Given the fact that most major social media platforms are in trumps back pocket I feel like it’s important that people question everything they see more than they have before, particularly in the us. there’s this very useful technique I was taught a couple of years ago back when i studied history since we had to look at sources of information (particularly in pre Nazi germany to see the techniques he used to gain power and reasons why people supported him) and we had to analyse whether or not it was a good historical source, to help us do this we used PANDA:

purpose- why has this been created/ shared what’s the point of it?

author- who created/ shared this? What views do they have? Are those views visible in the content

nature- what is this thing? (Is it a painting? Photo? Video? News article? Internet post?) what is it telling me?

date- when was this thing created? What stuff was happening at the time of creating this?

audience- who is this meant to reach? Is it supposed to be solely seen within one group of people or is it supposed to be widespread

While it isn’t exactly the same because in history you have the benefit of hindsight I think that it would be useful to use this whenever they see a post, regardless of whether it opposes with your views, because sometimes stuff will act as though it agrees with you but include one or two small things to shift your perspective until suddenly you are against your original beliefs (eg ‘I’m fine with gay people I wish they wouldn’t shove it in our faces though’ could be P- to see how much homophobia they can get away with, A- someone who is against being gay N- a statement often used to perpetuate homophobia while being able to hide behind being fine with gay people, D- it’s a reasonably recent statement made by people coming from a time where being queer is more acceptable but only recently, A- often said to people who are queer people or ally’s as a way to say ‘I’m fine if people are gay as long as I don’t have to know they are gay’. And if you were to accept that statement and go “yeah it’s a bit annoying that people are so obviously gay” then you are more likely to allow it when someone else goes “being gay is a sin so I hate that they are gay but I like them as a person” and then they may cut out the “I like them as a person” and replace it with “I don’t want them to suffer in hell” and it will continue until before you know it you are protesting against queer rights and standing by as they are being attacked)

So y’all know the classic edge trope of “my blade cannot be sheathed until it has tasted blood”? What if a magic sword that has that requirement, except it’s sort of inverted. A sword that, instead of being inhabited by an evil spirit which once awakened cannot be lulled back to sleep except by blood sacrifice, was inhabited by a benevolent spirit who would not allow the sword to be drawn unless bloodshed were the only possible solution. A sword whose power could never be misused because it would only allow itself to be used in situations where it was justified. What about a Paladin who spends their entire journey fighting with a sheathed sword, incapacitating but never killing or maiming. The party believes that the Paladin has taken an oath of no killing, until they face the big villain. And it is in that moment, and that moment alone, that the sword will allow itself to be drawn.

Idk, this image set my mindwheels a-turning.

But do y’all see the vision?

Good news! Elementary schoolers of the modern day still believe this is part of vanilla minecraft. I have borne firsthand witness to these discussions.

the folkloric gate to heaven requires journeying to hell to get its building material

yo what's the handle of the fancy calligraphy guy can we get them over here that's a line

@theshitpostcalligrapher

oh good i needed a warmup piece

#listen i dont mean to be that guy but#you can make glowstone by using glowstone dust#and witches drop glowstone dust#no hell needed

buddy not to be a ridiculous nerd about it but you realize that seeking out dark magic users to kill them and pry potion ingredients out of their dead, cold hands isn't exactly non-hellish behavior? maybe the journey to hell is internal idk your playstyle

Smart woman next to an unbelievable achievement is a picture niche that will never get old

Do you ever write a sentence and then realize “Nah, that’s too self aware for you” and backspace a bunch of times.

You have been booped by this empty wrapping paper tube.

Reblog to boop all of your followers with it.

how it's done

You can survive almost anything through the right combination of:

This has gotta be one of the funniest things I've ever seen. 😂😂😂

Remember to eat, my loves! There's a whole world of delicious joy awaiting you!

The Trouble with Hiveworks: an Open Letter

It's been a long ten years and I finally get to talk publicly about what happened behind closed doors.

Please take the time to read this letter linked above and please avoid working with these people. You are more valuable than an opportunity for people like them to use you as cash cow for your work.

Three years ago, I was approached by many artists at Hiveworks asking if their mistreatment was normal. That their feelings of horrible self worth within the company was really just a 'them' problem. Turns out, it was unfortunately normal in that we ALL felt that way. Stolen funds, reworked projects without permission, favouritism, opportunity sabotage- These were the common occruances over at Hive. Artists felt used, ignored, and walked all over to pay Hives bills and ego. People didn't know what to do. I helped co-found the guild in response to so many artists feeling this way, and we slowly gathered together to make a better Hive. Yeah, that's right- we thought we could help change and save the company if we all colaborated, hurt set aside and transparency deeply needed. Unfortunately, that wasn't in the cards. We spent 3 years going back and forth with staff to understand the debt, the mistreatment, the empty promises only to realise that the staff who was left to deal with the mess (because the CEO and COO went hands off or left) couldn't fix what was destroyed.

Hiveworks was supposed to be a beacon for webcomickers. It was supposed to be an indie opportunity to flourish in the small ways we can. But it became yet another example of a greedy publisher who saw an opportunity to take and take and take. It was also a vanity project for Isa and Xel too. They wanted the prestige of working in 'publishing' but didn't care a lick about the artists who brought readers in. If you were someone she thought was an artistic threat, Isa would go out of her way to humble you and put you in your place. That happened Many MANY times to me and my fellow creators. Not only was Hive using our work, it also would remind us how worthless we were in the same breath. Everything felt like some sort of competition, and Isa and Xel made sure artists didn't talk to ecahother about it too. So many instances of the two of them going around gossiping in public about 'the real story' when it came to their mismanagment and inability to handle their job. They would use someone else as a scape goat and pretend they did all they could. It was highschool stuff.

As for my particular case, I was the bane of their existance apparently. I was rumoured to be out for Isas job because artists would go to me for support and she hated that. I was apparently trying to ruin things because I saw those cracks. Squeaky wheel and all that. I took the risks I did, i didn't care about being 'everyone's friend' or missed out on 'the connections' because I didn't want to play that game. Artists were feeling used, stolen from, and neglected. I spoke up, and many others started to feel safe to do so too. The more we shared stories (and man, there are HORROR stories) the more we realised that the inner workings of Hive were more tangled than we thought. Our years of organising lead us to approach the cartoonist co-op for extra help. We tried our best to do what we could for Hive to survive.

After we were hit with the 'actually we're in a quarter of a million in debt' and they wanted us to help financially (while owing artists and staff money) it was the curtain call for Hive as a company. Isa left the sinking ship previously to avoid responsibility, and Xel ghosted the rest of us. All of this is to say that these kinds of people who promise the world with your work and take advantage are such a common and frustrating thing in not only comics, but all creative avenues. And speaking up and against them is the only way to make these cycles stop.

Please support the artists who were affected by this. Please spread the word and speak up against people who use artists like this. Hiveworks is an example in a sea of greedy people who want our work to inflate their ego. Don't let them forget we can bite back, and without us, THEY are nothing.

For anyone who is curious why I bailed out of Hiveworks, please read this.

My particular experience is pretty mild comparatively, but it mattered very much to me, and I hold grudges. I'll put this under a cut because it's long.

Shit has been a nightmare lately, but if you're reading this, I'm rooting for you. I hope we all make it.

the lesbian computer from portal was right. given the circumstances ive been shockingly nice

insane like/reblog parity on this post btw

Yay

Got the itch to do some panel redraws

During lockdown I worked on two projects: one was a ditch that needed to be cleared out of tules and cattails but turtles lived there. So I’d follow the excavator scooping out the vegetation and make sure no turtles were trapped in it, and if they were, freeing them and putting them in a safe part of the ditch. It’s extremely muddy, sticky work. Hold on, I have a photo of one of the guys:

No one is having a good time.

The OTHER project was going to destroy rare salamander habitat and so we had to buy some appropriate habitat. But every mitigation bank was sold out. I found a guy selling future mitigation bank credits through the powers of making a lot of phone calls and then, through the power of polite requests, got our Wildlife Agency rep to sign off on this plan. Except. You can’t say “I gave seven figures to a guy who promises to someday make habitat”, that guy could abscond. You also can’t be like “I supes promise to pay for mitigation AFTER the project.” because WE could not pay out. We were, for various reasons, disinclined to delay the project. The Wildlife Agency rep — bless her, she really held my hand through this whole process — was like “how about you put the money in escrow?” Great. A plan.

So I call an escrow company — which was not an organization used to being cold-called, much less by someone standing next to an excavator, covered in mud. I was trying to provide only the information needed to enable success and NOT go on a five-ten minute rant on salamander life cycles. Also I was DEEPLY out of my depth.

“Hi! I was wondering if you could hold money in an escrow account for a longer period?”

“… Well, in some circumstances we can hold it for up to 90 days — but we’d need to know the circumstances.”

“Ah! I need someone to hold it for up to two years? Do you know of any companies who’d be able to help me?”

“What. What is happening with the house that this is necessary?”

“Oh uh. It’s not a house, per se, it’s a rare salamander mitigation bank. It needs to be built.”

“The salamanders need a custom house?”

“No no no no no uh. They need a pond. We’re paying someone to make a pond. But! They need time to make the pond. Hence the escrow account. So. Who could?”

“So like a lizard house?”

“They are amphibians?”

“Let me. Transfer you to my supervisor.”

<after a pause a different person comes on the line but also unfortunately at this moment the excavator operator fishes a turtle out of the ditch.>

“Hi! Sorry one second I need to put down the phone to help a turtle.” <interlude> “Thank you so much for waiting! I’m back! Can you talk to me about escrow options?”

“What was happening with the turtle?”

“Oh it was trapped in some cattails but I got it out. Sorry for putting down the phone — you need both hands to grab them because they bite! I need an escrow account to hold funds for up to two years?”

“For a house for lizards? Are you a zoo?”

“Ah! Salamanders, actually! And a mitigation bank, not a house. I actually work for X organization.”

“What is a mitigation bank?” (The critical question!)

“Oh when you’re building something and need to impact some rare species habitat you can pay someone to make new rare species habitat.”

“Huh.”

“But this habitat is incomplete! It doesn’t have a pond. So my organization won’t pay until AAAAAAAAA excuse me sorry I fell into a ditch. My organization needs there to be a pond there before they pay for the property. So one path forward is an escrow account.”

“Are you OK?”

“Yes absolutely!”

“What’s the cost of this bank?”

“Two million dollars.”

<the tenor of the conversation became markedly warmer at this point.>

“OK if you get my your contact information then I’ll email you some options and then we can discuss — do you have time now?”

“Unfortunately I do not have email access right this second. Also I need to get out of the ditch. Could we put a pin in this conversation and circle back tomorrow?”

“Of course, I look forward to working with your organization?”

“Thank you so much!”

“Good luck with the. Ditch. And turtles?”

“Thank you! Have a great day!”

Underneath the ubermensch tones, this feels like a precursor to food safety standards being lowered for meat. They're just tapping into toxic masculinity as a way to repackage what they want.

Americans, if you're able to shop from local processing butchers, especially halal ones, I'd suggest preparing to make the switch.

This looks like an ad on a mobile app.