you should DEFINITELY read weedhorse69’s chatlog screenshots, oh my god

And now I’m imaging that weedhorse69 is Kyle Rayner before he got the ring.

Later, after he gets the ring … awkward. So awkward.

“Obviously you aren’t obligated to join the League, but we’d be happy to have you.”

Kyle was going to die. He did not, despite the obvious facts, consider himself to be possessed of great will. It did not occur to him that the fact that he could make himself stand there and pretend to be casual spoke volumes.

“I’ll have to think about it,” he said, hoping that his voice didn’t shake, turning down the thing he would have liked most in the world. “I’m a pretty private person.”

Superman considered this. “That’s fair,” he said, “but maybe I should mention that the League doesn’t require you to disclose your civilian identity.”

“It doesn’t?” Shit. He shouldn’t have sounded so excited.

“No. Some people choose to disclose to close friends, but it isn’t on file and no one has to share anything they’re not comfortable with.”

“Oh.” Maybe… maybe no one would have to know. Maybe he could do this. “I’ll still have to think about it,” he said, even as he made up his mind, “but I am very interested.” Superman smiled, suddenly, and even though he had been nothing but kind Kyle was terrified. “What? Did I say something funny?”

“No, no, you’re fine,” Superman assured him. “Usually Green Lanterns are a little more candid, is all. There’s nothing wrong with it.”

“I, uh.” Kyle faltered. “It’s not that I have anything to hide. It’s just… before I got the ring, I… did some things I’m not proud of.” Superman nodded in a manner warily sympathetic. “Things are different now, though. Very different.”

“I believe you,” Superman said, and it was absolutely killing him how nice he was. He was so nice. Kyle’s only saving grace was that he was wearing the classic costume. “The ring chose you, that’s all I need to know.”

Oh, god. Superman thought he had reformed from a life of crime.

He wasn’t entirely wrong. Right? Right. This was fine. Everything was fine. Kyle would join the League and never tell anyone his name and no one would ever know the depth of his sins and he would meet Batman and that would end well.

… he needed to go find Jimmy immediately.

I think one of the big strengths of fanfiction as a medium is that it can, on average, assume the reader has a way higher degree of familiarity with canon than like…canon can. If you’re in the Star Wars AO3 tag you probably like Star Wars enough to remember more things about it than the average Star Wars-enjoying-ten-year-old. Which makes it way easier for fanwriter a to get to the juicy stuff and really engage with the worldbuilding or minor characters without having to spell out like. Who Wedge Antilles is for everyone who forgot or never noticed him in the first place. You could write a book about Wedge in the old EU because EU readers could also be assumed to be serious fans, but you can’t make a new canon Disney+ show about him. Those cost money to make and are intended for a broader audience.

And all this means that like. A good fic writer can and often will surpass canon when it comes to like. Thematic resonance and stuff, because they can really dig into something. Star Trek 2009 gave Kirk a new, more generic tragic backstory because it couldn’t expect the average moviegoer to be familiar with Kirk’s old, way more interesting tragic backstory. (Frankly, I’m not sure jj abrams knew about TOS Kirk’s backstory) whereas I have read a LOT of well-written, interesting, deeply resonant fanfic examinations of Tarsus IV, and what it means for Kirk’s character that he’s a genocide survivor. Star Trek 2009 answers the question “why did Kirk cheat on the kobayashi maru?” With “‘cause his dad crashed a spaceship when he was a baby.” A close examination of TOS canon implies the answer is “because he lived through a real-life Kobayashi that did have a win option, but which wasn’t taken.” BUT—and this is significant—even the TOS canon movies can’t really assume knowledge of the full TOS tv show, so that implication is never examined or made explicit. Instead it’s fanfic (and maybe spin off novels? Idk I’ve only read 2 trek books, if there’s one out there that covers this that would be really cool) where we get dives into that thread, where Kirk gets a commendation for original thinking because he can look a testing board in the eye and say “I’ve seen what happens when someone is entrenched in this kind of thinking, and I cannot let it happen to me. I understand the lesson, but it’s not hypothetical anymore and it never will be. I did what I had to do.” And that’s interesting! That’s meaningful! That can’t happen in a summer blockbuster. But it can happen in fic, easily, and that’s a strength of fic, I think.

I hope you don't mind me adding to this very good post, but in general i think the financial supremecy of movies and (more recently) tv has lead a lot of people to assume that the best stories can be interchanged between mediums. That every book can be adapted into a movie, every light novel into an anime, every movie into a video game etc etc

and that's the same attitude that underlies all the 'the goal of fanfic is to file of the serial numbers and publish it' or 'fanfic isn't real writing because real writing is novels and fanfic is usually structurally so different from a novel' type of takes come from.

this assumption that the medium is largely coincidental to the story being told

when that's just not true.

the very best adaptations always change things, because mediums are not interchangeable, and they fundamentally shape the stories told in them.

there are things you can do in fanfic that are simply not possible in a traditional novel, because you're starting from that possition of love and knowledge, and because you aren't bound by the need to be canon compliant, so you can ask questions like 'if these characters met in other lives, under different circumstances, what would they be like? how different would they be? how much of what makes them them is tied to the circumstances they found themselves in?' or 'what was it like to not be the heroes, to not be actively involved in the cool exciting bits? what was it like to be a minor character, left behind to deal with the consequences' because your audience is already invested, they'll show up for questions like that in a way a movie or novel or tv audience wouldn't.

there are things you can do in a podcast or radio play that are not possible in visual mediums like film or tv, because you're relying on the audiences imagination. there's a reason the best radio comedy tends to be surreal, and the best podcasts tend to be horror, those are both genres that thrive when the audience's imagination is allowed to fill in blanks.

there are things you can do on TV that are not possible in a novel or a movie. the way WandaVision completely changed its visual style with each episode is something that would not work in any other genre, but it's essential to the story. TV usually exists in very defined seasons, but cannot traditionally be consumed all in one go, which is not true of almost any other medium, and that dictates a specific type of pacing. combine that with the fact that it's a visual medium, and you get something like the overarching stories of the 9th Doctor's season of Doctor Who. No other medium could have delivered the resolution to that storyline as effectively.

Video games can force the audience to consider their own part in events. No movie could do what Spec Ops did, when it gives you a button prompt to commit a war crime, and then turns around and asks you why? why did you do that? was it too easy? do you think it felt like this when the US government committed the exact same war crime within living memory? Was it easy then too? A novel or a movie could show you walker doing this terrible thing, but it could never convey the point with the same effective simplicity, and it could never make you the audience feel culpable. only the author is responsible for the actions of the characters in a novel, but in a game, it's the audience who bears that responsibility, and that allows for moral questions other mediums struggle to effectively convey.

Comics can tell stories that take three decades and ten different writers to tell. Movies can use silence more effectively than any other medium because cinemas give you a captive audience and close-ups means you can reliably assume they can see everything that's happening (unlike theatre, which can use silence, but can't assume everyone has a good view). Theatre provides real time audience interactivity and a very special and unique kind of suspension of disbelief. Professional wrestling can tell ongoing stories in real time over years or decades, and walk the line between fiction and reality. Novels can immerse you more fully in one person's view of the world than any other medium (which also allows for information to be hidden from the reader without it feeling cheap the way it can when a movie does the same thing). Live oral storytelling allows the story to be adapted on the fly to fit audience reactions, allows for infinite variations of the same story, because no two tellings will ever be identical.

Fanfic isn't a genre, not really. Fanfic has genres, but it isn't a genre in and of itself. Fanfic is a medium, and like all mediums, it offers storytelling tools that are unique to it, that it does better than any other medium. and as OP pointed out, one of the big ones is that it can assume both familiarity and love from the audience to the characters depicted. We can stray far further afield from where we started in fanfic than the original creator ever could, because our anchors are not the narrative, but the characters.

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Today's revelation is that I watch hockey exactly the same as a teenaged streamer's mom.

"Oh no, that guy fell! I hope he's okay!

-oh, well, he's okay enough to hit that guy, I guess he's fine then. Yay team!"

The thing I've actually been invested in for the entire game is 'when Bob's Discount Furniture will show up again'. It is displayed behind at least one team bench. Boyfriend's got the World's Nicest Friend, who used to play hockey at an extremely high level, and he was gracious enough to start the "Show Us The Bench" chant with me.

Someday, when I'm a billionaire, I'm going to make an anonymous donation to a for-profit company and pay for a bench sponsorship for Bianca Amor's Liquidation Supercentre.

They are doing Replays now, which is apparently to fill the 15 minutes or so that the zamboni cleans the ice. I have decided that, when I am Supreme Hockey Ruler, the zamboni will be the uncontested best part of the hockey game. It will have jugglers standing on the back of it as it drives around. Couturists will fight for the right to drape the zamboni for particularly high-profile games. One of the richer host cities will have Cirque du Soleil on the zamboni. Do you see my vision?

The first hockey game I ever went to was a themed Star Wars night and Boba Fett was riding the Zamboni, it was great

bumped into my neighbor who told me about how when she was mowing she found a praying mantis and while pointing it out to a another neighbor ran into a group of 4 men and also asked if they wanted to see and they enthusiastically agree

so, she takes them to see it and notices that these men are almost giddy over this bug so she starts asking questions and turns out they are from various African countries, are scientists travelling on some sort of research grant, and one of them in particular is specialist in insects and they were all just on their way to their Air B&B

like. Imagine you arrive in this foreign country to study its local bugs, you get off the plane and start walking to where you are staying, and some old lady stops you and is all "hey! Come look at our local bug!"

Such a warp, Williams said, was never a danger in the past due to the longtime, standard two-decade-minimum retro waiting period. “However, the mid-’80s deregulation of retro under the Reagan Administration eliminated that safeguard,” he explained, “leaving us to face the threat of retro-ironic appreciation being applied to present or even future events.”

“We are talking about a potentially devastating crisis situation in which our society will express nostalgia for events which have yet to occur,” Williams told reporters.

my number one piece of advice to you as someone who has been happily in a relationship coming up on a decade now is that someone who loves you should not make you scared to say no

maybe it is just the cat part of me but i have never felt held by someone who decided my boundaries were simply an obstacle to overcome to get what they wanted. and that can be as small as saying 'no i dont have the energy to do this today' but i have found that those who press the small defeats into you expect to do no less when it comes to things that could genuinely hurt you or kill you

dehumanization as horror is great and all but what about humanization as horror. Being forced into a role that was not made for you. Being forced to fulfill expectations that you can never achieve. Being made to exist in a society that so cruelly expects you to act in a way that is against your nature.

At one point I had a housemate who had been through multiple abusive or at least unhealthy relationships, and it effected the way they interacted with the world and others around them.

One of the effects was that they couldn't admit to mistakes or accidents. They would lie when they could, and they'd try to cover it up when they could.

One day, they broke one of my glass dishes in the kitchen. I wasn't at home at the time, so they cleaned up in a hurry and then hurriedly scrambled to glue it back together. They never said anything to me, and I wouldn't have ever noticed-

Except I walk barefoot in my home and two steps into the kitchen I had a small shard of glass in my foot. Looking for a source, I noticed the dish in the drain, and looked a lot more closely at it than I normally would have, and noticed a small piece missing from where they had glued two larger pieces together.

It took me a good twenty minutes to fish that glass out of my foot. I then went and vacuumed very throughly, as two dogs and a cat lived in that house, along with the humans.

If they hadn't been stuck in the patterns they learned when they were younger, they might have told me about the glass, and I could have worn shoes until it was safe. They might have spent longer cleaning it up and making sure the floor was safe, instead of trying to cover up their mistake by gluing the dish back together.

If they could have broken out of those patterns, they would not have put those around them in harm's way.

Break out of your unhealthy patterns. They're hurting you, and they're hurting the people around you. If someone over reacts to something like a broken bowl, the answer is to remove them from your life, not to go around gluing bowls back together without saying anything.

I forgot to say it, but this is both metaphorical and literal. It was a very real shard of glass in my foot AND a lot of us pick up unhealthy coping mechanisms and then go on to unintentionally hurt others. So please, please, work on identifying behaviors and thoughts that end up hurting you and those around you.

Because sometimes it's not just a shard of glass. Sometimes it's a lot bigger and more harmful.

MY MAGNUM OPUS HAS FINALLY BEEN RELOCATED...

this was my final for my sound design class in 2024. the assignment was to recreate a movie scene with entirely different sound effects to change the tone/genre/whatever and i chose the legendary nightcrawler breaks into the white house scene in X2. i won 'silliest project' and was rewarded with a clown horn for this video.

all sound effects are either free to use or straight up just my voice lol

This phrase has already entered my vocabulary re: media criticism where like. The viewer has a concrete view of what they expect a story to be based on the tropes and cliches they're used to seeing together, and when that doesn't happen, they judge it as a failed depiction of what they assumed it was going to be instead of judging it as what it actually is.

"This show is problematic because the hero didn't kill the villain at the end": When does he steal the bread?

"These two characters who were close friends throughout the series don't kiss at the end! What the fuck?": When does he steal the bread?

"This feels like it's missing a conclusion! Like, the protagonist does bad stuff and because of a critical decision he makes as a result of his major character flaws, meets tragedy in the end! Where's the part where he learns better and brings is love back from the dead and becomes a good guy and gets a happy ending?": When does he steal the fucking bread??

I heard this out as "When criticizing something, you must judge it for what it is, not what it isn't"

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