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Make a Move for the Right Reasons

@zarohk

AMA Unifying Theory of Bionicle & Dragon Age
Old enough to have learned Internet safety in school. Born last century.

• Visser Three’s surrender is quiet, in the end.  He’s surrounded by enemies — Animorphs, rebel taxxons, his own head of security — and he didn’t get to be in charge of the Yeerk Empire by risking his own neck.  He dips Alloran’s head, lowers his tail, and offers no contest as Jake takes the helm.  As Jake switches on the Pool ship’s comms to radio the Blade ship, face-to-face with his brother once more.

  • «Erek,» Jake says.  «If you please.»
  • A single shot takes out the Blade ship’s main engine.  A second one destroys its auxiliary power.

• Below decks, Ax removes his hand from the Pool’s control panel with a sigh of… relief.  Regret.  Release.  17,372 yeerks swim on, unharmed.  And Erek disappears, tossing a bitter glance as he goes.

  • “So, now what?”  Tom's face cants into a smirk as the rebel yeerk crosses his arms, standing on the deck of the powerless Blade ship.  “We seem to be in a stando—”
  • «Look in the mirror, dumbass,» Marco snaps.  Front-facing camera, rather. The yeerk must do so, because he whips around to stare at Rachel.
  • “Hi.”  Rachel is human, unarmed.  She has one hand resting lightly on a control panel.  “I turned your dracon cannon a hundred eighty degrees.  I push this, and it fires.”
  • “That would kill you too,” Tom’s yeerk snaps.
  • Rachel bares her teeth in a smile.  “Duh.  But look around you.  Count to six.  I’m here with no backup, and no Plan B.  I woke up this morning knowing how this would go.  Either we both die… or you get out of Tom’s head and we both get to live.”  She rolls her fingertips over the trigger button, grin so fierce you could almost miss how much her hands shake.  “Give me an excuse, slug.  I’ve been waiting for three years to fry you.”

Genuinely, how on Earth are you so good at this? Like, I'll be saying the same thing at the end of Eleutherophobia, but you write this world like Applegate is straight-up possessing you. A scenario where Esplin actually works with the Animorphs? The insight on Taxxon culture I'm taking as canon now?(And tobias stamping his membership card for a *fifth* species, or close enough, the boy can't stop adding to her repiertoire). This is one of your best, among an astronomical bar already.

I went back and forth on the "cannibalism" vs. "cannibalism mention" tags for way too long when posting this. 😆 Because like, if you're a person, and you eat a person... but you're not the same species... but you've been semi-adopted into the same culture... but you're both permanently in animal bodies... but you have to eat her to respect her death rituals... but you didn't technically get her permission first... but this is a culture with no cannibalism taboos... but you do have other ways to get food... then does it still count as cannibalism?

Arbron's right, we need more words for all this nuance.

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What if Animorphs as Six of Crows?

[For those who haven't read: Six of Crows is a heist thriller set in fantasy!Holland, in a world with magic users known as Grisha.]

• The three teenagers who walk into the local boss's office reek of danger.  Jake's a brute and a thug by reputation, never seen without the long coat or the gloves even in the height of summer.  Even next to him, Rachel looks the most threatening, between the scars across her knuckles and the pistols strapped to her belt.   But it's Marco that the gutter-runners of Ketterdam know to watch out for, because there is no watching out for him: he's so small and light-footed, you'll never see or hear or even feel the knife that kills you.

  • "You have a retrieval mission for us," Rachel says.  She's at the forefront of their little phalanx, flanked on either side by the boys.  None of them sit, though there are plenty of chairs crowded into the little office.
  • "Retrieval," Iniss says, "or elimination.  Either way is fine.  But I need the target removed."
  • "Retrieval will cost extra," Rachel says.
  • Iniss makes a small gesture around the office, crammed with stolen art.  "I can pay.  But I doubt you can retrieve."
  • "This is about that quantum virus that killed those folks by the harbor," Marco says, and Iniss's gaze finds him for the first time.  He smirks.  "Yeah, I'm more than a pretty face."
  • "The target," Iniss says, sitting back in his chair, "is a scientist.  A bioengineer.  His name is Arbat-Elivat-Estoni.  As to why I'm willing to pay ten million for him..." He looks back to Rachel. "Yes.  Your boy-toy is correct, this is about the virus.  You understand what it can do?"
  • "We know," Rachel says.  "We saw."  Forty soldiers dead, in the blink of an eye.  Only forty, because Arbat had chosen to contain the demonstration of his bioweapon to just one warehouse.  If he hadn't been feeling generous...
  • "We prefer retrieval."  Marco crosses his arms.  "We get him out, and he doesn't destroy the magic of every Grisha in the country."
  • "He's a powerful friend to have, yes," Iniss says.
  • "No shit."  Marco snorts a laugh.  "Someone with his gifts could change the balance of powers for the whole of Ketterdam.  Peace with Shu Han.  Victory over Fjerda."
  • Iniss chuckles.  "Far be it for me to try and stop you.  I haven't heard a plan this optimistic since that kid came offering to rob the third Visser himself."
  • "What was his name?" Jake speaks suddenly.
  • Iniss blinks.  "Hmm?"
  • "The kid."  Jake is staring hard at Iniss, both hands leaning on the head of his cane.  "What was his name?"
  • "Oh, I have no idea."  Iniss gestures.  "You were saying?"
  • "That I assume you have a way in for us to extract Arbat, or we wouldn't be having this conversation," Marco says.  "But there better be a way out hiding in that twisted little brain of yours, or else no deal."
  • "It's a prison," Iniss says, shrugging.  "In is simple.  Out is the whole reason I'm speaking to professionals such as yourselves."

• The plan the three outline on the walk back to The Rehab is brutally simple: intercept a prison transport.  Climb into the back of the truck.  Be brought into the prison.  Find their target.  Fight or fly or crawl their way out.  Just another day in the glamorous life of an Animorph.  You don't get to be the most dangerous gang in Ketterdam by shirking away from hard things.

• Only problem: it's a six-person job.  At least, six is as small as Jake can get the team when he and Marco go over it for the fortieth time late into the night in The Refuge's back room.  The plan requires two more Grisha — one with a fabrikator's skill to shape a key out of will and scrap metal, one with heartrender magic to heal skin and shape features — and it requires an andalite ally.  The first two should be easy enough.  The third... "We'll make it happen," Jake promises.

• "We need your magic for a job," Jake says, leaning hard on his cane as he stands in the doorway.

  • Tobias feels his mouth press together in disgust.  Jake always braces it between his legs like that.  Swaggering.  Phallic.  Tobias never knows if he does it that way on purpose or not.  But Tobias isn't inclined to think charitably about Jake "Dirtyhands" Berenson.  
  • "So," Jake continues, as if Tobias had nodded and offered him a chair.  "We break into the prison, we steal back the scientist who made that virus, we bring lasting peace to the continent.  What's in it for you — a tenth of the take, a chance at revenge, and a way to help all Grisha."
  • "Get out."  Tobias makes a flicking gesture, not even looking over.  "I don't make deals with petty gang lords, and I sure as hell don't get involved in grand quests."
  • "If you don't do this, countless Grisha will die."  Jake tilts his head toward the window, toward the column of smoke still visible from the mass cremation happening on the edge of town.  "I know you care more than you pretend to."
  • "You also know I wouldn't spit on you if you were on fire," Tobias snaps.  "Get. Out."
  • "Our inside man among the andalites," Jake says levelly, "will be one Aximili Esgarrouth Isthill."
  • Tobias can feel the blood draining from his face, as he stares down at his hands on the desktop.  They rest there, suddenly inert.  "Ax?"
  • "We'll see you tomorrow," Jake says, still in that level tone, and Tobias has never hated him more.  "Six o'clock sharp, the Refuge."

• "Isn't Ax in prison himself right now?" Marco asks Jake, stepping out from... somewhere... to walk beside him.  Jake knew he'd be listening, was counting on it.

  • "Yep."  Jake doesn't break stride.  On the cobblestones, it's better to build up momentum and then keep it; to slow down risks never getting started again.  "Treason.  You have a way to get him out that doesn't involve a massive bribe to the guards?"
  • Marco considers, half-jogging to keep pace with Jake, one stride apart and ahead.  If you didn't know them well, you'd never realize how adroitly he parts the crowd ahead of Jake, ensuring they weave their way through with never so much as a brushed elbow.  "No," Marco says at last, when they're clear in the alleyway on the far side of the market square.  "I don't. You have a way to get a massive bribe to give the guards?"
  • In response Jake drops his gaze, the kind of thing he'd only ever do around Marco.  He even lets himself close his eyes entirely, and exhales a held breath through his nose.  Around Marco, and Marco only, he'll drop his armor.

• Cassie's easy, at least.  They meet with Cassie next, because they both need something easy before the rest of what's coming.  "I need a healer," Jake says.

  • Cassie doesn't look up from where she's cleaning her instruments.  "Yes," she says, "you always do.  Be sure to let me know if you ever want one."
  • Her shop is the legitimate business that keeps The Refuge running.  She works rent-free, never gets hassled by the other gangs, and rarely has to restock her own supplies.  In exchange, Jake's Animorphs use the back room and the upper three floors as meeting space, quarters, and storage for stolen goods.  She heals gunshots and arms broken by police guard's clubs, tailors people on the run who come to her shop looking to be made unrecognizable, and chooses not to know how they got to that position in the first place.
  • "We're going after the scientist who made that virus," Jake says.  "Breaking him out of andalite-owned prison, bringing him back to Ketterdam.  We need a healer, and a tailor.  You in?"
  • Cassie pretends to consider, polishing her bone saw with both hands submerged in the disinfectant.  She's always ashy as anything after spending a day cleaning like this, but for a Grisha like her that's an easy fix.  "Pay me in ice cream?" she asks, smiling over at him.
  • Marco boosts himself up to sit on her counter, peering in open fascination at the bloodstains she works loose into the astringent brew.  "Done," he says.  "Hey, Jake?"
  • "Yes," Jake says tolerantly.  "You can have ice cream too, when this is done."

• Visser Edriss sits back in her chair, looking Jake and Rachel over.  Rachel stares back, trying not to stiffen in disgust.  Edriss might be smaller than either of them, but that doesn't make it any less obvious who has power in this room.  In this city.  On this continent.  Anyone who thinks that Visser Esplin runs the city of Ketterdam isn't paying enough attention.  Edriss owns the biggest pleasure house in the city, but that's just one of her many jobs.  She trades in secrets as much as in sex, in blackmail and in bodies.

  • "You know how this works," Edriss says, her smile as dazzling as ever.  "You be good to Mama, and Mama will be good to you."
  • "You're no one's mother," Rachel growls.
  • Jake makes a small gesture, and Rachel drops her hand from her gun.  "We know that," he says.  "And we respect your position, Visser Edriss.  We need cash.  You have the means to get us that cash.  It should be a simple enough trade."
  • Edriss smiles up at them.  "How is my little Marco, anyway?  Because if we're talking bargains, you already know how to sweeten the pot."
  • This is met with stony silence, neither of the Berensons rising to her bait.  They knew she was going to bring up Marco.  She always does.
  • "Yes, I do think I'd give up a great deal to get that boy back."  Edriss's expression goes misty-eyed as she stares up at the ceiling.  "He could just suck the secrets right out of anyone, never met his like.  After all the work I put into him, I miss my boy. Ten thousand kruge, I miss him, if I had to put a number on it."
  • Now it's Jake who makes a motion, barely suppressed.
  • Edriss looks like Marco.  It's always bothered Rachel more than it should.  They're both generically beautiful: thick dark hair, smooth pale-brown skin, long lashes framing soul-deep eyes, full-lipped symmetrical smiles.  Edriss employs the best face-tailoring Grisha in Ketterdam, so it shouldn't be a surprise.  But maybe that's why it eats at Rachel, knowing Marco wasn't born looking the way he does.  Knowing why he so resembles the monster who runs this charnel house.
  • "The club," Jake says.  "That's our offer.  The deed to The Refuge, our home base, in exchange for enough cash to secure Aximili's freedom."
  • Edriss chuckles.  "Now what would I do with a nightclub? My boy is what I need."
  • Rachel offered once, in all seriousness, to break Marco's nose.  Break it in a way that it'd heal crooked, heal ugly.  Marco had thanked her, serious as well, but turned her down for fear of spending the rest of his life snoring.  He'd gotten a godawful haircut instead.
  • "Marco's contract is off the table."  Jake speaks flatly, but Rachel can hear the slightest creak of his gloved hands tightening over each other.  "He's mine in perpetuity.  Name any price other than that."
  • "The deed to The Refuge it is."  Edriss makes a flourishing gesture, as if asking them to admire her generosity.  "I know what that club means to you.  You must be desperate indeed, to risk mortgaging that one.  And I suppose I can always buy him back later, once I own everything else of yours."
  • "Eight thousand," Jake says.
  • "Eight thousand."  Edriss offers a hand to Jake, smirking as she does so — she knows he'll never accept.  Rachel hates doing it, but she becomes the one to lean forward and accept the handshake rather than leaving the pause to linger.
  • They leave, one nightclub poorer and a great deal more liquid.  Neither of them looks at each other, and neither one looks over when Marco melts out of the shadows between them.
  • "You heard?" Jake asks, carefully neutral.
  • Marco huffs.  "Jake, buddy, you sure as hell better know what you're doing."
  • "Yeah," Jake says.  "I sure as hell better."

• Eight thousand kruge, in cash, passes quietly from the Animorphs' account to that of the head warren of Hellgate prison.  Aximili-Esgarrouth-Isthill, former Warrior of the Andalite Navy, gets unceremoniously dumped outside the back door and left there on the loading pier, sweating in the damp of the south-dense air.

  • But he's not alone for long.  He smiles as he sees the shape skipping lightly across the waves; you could mistake it for a squaller if you didn't know better, but that's one of Tobias's homemade coracles.

• Rachel arranges for passage for six headed north to Ice Court and its prison.  With any luck, they'll be seven on the way home.  Or six and a single large steamer trunk with good smell-dampening spells; she's not picky on that front.  In their single cramped bunk room on board, Jake walks them through the plan using the map Tobias drew based on Ax's memory.

  • "We enter as prisoners."  He taps one gloved finger against the main road.  "Ax and Rachel stop the transport truck at the entrance by blocking the road — we'll determine how once we see what's there — and we join the group being brought in.  Once we're in our cells, Tobias will break us all out by fabrikating the locks.  Ax joins the andalite guards at the party, Marco goes to the rafters, and Rachel blends in among the party's guests.  Between the three of you, one should be able to find where they're holding the scientist.  Once we find Arbat, Cassie will tailor him to look different enough that if we slap an andalite uniform on him — Ax, we'll need one of those — then we should be able to walk him right out the front gate amidst all the chaos."
  • "Chaos?" Tobias asks warily.
  • Marco grins at him.  "That'll be the second part of our role, my magnificent magician.  I find the gears, wires, alarm systems, safety mechanisms..."  He waves a hand in the air, and Rachel wishes she didn't notice how much it resembles Edriss's earlier gesture.  "I'll wait for inspiration to come to me, and then I'll point to whichever things will go break the loudest when you get your pretty little hands on them."
  • "Got it."  Tobias looks between Marco and Jake, but settles for looking at Marco.  "I understand everyone else's extraction plan.  Cassie and Ax walk out the front with Arbat, Jake and Rachel take the river with my rebreathers.  What's our way out?"
  • "I was planning to sail to safety, carried within your strong manly arms."  Marco bats his eyelashes.  "That, or you just fabrikate a hole in the gate's mechanisms since we'll be up there anyway.  Whichever you prefer."
  • "You all understand your roles, then," Jake says.  "Try to get some sleep.  We've got a long day tomorrow."

• Rachel's never heard a stupider suggestion in her life, get some sleep.  She rolls out of her bunk barely an hour later.  Jake hisses her name, trying to call her back — he knows where she's going — but in response she flashes her empty hands at him, then pulls out her pockets to show those are empty as well.  She's not stupid, she's not going to bet any of their travel cash, and he knows she won't gamble away her pistols.  Not unless the pot is really good.  Or luck is with her.  Or something else comes up.  He's such a nanny, she swears.  You gamble away two thousand kruge in a single night one time, and you hear about it for the rest of eternity.

  • There is no poker game on board, as it transpires.  Which leaves her standing against the ship's rail, itchy and bored.
  • "Couldn't sleep either?"  Tobias leans up against the rail next to her.
  • Rachel twitches a shoulder.  "Something like that."
  • Together they stare into the night, wind riffling their hair.  "Can I ask you something?" Tobias asks, and almost the same moment Rachel says "Mind if I ask—"
  • They laugh, looking over at each other.  "You first," Rachel says.
  • "Okay, um."  Tobias switches around to looking back toward the ship, toward their cabin.  He blows out a breath.  "Jake and Marco.  I thought they were, um.  But then.  You know."
  • Rachel does know, as incoherent as that sentence was.  "You're worried that if you take Marco up on his offer for casual sex, Jake will slit your throat," she says bluntly.  "Don't be, it's fine."
  • Tobias blushes.  He's such a paradox, lower-class accent and lack of education, delicate manners that reflect a dad who used to be a prince in the Andalite Navy. Zemeni nose and Ravkan hair. Eight or nine past guardians.  Once Marco's done, she wouldn't say no to seeing how he feels about blond girls.
  • "But I thought that Marco was... Jake's," Tobias says awkwardly.
  • "Marco is Marco's."  Rachel says it on reflex; she and Jake both have this knee-jerk response any time someone brings up contracts or property or Edriss's Menagerie.  "But yes, he and Jake are..."  And now she trails off, not sure what word to put on it.  Not sure what word either of them would put on it.
  • "They're romantically involved?" Tobias suggests.
  • "They don't fuck, if that's what you're asking."  Again Rachel takes refuge in bluntness.  Sex is off the table for Jake.  "They don't have candlelit dinners or buy each other flowers.  And Marco fucks who he wants, and Jake doesn't mind, because they both know where they stand.  Jake doesn't see you as a threat because you're not.  They..."  This time she stops because it does feel too personal to discuss, in a way their sex life is not.  They cast longing glances at each other.  They're willing to cry in front of each other.  They talk in whispers about how they wish they could meet each other's families, how they wish they had families to meet.  They're ridiculous about each other.
  • "Oh.  Okay."  Tobias shifts in place, still very red.  "I just wanted to make sure I wasn't homewrecking or anything."
  • Rachel holds up one finger.  "Marco will have rules," she warns.  "He'll set the pace.  You push him on that, then Jake'll slit your throat.  Otherwise it's fine."
  • "Seems simple enough."  Tobias mimes wiping sweat off his forehead.  "So what was your question, then?"
  • He's a Grisha, Tobias.  A fabrikator, more specifically.  Rachel has never met a fabrikator before, and the level of power he shows in shaping metal under his hands with magic as smooth as breathing...
  • "I forget," she lies.
  • "Sorry."
  • She gives him a light shove on the shoulder, so that he stumbles several steps toward the cabin.  "Have fun!" she trills, and he coughs out a laugh.

• In the end, the plan goes off exactly as Jake described: Ax downs a tree in the middle of the road, and when the truck draws to a stop he successfully joins in the team of andalite warriors working to clear it.  Ax speaks their language, knows their mannerisms, has even purchased an approximation of their uniform in town, so he slips in among the crew at the front of the truck and only gets a few casual questions.  Meanwhile Tobias scrambles onto the roof, hands pressed hard into yielding metal, and then into the crew's equipment storage.  Meanwhile the other four crowd into the prisoner transport.  Marco stands between Jake and the other bodies in the rolling cell, growling out loud anytime someone gets too close in the cramped quarters, and Jake only hyperventilates a little bit in response.  Once inside, they're brought to the prison section of the Ice Court and sorted into cells.

• It all goes perfectly.

  • "Slight problem."  Jake sounds calm, and also like he's in the middle of sprinting for his life instead of sitting still on a cell bench.  "They found my lock picks in the search."
  • "What?" Rachel demands.  He was supposed to hold them in his mouth.  She's seen him use that trick before, loads of times, and now...
  • The guards gave him a pat-down, he had a panic attack they're all pretending didn't happen, and now Step Fucking One of the plan has failed.
  • "It's okay," Jake says.  "You'll make us a new set."
  • "I will not."  She stares at him.  He's a bastard.  A dirty rotten bastard two-timing disgrace to the whole of Ketterdam, and she'd slap him in the face if she could figure out how to do it without touching him.  "I cannot."
  • "You can."  He sounds completely confident about this, is the worst part.  "I've seen you do much more with much less.  This is well within the range of your magic."
  • "I don't have any damn magic," Rachel growls.  And then she loses their staring contest, so she stomps over to the lock, and presses her hands against it, and maybe there's a trace of fabrikation involved in how she breaks the mechanism.

• Without a hitch.

  • "Aximili?" the man at the door to the officer's banquet says, stopping dead.  His eyes fill with tears, his arms coming open in an offer of a hug.  "Aximili, is that you?"
  • "Captain Samilin."  Ax steps into the embrace, which also gives him the chance to gesture behind his back for Tobias to run.  "It's an honor to see you again."
  • The captain pulls Ax close, pressing his cheek to Ax's hair.  "I cannot wait," he says loudly, "to tell the others that Elfangor's brother is here.  He's alive, he escaped the savage lands, and he's here!"
  • "Yes," Ax says dully, listening to Elfagnor's son dive behind the wall hangings.  "I cannot wait."

• Completely without problems.

  • Cassie stumbles over the hem of her stolen gown, heart pounding, violently glad right now that it's her at the banquet instead of Marco.  She moves backward as gracefully as she can, intercepting Rachel with a hand on the arm as she goes.
  • "What is it?" Rachel says, as they retreat behind the buffet table where — Cassie hopes — the chocolate fountain will mostly hide them.
  • "What the heck," Cassie hisses, "are those two doing here?"
  • Rachel leans around to follow her gaze, and then jerks back, face pale.  Visser Edriss is swanning across the middle of the dance floor, Iniss fawning in her wake.  Apparently, their rat of a proprietor decided to hedge his bets on extracting the scientist.
  • "Find Tobias," Rachel says, after a second's consideration.  "You two get to Arbat, extract Ax by any means necessary, and get yourselves out.  I'll see if I can engage the visser.  You see Marco or Jake, you tell them they're on diversion duty now."

• Not a one.

  • When Cassie finds Tobias, he's already found Ax, and Ax has already figured out where the andalites are keeping their scientist.  Which should all be good news, but.
  • But for the gun that Tobias draws on Cassie, in the hallway outside of the scientist's cell.
  • "We're sorry," Tobias says.  Ax is standing shoulder-to-shoulder with him; neither one of them has ever looked so andalite.  "But we talked it over.  We're not rescuing Arbat.  His knowledge is too dangerous for Ketterdam, or anywhere else, to have.  Since Iniss will still pay us for a corpse..."  He shrugs.
  • "You're going to kill an unarmed prisoner?"  Cassie doesn't step aside.  She's scared peeless, for the record, but she's not moving.  "You're going to walk in there and shoot a guy who's in handcuffs and can't leave."
  • "We don't want to do this," Ax says sadly.  "But we don't see another way."
  • "You won't kill me," Cassie says.
  • Tobias nods.  "But I am willing to injure you badly enough that you're forced to spend the next twenty minutes healing yourself."
  • Cassie steps aside.

• Smooth as slicing butter.

  • "Who the hell are you?" Tobias demands, looking down at the prisoner.  At the teenage fucking girl, definitely not Arbat, who is sitting cuffed on the bench of the scientist's cell.
  • "My name's Estrid," she says.  "I'm Arbat's apprentice.  He died last week in a lab accident."
  • "Apprentice."  Ax sounds every bit as appalled as Tobias feels.  They can't shoot a child, especially not one who didn't even come up with the virus that enhances and then annihilates Grisha.
  • "Yeah."  She's defensive, obviously taking in their Andalite Navy uniforms and mistaking their intent.  "He taught me everything he knows."
  • Again, Ax and Tobias look at each other.  Again, Tobias can tell they're thinking the same thing.
  • "Cassie?" Ax calls.  "It seems we may need your help after all."

• No problems at all.

  • "What the fuck," Marco is muttering.  "What the fuck, what the fuck, what the everloving fuck."
  • He and Rachel are crouched in the narrow space where the decorative pillars join the drop ceiling, watching the party below.  The party where Jake just took Iniss by the arm and led him off into a corner, the two of them chatting like besties.  The party where Visser One— Mom— Edriss— fucking whatever — is leading a troupe of identically beautiful, identically underdressed teenagers across the room, leaving one in the arms of each officer she passes.
  • "Focus," Rachel snaps.  "Marco, focus."
  • "On what?"  His voice cracks, high-pitched and breathless.  For fuck's sake, he hasn't been on puberty blockers in over three years; when is it going to stop doing that?  He's accepted he's never going to be tall or have a real beard, but fucking hell, the voice thing is—
  • Come to think of it, he doesn't seem to be focusing.
  • "Diversion," Rachel reminds him.  "We need a diversion.  Now."
  • Her hand is hard around his arm, grounding him.  He hasn't looked away from M— from Visser Edriss, but whatever, eyes on the prize.  "How's a broad-daylight assassination sound?" Marco asks.
  • Rachel's grin is feral.  "Like Jake would skin us alive."
  • "And grind our bones into powder."
  • "And tell the entire Barrel we're a pair of cowards who died badly."
  • "And display our skulls above the Refuge's bar."
  • "Let's do it."

• Easy as pie.

  • Visser Edriss's head jerks forward, mid-word, as if she was slammed in the back of the skull.  In a way she was, the bullet exploding through the base of her neck.  Most of her face, the most beautiful face in six nations, bursts like an overripe fruit as the bullet rips out the far side of her skull.
  • Rachel grins, sliding her pistol back into its holster even as Marco grabs her and yanks her down into the space between the column and the wall.  He looked away, the half-second before she pulled the trigger, but if anyone asks she'll tell them he steadied her hand and looked right down the line of the barrel by her side.
  • Jake wanted chaos, she reminds herself, as the screaming on the other side of the wall reaches cacophony-pitch and thundering feet make the walls shake.  Asked, and answered.

• No problems, not a one.

  • "Your rebreathers were supposed to last for ten minutes!" Tobias cries, staring down at two half-drowned and one fully-drowned Animorphs lying on the shore.
  • "Yeah, dipshit!" Marco wheezes, on elbows and stomach inches above a puddle of his own muddy vomit, "and we were underwater for almost fifteen!  Not much of a margin of error, was there?"
  • "Please," Cassie says.  She tries again to get closer to Jake, who isn't moving at all, blue-lipped and silent.  Again Rachel brandishes a gun, blocking her. "Rachel, please! I can help him—"
  • "Don't touch him," Rachel snarls.  "Don't you fucking t—"  She breaks into a chest-deep coughing fit then, forearms pressed to her diaphragm.
  • "He is dying," Ax says, the only calm voice amidst the shouting.  "If someone doesn't try to resuscitate him, he will be dead within the next two minutes."
  • "If you even think."  Marco struggles to his knees.  "About putting your mouth on his.  Then I." The rest is lost to coughing.
  • "He would prefer to die, then?" Ax asks.  "That is his choice, I suppose."
  • "Tobias."  Cassie turns away from the confrontation, from the crackle of Rachel's lungs and the near-sob of Marco's.  "I need bellows.  Use the wood from our rafts, and uniform buttons to get enough metal for a nozzle.  The bag will need to be boot leather.  Do you understand?"
  • Tobias stares at her in confusion.
  • "Now!" she says, and he snaps into motion.  It takes every button from his coat and Ax's, shaped in the air to form a metal cone, and then he cuts the wood into two rounded boards with handles on the ends, fuses them with the power of a thought.  Getting the memo, Rachel hands over a boot — not the most hygienic, but infections she can heal — and he affixes the paddles to a bag.
  • Grabbing her makeshift tool, Cassie nods her thanks.  Then she uses the toe of her boot to roll Jake onto his back, and jams the far end into his mouth to start forcing air into his lungs.  After eight pumps, then ten, then forty, at last his diaphragm gets the message to start expelling water all on its own.

• Exactly as rehearsed.

  • They're staggering across the plane, a straggling line with Ax and Tobias out in the lead and Marco taking up the rear to keep an eye on Jake, who grimly struggles along using the crutch Estrid fabrikated for him.  It's Rachel who first feels the rumble of tank treads underneath, but it's Tobias who spots them.
  • Forty andalites move into their path.  Then eighty.  A hundred twenty.  Maybe more.
  • "Surrender!" Captain Samilin shouts, at the head of the column.  "Surrender now, we have you surrounded!"
  • "Go fuck yourself," Marco answers.  But he whispers the words, no heat to them. Only sadness.
  • "Estrid," Cassie says.  There's so little time.  She's so scared, she's never been so scared.  "Estrid, that virus of yours."
  • "It'll eat up any Grisha who takes it," Estrid says.  "Hollow them out like a pumpkin."
  • "Yes."  Cassie knew this.  "But first, it will make me the most powerful Grisha in this or any other kingdom.  For about two hours."
  • "No," Rachel says, "Cassie, no."
  • "It's her choice," Jake says, but he shakes his head at her.
  • The small bottle trembles in her hands, when Estrid passes it over.  But that's okay.  All Cassie has to do is pop off the cap, lean in close, and inhale.

• Fucking perfect.

  • When they reach the ferry that will take them back home, Cassie climbs to the highest deck the passengers are allowed to reach and maroons herself there, face turned to the air.  She can't face the thought of dying in that cramped cabin, she cannot.
  • It takes three flights of stairs and one ladder to reach this spot, which is why it's quite the surprise when Jake sits down next to her.  He's breathing hard, face flushed and sweat staining his hairline. "Cassie, I..." He stops then to catch his breath.
  • "Thank you for checking," she says tightly.  "But I don't want to talk about it."
  • A hundred twenty minds, dragged under her control.  A hundred twenty hearts beating at her command.  Two hundred forty lungs choking off all oxygen to the precious fragile brains they served, until unconsciousness swept over every mind in those tanks.  Two died, despite all her care, and she felt every cell in their bodies flare and then burn out.  One hundred eighteen will never be the same again, violated in a way they'll never be able to describe.
  • About five percent of those exposed to the virus survive the withdrawal, Estrid said, and Cassie being a healer might help her pull through.  Cassie isn't sure, right now, if she wants to live through the next three days of coming hell.
  • "Okay," Jake says.  "But I do want to thank you.  For saving my team's lives."
  • Cassie presses trembling fingers to her lips, looking away.  Her eyes are hot with unshed tears, the over-contrasted world pressing in on her senses.
  • "There was also a favor I wanted to ask," Jake continues.  "Before it wears off in full.  Before the fugue sets in."
  • "Yes," Cassie says, distracted into turning back, relieved to be able to do something good with this horror.  "I could heal your leg without touching you, like this."
  • "Nah."  He quirks a small smile.  "I'm still a coward, and I'm still happy that way.  I had something different in mind."

• The ferry arrives in Ketterdam with six Animorphs, and one virologist, on board.  The virologist walks with head down, an armed thug on either side, on their way into Iniss's cramped office.

  • "Here you are."  Jake nods his head at Iniss, then at the scientist.  "Arbat-Elivat-Estoni, just as promised.  We'll be taking that ten million now."
  • "Come here, professor."  Iniss gestures, and the man steps forward.  Rachel and Jake drop back, but they don't remove hands from their weapons.
  • Arbat is cuffed, but his head is high.  "I do not appreciate," he says tightly, "this treatment.  I am the pre-eminent biologist in this or any other..."
  • "Shut up," Jake says lazily, and Arbat flinches into silence.
  • "Ten million."  Iniss taps on his desk, and an aide emerges.  After a whispered conversation, she steps back out.
  • "Ten million cash," Rachel reminds him for good measure.
  • The bag is heavy enough that it takes two people to carry, and contains a mixture of coins and bills.  Rachel takes her time, counting it all, before at last she consents to leave. Then she whirls and marches out the door, Jake shuffling under the bag's weight in her wake.
  • Having finally rid himself of troublesome Animorphs, Iniss taps three times on his desk to summon a different aide.  "We'll need to kill them," he says, gesturing to where the Berensons just departed with their awkward cargo in tow.  "But first, let's get the prisoner down to a cell."
  • The aide blinks.  "What prisoner?"
  • Iniss turns to where cuffed man was standing in plain view only seconds ago.  Then to the room's only door, which the aide shut behind him.  Then in a slow circle, as if there is anywhere in this room a grown man could possibly hide.

• Marco melts out of the shadows, half a block down from Iniss's place.  Without asking he grabs the other handle of the bag Rachel is currently laboring to carry, and starts lightly tripping along by her side.  "So," he says, spinning around to look at Jake.  "What do you think of me now?"

  • He's tall, skinny, Shu Han features and flyaway hair. An almost-perfect match for the descriptions of Arbat that Estrid gave to them.  His chin is weak, his eyes are asymmetrical, and he's got a line of scars pocking one cheek.
  • "You going to keep that face?" Jake asks.  "Because we could find another tailor to change what we can."
  • Marco blows a raspberry in dismissal.  "Change?  Why would I ever change?  You hear how deep my voice is?  You see this ugly mug?"
  • "Tobias is never going to hook up with you again," Rachel agrees dryly.
  • "Tobias is irresistibly drawn to my charm and wit, just like everyone else in this city," Marco announces.
  • "Fine, then I'm never going to hook up with you again," she says.
  • "Only because you wanna marry Tobias and have his babies and open a roadside stand where you sell fabrikator crafts," Marco sing-songs, and Rachel shifts her grip on the sack so that she can kick him in the shins. "And you're gonna break Cassie's heart when you go if you don't take her with you."
  • "Pick up the pace, you two," Jake says, as if he's not the only one not helping carry their ridiculous haul.  "Authorities are going to be by any minute to seize Iniss's assets now he's on the hook for bribery, and we need to be out of here when that happens."

• Tobias sits on The Refuge's back balcony, Ax by his side, to watch the guards close in on Iniss's business.  Visser Edriss's empire has already collapsed without her, and Esplin's is losing ground every day.  Is Jake about to be war-prince of the entire city?  The thought chills him, but not as much as it once might have. Cassie sits on Ax's other side, head poking out from a mound of blankets. She's stronger every day, sometimes awake for a few hours at a time now. She doesn't appear to have magic anymore, and Estrid has said it might never come back. Even if not, she'll be okay, Tobias is sure. Animorphs take care of their own.

• Three nights later, Iniss wakes in his cell to a gloved hand pressing over his nose and mouth, and the feel of steel at his throat.  "Tom," a voice growls in his ear.  "His name was Tom Berenson."  The knife plunges down, sawing through flesh, and Iniss's throat fills with arterial blood.

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Anonymous asked:

What do you think would happen if you put the Animorphs in a haunted house? Like, actually haunted. Gothic/psychological horror haunted, like The Haunting of Hill House by Shirley Jackson level of haunted.

[Because it's weirdly relevant: it's canon that Jake and Rachel's family is Jewish, Marco's mom and Tobias's mom are Christian, Ax practices an andalite religion, and Cassie's unknown.]

• «Welp,» Tobias says, as soon as the translucent figure materializes.  «I always knew the sins of my past would come back to haunt me.»

  • “Egotistical much?” Marco asks, morphing fast as he backs away from the floating woman.  “For all we know they’re the sins of my past.”
  • The figure’s mouth falls open.  Far further than any mouth should be able to open.  She emits a noise that sounds like what would happen if a human tried to imitate a Howler.
  • «Yep,» Rachel says, «Definitely Marco’s sins.»
  • The figure opens her mouth even further, and now she’s sucking at the air of the room.
  • «Everybody,» Jake says, «Run!»

• Half an hour later Jake stares at the foyer wall, rubbing the back of his head.  “So all the doors and windows disappeared,” he says, “And every time you bash a hole in the wall it heals back over.  So…”

  • Everyone waits for the end to that sentence.  And waits. Maintaining eye contact with Rachel, Marco points at Ax.  He holds up three fingers, then two, then one.
  • “Ax?” Jake says, right on cue.
  • «Yes, Prince Jake?»  Ax says wearily, as unsurprised as Marco.
  • “How do you get out of a building with no doors, windows, or permeable walls?”
  • «Is this not a human dwelling, Prince Jake?»
  • Jake sighs.  “Yeah.  It is.”
  • They continue staring in glum silence at the wall Jake bashed through.   The wall that resealed itself, while a rhino was still smashing it, and then... ejected him.  («Like a sphincter rejecting a foreign object!» Ax said, before Marco forbade him from ever speaking words again.)
  • Marco holds up one finger, because—
  • “Ax?” Jake says again.  “Do you know of any semi-invisible, semi-untouchable aliens?”
  • Ax looks at Jake.  «I believe that was a human upstairs, Prince Jake.  An oddly mutated one, but she was wearing clothing.»
  • “Then...”  Jake turns to look at the wall some more.
  • “Hey, Tobias?” Marco says.
  • «Yeah,» Tobias says, «I know.»
  • “Next time you hear bloodcurdling screams coming from inside an abandoned building—”
  • «I know.»
  • “Don’t tell the rest of us.  Just keep right on flying.”
  • «I know, Marco.»

• They divide into two groups of three, because it’ll be faster than searching the house together.  Jake balks at the idea of splitting up at all, but they want out of here sooner rather than later.  Turns out there's not much to find. The house looks like a pretty standard McMansion built and then abandoned in the 1970s, brown wallpaper and speckled floors.  There are bits of furniture too broken-down to bother hauling away, appliances in the kitchen, supplies left over from where someone got halfway through painting the living room, and that’s about it.  No food.  No bedding.  No weapons.

• As soon as he reaches the kitchen, Marco yanks up the handle on the sink.  There are several juddering groans and a thud, but water spurts out of the faucet.

  • Cassie looks over and winces.  “I wouldn’t drink that if I were you.”
  • «It is flowing,» Ax points out.
  • “Yeah,” Cassie says, “but it’s probably full of e.coli and rust and—”
  • WHAM.  All the cabinet doors slam open at once.  WHAM WHAM WHAM.  They swing open and then shut with wall-rattling force, the WHAMWHAMWHAMWHAM growing unbearably loud.
  • “CUT IT OUT!” Marco bellows over the din.  This of course does nothing.
  • WHAMWHAMWHAMWHAM The linoleum floor beads, then bubbles, with red.  Blood rising up, as if through pores in human skin.  The smell is overwhelming, meat and metal and rot.
  • “Gross!” Marco says.  At least that’s what Cassie thinks he says; it’s lost in the cacophony.  He’s holding two of the cabinet doors shut, which isn’t doing much good.
  • Ax minces across the floor, hooves slipping, and shuts off the sink.  The moment he does, the room falls silent.  No further blood bubbles from the floor, but what’s there doesn’t disappear either.
  • “Gross,” Marco groans again.  “But good thinking, Ax-Man.”
  • «Let us hope it didn’t occur in any other rooms,» Ax says. «This is indeed disgusting.»
  • Cassie winces in sympathy.  They might all be barefoot, but at least she and Marco don’t eat by walking.

• Night falls, and still they have no luck at getting out of the house.  Jake drags the couch cushions onto the floor, Marco pulls over one of the dropcloths to use as a makeshift blanket, and they do their best to settle down.

  • “Tobias and Cassie on first watch,” Jake says, “then me and Ax, then Marco and Rachel.  Okay?”
  • “How come I have to be with Marco and not Cassie?” Rachel demands.
  • “We’ve been over this.  You two just egg each other on.”
  • “Plus,” Marco pipes up, “we all know you can’t be with Tobias because the fastest way to get yourself killed in a horror movie is to—”
  • «Ask yourself, Marco,» Tobias says, silky-smooth, «Just how much you actually want to finish that sentence.»
  • “Who, me?  I wasn’t saying anything!”

• They’re all awakened in the middle of the night by a horrible smell, so eye-wateringly putrid that Rachel’s pretty sure she’d throw up if they’d eaten last night.

  • “What fresh hell is this?” Marco says.
  • «It went after Cassie!» Tobias shouts.  «That stupid invisible thing grabbed her by the ankle and dragged her into the basement!»
  • “And now it’s trying to kill the rest of us with stench?” Rachel says.  She’s already starting to morph — oh gross, the smell is even worse with bear nose — as she speaks.
  • «Um.  That smell is me.»  Cassie comes waddling up the basement stairs.  The small, fluffy, black-and-white version of Cassie.
  • “You sprayed it?” Jake asks.  It comes out muffled; he’s holding his nose.  “And that worked?”
  • «Yeah.  It was the first idea that came to mind, but...»  Cassie waves her tail, and they all flinch.  «Seems like whatever this thing is, it still has its sense of smell.»
  • “Okay.”  Jake yawns, and then grimaces as he inhales the scent.  “Okay, we can use this.  Rest of the night, we do one person in skunk morph per team.  Yeah?”
  • “Roger that.”  Marco salutes.  At no point has he made any effort to disentangle himself from his dropcloth cocoon.  “G’night.”
  • Given the miasma of the place, no one gets much sleep that night.

• The following morning, they’re all awakened by the sound of Rachel’s mother’s voice, calling to them from upstairs.  “Rachel!” it screams.  “Rachel, please!  Help me!”

  • Jake rolls over, eyes half-open.  “No way in hell is Aunt Naomi coming out to a nasty-ass half-rotted building.”
  • “We know,” Rachel groans.  “Now will it shut up?

• Mapping the house as themselves did no good.  Cassie comes up with the idea of mapping the house as bats, which is both more successful, and less so.

  • «Is it just me, or does that wall look like it’s in a different place than it sounds like it is?» Rachel asks, hanging from the door frame to glare down the hall.
  • «It’s not just you,» Tobias reports grimly.
  • «And...»  She fires another burst of clicks.  «Hang on, the invisible person is back!»
  • There follows a brief and extremely frustrating fight that consists of Rachel and Tobias dive-bombing the woman they can echolocate but not see, only to pass through her every time.  She does not appear to notice she has bats flying through her head, which adds insult to injury.

• Everyone is bored, and hungry.  A swarm of evil rats comes out of the attic.  Now everyone but Tobias is bored and hungry.

• That afternoon, Marco is the next person who gets grabbed.  Rather than trying to morph fast while getting dragged around by the ankle — he isn’t Cassie — he tries the next-best thing.  And what do you know, the ghost goes screaming off into the ether the moment he does.

  • “So you... yelled ‘Sa ngalan ng diyos,’” Jake repeats.  “And it let you go.  And then...”
  • Marco holds up his two wooden paint stirrers, in the same position he used before: one vertical, one held at a horizontal slightly above the middle of the other.  He is so lucky he got grabbed in the living room.  “Corpse breath didn’t like this one bit.”
  • «Huh,» Tobias says.  «Solid idea, actually.»
  • “The water!”  Cassie snaps her fingers.  “Yesterday, it freaked out as soon as there was moving water, but it didn’t care about any of the still water!”
  • «I do not understand,» Ax says, staring at Marco’s hands.  «Ghosts are known to be frightened of the letter T?»
  • “Um, it’s a human religion,” Jake says.  “And they use two pieces of crossed wood as their symbol.”
  • «I see.  In that case, I believe you should explain human theology to me, so that I can better appreciate the context.»
  • All five human Animorphs look at each other.  No one speaks.
  • “Don't worry about it,” Jake says.
  • «Marco,» Tobias says, «You think you could bless some of that water?  You know, make it holy?»
  • “Ha!” Rachel says. "Marco, making things holy."
  • «We are trapped in here.»  Ax shifts in position, looking around at all of them.  «And it seems you all know more than I do about the nature of this being.  If my life is threatened by this entity, as I believe it is, then I think I have a right to know.»
  • “You have a point.”  Jake sighs.  “Okay, so.  Two thousand years ago, there was this rabbi named Jesus... Do you know what a rabbi is?”
  • «I do not.»
  • Jake’s next sigh is, if possible, even heavier.  “Okay, so ten thousand years before that rabbi, there was this guy called Abraham...”

• Forty-five minutes later...

  • «So, Prince Jake, this cross is used as a threat?  To suggest that one’s enemies will be killed in the same manner as this Jesus, if they’re not careful?»
  • “Uh-huh.”

• Ninety minutes after that...

  • «Hey Marco,» Tobias says in private thought-speak.  They’re watching Jake mime the sign of the cross, backward, for Ax.  «Weren’t you raised Catholic?»
  • “Mum’s the word,” Marco whispers.

• Two hours after that...

  • «This Jesus was only famous for the manner of his death?»
  • “Uh, no!”  Jake holds up a finger as it comes to him.  “He’s also famous for being born.”
  • «Ah.»  There’s a definite skeptical note to Ax’s voice.
  • Jake is aware he’s not doing a very good job of this, thank you, but he doesn’t see anyone else volunteering.  “See, he was born during a census — the Romans wanted to count all the Jewish people — and his parents couldn’t get a hotel room, so his mom had to go outside and give birth under a pine tree.  And now every year, Christians cut down pine trees and reenact Jesus’s birth under them inside their own homes.”
  • «Could we perhaps... perform this ritual?» Ax says.
  • “I dunno, I’ve only ever seen one of these trees at Marco’s...”  Jake stops talking.  He turns, slowly, to where Marco is cleaning his nails as he watches from across the room.
  • “No, no, don’t stop now!” Marco calls.
  • "I'm gonna kill you," Jake promises. "Slowly."
  • «Hey, Ax,» Tobias says suddenly.  «You know that time we caught that Buffy the Vampire Slayer marathon?»
  • «Yes.»
  • «We’re in a Buffy episode, Ax-Man.  This house runs on Buffy rules.»
  • «Of course!»  Ax throws up his hands.  «Finally, it makes sense.»
  • “You couldn’t have said that four hours ago?” Jake demands.
  • Tobias ruffles his feathers.  «Nope.»

• Another night passes.  This one doesn’t have any abduction attempts, possibly because they’ve taken to having teams of one bat and one skunk apiece on watch.  Possibly because the ghost opts to spend the entire night groaning and skittering and banging pipes.

• Possibly because this night, the ghost tries a different voice.  With different results.  “Marco,” it gets as far as calling, “Marco, this is—”

  • Jake is on his feet and half-morphed before consciousness sets in.  Ax and Tobias have already shot out of the room, talons and tail-blade at the ready, and Rachel is still morphing.
  • “Just the ghost,” Cassie says, trying to catch her breath.  “It’s just the ghost.”
  • «Fuck.»  Tobias glides back into the room and lands on the couch, every feather standing on end.  «Fuck.  If it could not do that EVER AGAIN—»
  • “Shhh!” Marco says.  And then he raises his voice, yelling toward the ceiling.  “Gosh, we sure enjoyed that, and we’d love to hear it again!  It didn’t even slightly cause any of us to pee our pants because we thought Visser One had found us here, no siree!”
  • “Does reverse psychology work on ghosts?” Rachel whispers.  No one has an answer.

• The following morning, they’re all officially in hangry-land.  “Ave Maria, gratia plena, Dominus tecum!” Marco shouts.  Which causes the floor to start shaking, plaster dust raining down on them and unearthly groans coming from the basement.  That’s something, at least.  “Bendita tú eres entre todas las mujeres, y bendito es el fruto de tu vientre, Jesús!”

  • “Okay,” Jake yells, “Now!”
  • "Right to left!" Tobias reminds them.  "Right to left!"
  • As one, they dip their paintbrushes into the bucket Ax unsealed, and rush to the nearest wall.  Each of them paints a long downward stroke against the wallpaper, and then a shorter stroke across, right to left.  They keep going until Marco shouts “y en la hora de mortis nostrae. Amen!”
  • Tobias, Cassie, and Jake step aside from their ragged line of crosses. Ax rushes the wall, Rachel thundering half a step behind.  Ax impacts it tail-first, slashing hard and gouging huge chunks out of the plaster.  As soon as there’s a hole, Rachel rams it with her giant elephant head and shoves for all she’s worth.
  • “Marco!” Jake shouts; the wall is starting to close.
  • “Pater Noster, qui es in caelis, sanctificetur nomen tuum!” Marco shouts.  “Um, um, post hoc ergo propter hoc!  Illegitimi non carborundum!  Shit!”
  • The wall has snapped shut, severing the end of Rachel’s trunk and both her tusks.  With a bellow of pain she staggers back, gushing blood onto the floor.
  • “Rachel, demorph!” Jake shouts.
  • She does. They’re left staring at a maddeningly intact plaster wall.  There’s a long pause, and then a phlegmy glug-glug noise as blood starts to flow over the wallpaper to cover up the crosses.

• At some point the issue of drinking tap water came and went; they’ve all chugged the stuff to try and keep their stomachs full.  Marco gets one of the walls bleeding again and puts a mug at the bottom, trying to collect enough to make Dinuguan.

  • “How hard can it be?” he asks, marching into the kitchen.
  • “Don’t eat that,” Jake says wearily, not looking up from what he’s doing on the kitchen floor.  “You don’t know where it’s been.”
  • “If it poisons me, I’ll morph.”  Marco sets the mug on the stove, peering in.  It is a little coagulated.  And there is a fair amount of plaster dust in there.
  • “And what if you get possessed by a ghost?”  Jake doesn’t look up.  There’s a steady screeaa screeaa coming from his corner of the kitchen.
  • “Then I’ll just...”  Marco takes a second look.  “Are you whittling?”
  • Jake has what appears to be a pried-up metal stair riser wedged between his knees, and a wooden chair leg in both hands.  He’s drawing the broken end of the leg across his makeshift file over and over, scraping curls of wood off to make a shape like a foot-long pencil.  “Yep,” he says, still going.
  • “...why?”
  • “Tobias said Catholicism follows Buffy rules, right?”  Jake holds up what is, unavoidably, a wooden stake.  As in, the kind used to impale vampires.
  • Marco opens his mouth, considers, and shuts it again.  “Leaving that aside,” he says, “the hell do you plan on staking?  The stupid invisilady is only as corporeal as she wants to be, remember?  We stick that through her, she’ll just Kitty Pryde right off it.”
  • “Yeah, but I figured if it’s a Catholic weapon, it might hurt her.”  Jake peers up at him.
  • “Jake.  Forget the Buffy thing.  Stakes are not Catholic.”
  • “The Romans staked Jesus, didn’t they?”
  • “Are you,” Marco says, “implying that Jesus was a vampire?”
  • “He came back from the dead, right?” Jake asks.  “Three days after telling his friends that drinking his blood was the path to immortality.”
  • Marco stares.  Jake stares back.  “You’re fucking with me,” Marco says at last.
  • “Hey, you’re the Catholic expert.” Jake's expression is wide-eyed, innocent.  “You tell me.”
  • “In that case we’re screwed, because I haven’t even been in a church since—”  Since his mom’s funeral, but they are not getting into that right now.  “Since I don’t even know when.”
  • “You didn’t answer my question about Jesus being a vampire,” Jake comments, going back to his stake.
  • He has sawdust on his lower lip.  Sweat gleams on the bare curves of his upper arms, muscles bunching as he works.  He’s beautiful.  It’s an idle thought, but not a new one. Nor is it neutral.  No, Marco is not a good Catholic boy, not by any stretch of imagination.

• The six of them sit on the living room floor, staring at the wall.  This time Jake’s plan was solid enough: try everything that’s worked so far, all at once.  Jake went bat to detect the ghost’s approach, Tobias went skunk to herd her, Ax and Rachel did their best to smash the wall, Cassie and Marco painted crosses while Marco (sticking to English this time) shouted a bunch of Hail Marys.  The result was a single tantalizing glimpse of blue sky and grass, then the wall slammed shut.  This time it’d taken half of Rachel’s head, along with Ax’s arms and tail; they’re both lucky to be alive.  Trying again doesn’t seem like a good idea.

• «What else do you know about the human afterlife?» Ax asks dully.  He’s sitting against the wall, all four legs folded under him.  Cassie has never seen him sit before, not even to sleep.  They’re all getting dangerously hungry, dangerously disoriented.  Even Ax only knows the time down to a few minutes in either direction.  The ghost can’t kill them with force — it tried turning down the temperature and they’d all morphed polar bear, it tried slamming Rachel into a wall only to have her slam it back — but it might kill them yet.

  • “My parents always told me ghosts don’t exist,” Cassie says.  “But at sleepaway camp, the stories I did hear were always about people who died violently, with unfinished business.”
  • «Yeah,» Tobias says.  «That tracks with Buffy, Goosebumps, Tales from the Crypt...»
  • “They’re not supposed to exist, anyway.”  Cassie leans her head back against the wall.  She’s tired, can’t think straight.  Maybe Tobias could catch them some dinner during the next rat plague.  That wouldn’t help Ax, but...
  • «Perhaps a different god,» Ax suggests.  «Other than this Jesus?»
  • «The other gods are only in Angel,» Tobias says.  «I know it’s a spinoff of Buffy, but it’s got a different mythos.»
  • «Are you certain that none of these other gods exist in reality?  You were convinced of the non-existence of ghosts before this week.»
  • Tobias and Cassie look at each other. And look.
  • “We’re barely cobbling through on Christianity,” Cassie says at last.  “Let’s save that idea for now.”

• “Another ritual.”  Jake is pacing in front of where they all sit along the wall.  “A full Catholic ritual, since the Catholicism is sort of working.  But we do it Exorcist style, convince the ghost to go away.”

  • “Dibs on not being the one to throw myself down a flight of stairs,” Rachel mutters.
  • «What other rituals are there?» Ax asks.  «The one with the reenactment of childbirth doesn’t seem helpful, as Marco said that can only be done in December.»  He looks at all of them.  «Surely there isn’t one that reenacts his death, so—»
  • “I have bad news about Passion Plays,” Marco says.
  • Rachel blinks.  “I have, like, nine questions.”
  • “The actor playing Jesus doesn’t usually die at the end, if that’s what you’re worried about.”
  • “Now I have about fifteen questions.”
  • «A funeral!» Tobias blurts.
  • “What?” Jake asks.
  • «That’s what all the stories say,» Tobias says.  «That a ghost is a dead person trapped here, because they’re supposed to be in the afterlife but aren’t!  And the Greeks, the Romans, the Christians—»
  • “Jewish tradition too,” Rachel confirms.
  • «You have to help them move on.»
  • “We don’t have a body to bury,” Jake says, but he’s looking energized for the first time all day.  “And anyway it’s too late for that.  What else would a funeral consist of?”
  • “Last rites,” Marco says.  “Assuming she really is Catholic.  Then... ashes to ashes, dust to dust, forgiving of sins...”
  • “You think you can do it?” Rachel asks.
  • “I can make something up,” he says.
  • She rubs her hands together. “Let’s do it.”

• “Hello, Homeowner!”  Marco stands on the second-floor landing — well away from the stairs thanks to Rachel’s comment — holding his paint-stirrer cross in his right hand.  “I’m not a priest, but I’d like to do my best to forgive you and help you make right with God.”

  • She appears then, at the end of the hall.  Not screaming or attacking.  Just floating, her skin as dirty-white as her dress.
  • “I don’t.”  Marco swallows.  “I don’t remember the words for Anointing, okay?  But, uh, Saint Paul said the thing about how any time two people gather in the name of Jesus, that space becomes holy.  So... I don’t think the words matter as much.  I think what matters is trying to do the right thing, and trying to help each other.”  He gives a nervous little cough, hand sweating around his paint-crusted cross.  “My name’s Marco.  What’s yours?”
  • The specter opens her mouth.  There’s a rattle, and then a hoarse whisper: “Eglantine.”
  • “Eglantine, huh?”  With heroic effort, Marco keeps his opinion of that name to himself.  “Hello.  Um, I’m not a priest, but if there is anything you’d like to confess to me so that God can hear it...”

• Marco comes down the stairs, a few minutes after they hear him start talking.  He’s staring at something the rest of them can’t see, head cocked as if listening.  Cassie looks at where the ghost must be, Rachel tensing beside her.  But Marco holds up a hand to stop them, and then after a second beckons them on.  The basement door creaks open at Marco’s approach, and he walks toward it.

  • «I was afraid it was going to say that,» Tobias mutters.  But he doesn’t hesitate to follow, nor do any of the others.
  • Marco reaches the bottom of the stairs, and then he turns to listen to something.  “There?” he asks, pointing at a spot on the wall.
  • With a thud that makes them all jump, a brick drops out of the wall and onto the floor.  Then another, then another.  Soon there’s a hole two feet in diameter, carved out of the basement wall.
  • Marco peers in, and then jumps back.
  • When the others crowd close, Cassie can see there are bones inside the wall.  Most of them are broken, but even assembled the body they formed must have been no more than a foot long.
  • “What is that, a cat?” Jake asks, squinting at the skeleton.
  • “Yeah,” Cassie lies.  “It’s a cat.”
  • «Guess we’ve found our sin,» Tobias murmurs.
  • “W-we forgive you, Eglantine.”  Marco’s voice shakes.  Twice his gaze darts toward that skull, too round, sans muzzle.  “We forgive you.  We know that you were scared, and hurt, and that you made a terrible mistake.  You felt you had no choice, and couldn’t see another way out.”  Straightening, his voice gains strength.  “Allow Jesus to be your shepherd.  Let him bring you into grace, and to lead you to eternal rest to be one with God.  May, uh, may God have mercy on your soul.”
  • Marco stares at that empty spot of air for several seconds.  He grabs Jake by the hand; Jake startles but doesn’t let go.  Jake holds out his other hand, and Cassie takes it.  Rachel slides a hand into Cassie’s, then she takes Ax’s hand in her free one, and at last Ax rests his tail blade atop Tobias’s wing.
  • “We forgive you,” Marco says, and gestures for them all to join in.
  • “We forgive you,” they say as one.
  • “Where there is hatred, let us sow love,” Marco whispers.  “Where there is injury, pardon, where there is despair, hope.  Grant that we may not so much seek to be consoled as to console, to be understood as to understand, to be loved as to love.  For it’s in giving that we receive, it’s in pardoning that we are pardoned, and it’s in dying that we are born to eternal life.  Amen.”
  • The breeze that blows through the room is nothing like the harsh winds of before.  It’s fresh, warm though it raises goosebumps on their arms.  At its touch, the tiny bones dissolve into dust.

• When silence falls again, Cassie looks around.  “Did it work?”

  • Somewhere upstairs, a door opens.
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Reblogged
Anonymous asked:

i think cars could be into like caution tape as like a bdsm thing. not to actually restrict anyone with bc caution tape is weak as fuck but like as an indicator that a car is dangerous and unstable (aka sexy). also there's a deleted scene where lightning mcqueen comes across a bunch of mangled car corpses so guro and necrophilia probably persist in the cars universe as well. just a thought

thank you for this contribution to hashtag cars lore

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Anonymous asked:

What if Animorphs was set before the civil rights movement?

[First of all: I misread this as “set DURING the civil rights movement” and wrote an entire AU accordingly; hope this is okay.  Secondly, I justified them being more civically engaged by making all the Animorphs 19 in this AU.]

-

• They plan it carefully, because they have, literally, only one shot at this.  Jake takes the time to steal a requisitioned Viet Cong rifle, because — much as Marco hates the extra risk — they need the whole thing to look right.  Marco’s the one who flirts with the staff sergeant (who, like him, probably tried to plead out of the draft by dint of “homosexual sympathies”) until Grummald agrees to let him and Jake patrol together.

  • That evening Jake slings his gun over his shoulder (hoping that no one notices in the low light it’s an AK-47 rather than their standard-issue M16) and promises everyone that he and Marco will be back before 2000 hours.
  • They march almost half their patrol route before Marco says, “You could still take this chance, you know.”
  • Jake’s jaw tightens.  They’ve had this conversation before.  He points out that he’s three months out from making it home free.  Marco points out that Jake could get called back for another tour.  Jake claims he’ll go AWOL if that happens.  Marco starts to protest.  Jake states flatly that his decision is final.
  • They’re at the furthest-out point of their loop when Jake takes the radio off his belt.  “PFC Berenson to Arlo Base, do you copy?”  
  • “Falsworth to Berenson, I copy.”
  • Jake relays their position, then adds, “We can hear something movin’ about hundred yards south of us.  Gonna go check it out.  Like as not it’s another of those wild pigs, nothin’ to worry about.”  He gives a nervous laugh and adds, “If it’s another fuckin’ tiger… speak well of us at home, yeah?”
  • Marco smirks.  He’s seen Jake go toe-to-toe with a real tiger out in this jungle before.  The predators should be scared of them, not the other way around. 
  • “Copy that,” Falsworth says. “Say safe, Private.”  Jake signs off.
  • “Last chance,” Marco says.  “You and me, swap right now—”
  • “How would you carry me back to camp?” Jake asks.  And before Marco can come up with an answer, Jake raises the gun and fires.
  • The first bullet shreds through the flesh of Marco’s right thigh; the second impacts the femur on that same leg and sticks in it with a sickening crack of bone.  Jake drops the gun in almost the same motion that he snaps the safety back on, already diving forward to lean pressure on the wounds.
  • As Marco leans back and does his best not to scream or pass out, Jake yanks out his med kit and does a hasty but effective job of disinfecting the holes then stapling them shut.  Last of all he pulls out the pre-prepped shot of heroin and, leaning close to find a vein, slides cool, blissful apathy into Marco’s arm.
  • “You’ll take care of yourself, right?” Marco slurs as Jake is carrying him back to camp.  “You’ll be okay?”
  • Jake shifts position slightly, wrapping his free hand around Marco’s wrist.  “I’ll be back before you know it.  I promise.”

• The system works brutally fast, offering Marco a disability discharge and preliminary repair surgery before dumping him out of its care and off Uncle Sam’s list of concerns as fast as it possibly can.  That suits Marco just fine; he limps out of the hospital on crutches and takes the first opportunity he can to morph, heal, and fly home.

• Home, as it turns out, needs his help.  Rachel has been leading the team since Jake got drafted, and the half a dozen yeerk projects she’s stopped don’t really make up for the four dead civilians she’s racked up in that time.  When Marco demands to know what they were thinking, Tobias snaps at him to give them a break.  Marco knows what that’s about.  Tobias feels irrationally guilty that he’s got no home address, no draft card, no lottery number hanging over his head.  Good, Marco thinks viciously, still unable to forget Jake’s attempt at a cheerful wave as the MedEvac helicopter rose into the air.  Tobias should be guilty.

• Cassie gets arrested.  Tobias is the one who goes to bail her out, because he’s the one with the appearance that will automatically earn the cops’ trust and respect.  He finds her sitting in a cell with a dozen other protestors, eye blackened and lip bleeding from a police officer’s baton.

  • “Did you save any more elephants?” he asks Cassie as they let her out, trying to lighten the mood.
  • “No,” she says, sounding tired, sounding sad.  “Apparently I was trespassing.  In a public cafe.”
  • Not knowing what else to do, Tobias pulls her into an awkward hug.  She leans against him, so he guesses he did okay.
  • “Is she your girlfriend?” one of the cops asks, sounding like he has an opinion on the subject if so.
  • “That’s none of your fucking business,” Tobias says softly, gently, as he continues to rub small circles into the back of her shoulder.

• Marco considers telling Jake just how bad it’s gotten in the real war (as they call it, to tell it apart from this fucking farce of LBJ’s) but finds he can’t come up with the words.  Even their system of codes might not be enough to protect them, if a controller intercepted one of the letters.  That’s the excuse Marco uses, anyway.  The truth is that Jake’s letters are relentlessly cheerful in a way that Marco knows is a lie, and some combination of not wanting him to worry and sheer passive-aggression lead Marco to match Jake tone-for-tone.

  • Let me know if you want out.  Ax and I will be there in an instant, Marco scrawls at the bottom of a typewritten page.
  • It’s not so bad over here, Jake answers.  And anyway, we’ve gotta keep a low profile.  Remember?

• Rachel does not, it would appear, remember the part about keeping a low profile.  They’re all angry, every single one of them, when the random asswipe calls Cassie an unrepeatable word. Cassie herself accepts it with a hard swallow and a dismissive look, and Marco settles for shouting back a couple insults of his own.

  • Rachel, on the other hand, feels the need to morph grizzly bear and bite said asswipe’s arm hard enough to break it.  She doesn’t seem to care that there are two other witnesses present, or that the others are all shouting for her to stop.
  • She stops short of killing him.  She even demorphs on her own, and goes charging out the back door of the automat into the empty lot beyond.
  • Marco throws caution to the wind and follows.  “What was that?”
  • She whirls around, hair flying everywhere, tears on her face.  “Why the fuck are we fighting so hard to save this country, huh?  Huh?”
  • Marco runs a hand over his hair, unpleasantly surprised for the umpteenth time to remember it’s so short.  At least the U.S. Army cutting it all off gave the neighborhood punks one less reason to call him a hippie queer and kick the shit out of him.  Silver linings.
  • “I can fight my own battles, you know,” Cassie says quietly, stepping up next to Marco.
  • Rachel scrubs both hands over her eyes, sniffing harshly.  “Was he…?”
  • “Not a controller.”  Cassie smiles tightly.  “Just a jerk.”
  • “I’d do it even if he was a controller,” Rachel says.

• Which is why, feeling like an asshole the whole time but knowing it has to be done, Marco calls for a vote of no confidence against Rachel the very next day.

  • “This is because I’m a woman, isn’t it?”  Rachel leans close to Marco’s face, pointing a shaking finger at him.  “Because I’m some weak little female who can’t handle power in your eyes!”
  • It’s so wildly untrue that Marco almost laughs, but he’s pretty sure that then Rachel would kill him.  “It’s because you’re out of control,” he whispers.  “Because I don’t trust you not to get us killed.  Because you’re one of my best friends and I don’t actually want you to die, but that’s the way you’re headed right now.”
  • “Rachel…” Cassie says.  Whatever she’s about to say gets interrupted when the phone rings inside her house.  Looking pathetically grateful for the excuse, she runs to go get it.
  • «This would just be a temporary measure,» Ax says, halfway between asking Marco and assuring Rachel, «until Prince Jake can come home.»
  • “Exactly.”  Marco nods.  “And he’ll be back in a matter of weeks.”
  • Tobias flutters, shifts, preens feathers.  At last he says, «Rachel, I… I love you.  But I want you to be safe, and…»
  • She rounds on him.  “You too, then?  I have to be kept safe?  You don’t think I’m up for this?  I should just stay home and embroider handkerchiefs and leave the fighting to the men?”
  • “You want Cassie to lead?” Marco babbles.  “Let’s have Cassie in charge.  I love that plan.  That’s the plan where more people don’t die, let’s go with that plan.”
  • «I think that’s…»  Tobias trails off.
  • Cassie is standing in the doorway, phone still in hand, corkscrew cord stretching away into the house.  She doesn’t seem to know she has it, because both her arms are wrapped around herself where she stands in the doorway and rocks slightly as she cries.
  • Marco feels all the air punched out of his lungs.  He knows what she’s going to say, well before she finally finds the words.

• It was fast.  Jake’s mom repeats that seven or eight times.  Single shot to the forehead, no warning.  Body lost to the Mekong River.  It was fast.  Jake’s mom says it again, and Marco feels a curl of disgust underneath the rage.  Of course it was fast; anything else wouldn’t have killed him.  They’re Animorphs.  Anything short of a bullet in the brainpan would’ve been no more than a momentary inconvenience for Jake.

• «I don’t understand,» Ax says after the funeral.

  • «Yeah.»  Tobias’s voice is dull.  «None of us do.»
  • «No, I…»  He glances at all of them at once.  «I don’t understand why Prince Jake’s grandmother took issue with Rachel’s family being in attendance.  When I asked her myself, she…»  He pauses, sensing that this is sensitive ground.  «She called Rachel’s mother ‘the divorcée’ more than once.»
  • “Yep.”  Rachel bites out the word.  “That about sums it up.”
  • «But I don’t understand.»  Ax’s main eyes crinkle in a frown.  «Unless I have the word wrong, this simply refers to the termination of the relationship between herself and your father.»
  • “It does.”  Rachel sighs.  “You got a problem with that?”
  • «They no longer wished to be wed, and so they were not.  What does that have to do with Prince Jake’s grandmother?»
  • “I don’t know, Ax.  I really don’t.”
  • «But why was she angered by your mother’s presence, but not similarly angered by your father’s?»
  • “Yeah,” Rachel says.  “All really good questions.  If you ever find any answers, be sure to let the rest of us know.”

• Their argument seems so small, so silly now, Rachel thinks.  She and Marco are sitting side-by-side a hundred yards up in an enormous pine overlooking the cemetery, watching through raptor eyes as Jake’s parents go through the last of the motions for the burial of an empty coffin.  Then again, the entire Vietnam War seems horrifyingly petty in light of what’s happening with the yeerks, and that didn’t stop the two of them from bickering before.

  • «During the battles, Cassie makes the calls,» Rachel says.  «She tells us when to attack, when to retreat, when to change the plan on the fly.  The rest of the time, we vote.  Yeah?»
  • «Agreed.»  Marco shifts, talons scratching the bark.  «First motion to put to the group: VA hospitals.»
  • Rachel glances over, a sharp twitch of her eagle neck.  «What about them?»
  • «They’re full of wounded and disabled soldiers, and…»  Marco lets out a laugh that is full of pain, not mirth.  «And, and it’s funny.  But maybe the worst fucking thing about being in Vietnam is that there are no yeerks.  Not anywhere in the armed forces, anyway.  Because why bother?  The U.N. doesn’t give a shit about us, our country doesn’t give a shit about us, our own towns hated us so much they picked us to send off to die.  We leave home where we get called hippie scum by the older generation, we go to kill some poor clueless kids who are trying to kill us back, we get home only to get spat on by hippie scum who call us babykillers.  And even the yeerks don’t care about us, because no one else does.  Which is downright hilarious, when you think about it.»
  • «You want to recruit more Animorphs.»  Rachel’s plenty smart; she figures it out.  «And you want to start where you know the yeerks won’t be.  Start with people who already have military training.»
  • «I know a guy.  From the Army.  James.  Sniper bullet took out his spine somewhere around the stomach area.  He’s smart.  Tough.  Decent.  Doesn’t entertain fools.  He’d be a start.»
  • «Let’s put it to the group.» Rachel opens her wings.  «Nothing much else for us to see around here, anyway.»

• «Prince Cassie, do you ever… ever wonder what will happen if we win?» Ax asks one day.

  • She takes a hand off her pitchfork, beckoning him further into the barn.  “I do.  I assume you do too?”
  • «My people have very different customs from yours.»  He steps delicately between the cages.  «And some which are much the same.  We have a term, vecol, which…»  He shakes his head, a very human gesture.  «It doesn’t matter.  I worry sometimes, though.  What my people might think of the team we now have.  What you, my friends, might think of my people when you learn.»
  • Cassie leans the pitchfork against the corner between a post and the first horse stall.  “I’m pretty sure if we win, we’ll claim Tobias was leading us the whole time.”  She smiles.  “He’ll hate that, of course, but pretty much any alternative would be worse.”
  • «You wouldn’t even acknowledge Prince Jake’s leadership?»
  • “Oh, we’d honor his memory, to be sure, if we could.”  She takes a breath, feeling Ax’s fear — that her entire species will be measured and found wanting, for its outdated and terrible beliefs — and tries to find words.  “Jake’s parents are Jewish.  Marco’s mother is Latina.  Rachel and I are female, and neither of us has the good white Protestant family to be fully American.  James and Timmy and the others aren’t even allowed to have human rights in the U.S., much less…”  She grimaces.  “It’s not his fault, but Tobias…”
  • «Tobias is half andalite.»  Ax says it with pride rather than defensiveness.
  • “And yet, he — or his human shape — also looks like the people you see on TV.”  She raises her eyebrows.  “You have to have noticed that none of the people on any of the shows look like most of us.”
  • «You are fighting against this, though.»  Ax gestures to the Black Power poster Cassie’s dad hung above the refrigerator that holds their feeder mice.  «You take the time to fight these battles, as well as those against the yeerks.»
  • “It’s like Toby said.”  Cassie shrugs.  “I want us to have a place to come back to where we can be safe, once the war is done.”
  • «I understand,» Ax says.  «Or rather, I think I do.  Maybe it would be best for me to explain to you how we are taught to think of vecols, and maybe you could tell me how it is I can help this other fight of yours.»
  • Cassie takes his hand in both of hers.  “Maybe I can help in your fight, while we’re at it.  After all, there are infinite battles.  As long as we don’t lose hope, we can keep fighting forever.”
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Reblogged teaboot

the term "fridging" has become so ingrained in the world of fandom discussion and media criticism and it's so rarely meant literally that it's very easy to forget that it came from a fucking insane green lantern comic where they hated women so much they genuinely put a dude's dead girlfriend in a fridge

The word hate is being used to imply that the writers thought of women enough as to actively dislike them, when it's more like they saw so little worth on what the girl could do that the most interesting thing she could do would be getting dismembered and put in a fridge so the main character can go "that's pretty fucked up huh".

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